When you attend a Renaissance Faire, you participate in a unique experience. This is an apportionment of Queen Elizabeth's Golden Age that is revived and presented to you daily for an immersive enjoyment. A one of a kind art form consisting of scripted scenes and histrionic performances on stage as well as interactive opportunities amongst the streets throughout the "Faire". For more than fifty years, thousands of actors have studied the Elizabethan tongue as a second language, refine their skills with techniques of improvisational performances, dances, songs and period wardrobe to become a reincarnated resident of an Elizabethan Shire.The opportunity of participation with folk liturgy at a "Faire" will help to foment in us the memories of simpler times more in harmony with nature and the world. I am appreciative that you desire to join us in this twenty first century Renaissance Language learning experience.

In the London of Shakespeare and William Byrd, Thomas East was the premier, often exclusive, printer of music. As he tells the story of this influential figure in early English music publishing, Jeremy Smith also offers a vivid overall portrait of a bustling and competitive industry, in which composers, patrons, publishers, and tradesmen sparred for creative control and financial success. It provides a truly comprehensive study of music publishing and a new way of understanding the place of musical culture in Elizabethan times. In addition, Smith has compiled the first complete chronology of East's music prints, based on both bibliographical and paper-based evidence.

The first fifty volumes of this yearbook of Shakespeare studies are being reissued in paperback.

Thomas Middleton and Early Modern Textual Culture is a comprehensive companion to The Collected Works of Thomas Middleton, providing detailed introductions to and full editorial apparatus for the works themselves as well as a wealth of information about Middleton's historical and literary context.