In this groundbreaking book one of the most original and compelling voices in contemporary Shakespeare criticism undertakes a detailed study of the ten extraordinary comedies Shakespeare wrote during his first decade as a dramatist: The Comedy of Errors, The Taming of the Shrew, The Two Gentlemen of Verona, Love's Labour's Lost, A Midsummer Night's Dream, The Merchant of Venice, The Merry Wives of Windsor, Much Ado About Nothing, As You Like It and Twelfth Night. Through close readings of these plays Kiernan Ryan reveals Shakespeare's deepening disenchantment with his world and his dream of that world transfigured. Ryan engages with each comedy as a unique work of dramatic and poetic art, with its own distinctive concerns and critical challenges, paying special attention to its language and form. As the haunting vision shared by the plays emerges from Ryan's acute analysis of each of them, the book transforms our understanding and appreciation of Shakespearean comedy. Written in a lively, accessible style, Shakespeare's Comedies is essential reading not only for students and teachers, but also for anyone keen to consider these plays from a fresh perspective.

From the moment films were first produced, comedy has been a key feature of cinema. From just before the turn of the twentieth century until the early 1930s, audiences celebrated the brilliant humor of cinematic clowns who left their marks forever. We still remember—and laugh at—the hilarious antics of Laurel and Hardy, Buster Keaton, Harold Lloyd, and many others. In 100 Essential Silent Film Comedies James Roots identifies the major comedic motion pictures produced in the first few decades of the twentieth century. With a lucid and lively style, Roots takes a look at more than 400 silent comedies and narrows the list to 100 that viewers should consider. Each entry includes cast and crew information, a synopsis, critical evaluation, and additional commentary—all to demonstrate why that particular film is essential viewing. The films range from 70 seconds to full-length features and even include some of the earliest produced films, starting in 1894. In addition to citing Hollywood’s finest, the book profiles comedies from around the world, including selections from the United Kingdom, France, Japan and Russia. More thanseventy silent comedians from Charlie Chaplin to Max Linder are represented in these selections, and the book celebrates such established classics as The General and Safety Last—as well as relatively obscure one-reelers. Including information about DVD availability, 100 Essential Silent Film Comedies is an invaluable resource that provides both scholars and general film fans a list of entertaining films to explore.

Published in 1980, Blacks in Blackface was the first and most extensive book up to that time to deal exclusively with every aspect of all-African American musical comedies performed on the stage between 1900 and 1940. An invaluable resource for scholars and historians focused on African American culture, this new edition features significantly revised, expanded, and new material. In Blacks in Blackface: A Sourcebook on Early Black Musical Shows, Henry T. Sampson provides an unprecedented wealth of information on legitimate musical comedies, including show synopses, casts, songs, and production credits. Sampson also recounts the struggles of African American performers and producers to overcome the racial prejudice of white show owners, music publishers, theatre managers, and booking agents to achieve adequate financial compensation for their talents and managerial expertise. Black producers and artists competed with white managers who were producing all-Black shows and also with some white entertainers who were performing Black-developed music and dances, often in blackface. The chapters in this volume include: An overview of African American musical shows from the end of the Civil War through the golden years of the 1920s and ’30s New and expanded biographical sketches of performers Detailed information about the first producers and owners of Black minstrel and musical comedy shows Origins and backgrounds of several famous Black theatres Profiles of African American entrepreneurs and businessmen who provided financial resources to build and own many of the Black theatres where these shows were performed A chronicle of booking agencies and organized Black theatrical circuits, music publishing houses, and phonograph recording businesses Critical commentary from African American newspapers and show business publications More than 500 hundred rare photographs A comprehensive volume that covers all aspects of Black musical shows performed in theatres, nightclubs, circuses, and medicine shows, this edition of Blacks in Blackface can be used as a reference for serious scholars and researchers of Black show business in the United States before 1940. More than double the size of the previous edition, this useful resource will also appeal to the casual reader who is interested in learning more about early Black entertainment.

In this long overdue and affectionate salute, celebrated comedy historian Robert Ross pays tribute to some of the finest, funniest and most fascinating names in comedy from both sides of the Atlantic. Monty Python’s Terry Jones wrote the foreword. With the passionate input of such comics as Tim Brooke-Taylor, Hattie Hayridge, Roy Hudd, Michael Palin, Ross Noble, Chris Addison and Bernard Cribbins, Ross honours these legends of humor who, for a variety of reasons, didn't quite reach the heady heights of stardom or, once they had, couldn't cope with the pressures. Whether it is a favorite from the distant smoke- and ale-stained world of the Music Hall like the great George Robey, or the downbeat poetry of Hovis Presley, who dropped disenchanted bombs on the late 1990s, Forgotten Heroes of Comedy will finally elevate them to the Hall of Fame where they belong. Forgotten, no longer. UK Joe Baker UK Eric Barker UK Alfie Bass UK Michael Bates India (to English parents) David Battley UK Michael Bentine UK Harold Berens UK Wilie Best USA Alec Bregonzi UK Michael Ward UK Douglas Byng UK Marti Caine UK Esma Cannon Australia (but moved to UK) Patrick Cargill UK Jimmy Clitheroe UK Danny Ross UK Billy Dainty UK Janet Davies UK Florence Desmond UK Jerry Desmonde UK Eddie Leslie UK Maidie Dickson UK Charlie Drake UK Jimmy Edwards UK Gus Elen UK Ray Ellington UK Dick Emery UK Pierre Etaix France Barry Evans UK Mario Fabrizi UK Doug Fisher UK Ronald Frankau UK Leslie Fuller UK Dustin Gee UK Peter Glaze UK Tommy Godfrey UK Harry Locke UK Ken Goodwin UK Bernard Gorcey Russia (died USA) Bert Gordon USA Monsewer' Eddie Gray UK Raymond Griffith USA Deryck Guyler UK Brian Hall UK Lloyd Hamilton USA Arthur Haynes UK Richard Hearne UK Dickie Henderson UK Gerard Hoffnung Germany (died UK) Shemp Howard USA Nat Jackley UK Rex Jameson UK Spike Jones USA John Junkin UK Dave King UK Roy Kinnear UK Dennis Kirkland UK Patsy Knox USA Debbie Linden UK Hugh Lloyd UK Malcolm McFee UK Moore Marriott UK Graham Moffatt UK Ray Martine UK Zeppo Marx USA Glenn Melvyn UK Eric Merriman UK Christopher Mitchell UK Albert Modley UK Robert Moreton UK Gladys Morgan UK Lily Morris UK Richard Murdoch UK Tom E. Murray USA David Nixon UK Larry Noble UK Ole Olsen USA Chic Johnson USA Ken Platt UK Sandy Powell UK Vince Powell UK Hovis Presley UK Cardew Robinson UK Joe E. Ross USA Patsy Rowlands UK Derek Roy UK Derek Royle UK Leslie Sarony UK Larry Semon USA Ronald Shiner UK Johnnie Silver USA Dennis Spicer UK Larry Stephens UK Jake Thackray UK Thelma Todd USA Jack Train UK Karl Valentin Germany Liesl Karlstadt Germany Norman Vaughan UK Tom Walls UK Ralph Lynn UK Elsie and Doris Waters UK Rita Webb UK John Wells UK George and Kenneth Western UK Gordon Wharmby UK Bert Wheeler USA Robert Woolsey USA Albert Whelan Australia (died UK) Robb Wilton UK Mike and Bernie Winters UK Georgie Wood UK Dolly Harmer UK Harry Worth UK Mario Zampi Italy (died UK)

First Published in 1987. This is the second edition with an additional foreword. The purpose of this book—the first to recount the history of the popular musical stage on Broadway and its intersecting streets—is to tell what the various entertainments were like, how they looked and sounded, who was in them, and why they made people laugh or cry. The values employed in the book are changeable and inconsistent. Sometimes an affable smile is bestowed upon a musical comedy, burlesque, or revue that was really very bad. Sometimes a harsh verdict is brought in against an entertainment that received widespread approval and praise.

Anyone who takes an intelligent interest in theatre-going will find profit and stimulus in this book.

The definitive guide to classic films from one of America's most trusted film critics Thanks to Netflix and cable television, classic films are more accessible than ever. Now co-branded with Turner Classic Movies, Leonard Maltin’s Classic Movie Guide covers films from Hollywood and around the world, from the silent era through 1965, and from The Maltese Falcon to Singin’ in the Rain and Godzilla, King of the Monsters! Thoroughly revised and updated, and featuring expanded indexes, a list of Maltin’s personal recommendations, and three hundred new entries—including many offbeat and obscure films—this new edition is a must-have companion for every movie lover.

First Published in 1987. Routledge is an imprint of Taylor & Francis, an informa company.