"a publisher is a business man . . . a professional man also. He can do his best service only for those authors who inspire his loyalty, who enable him to make his publishing house permanent, and who leave him enough margin of profit to permit him to make books of which he can be proud." -Walter Hines Page, A Publisher's Confession A Publisher's Confession (1905) by Walter Hines Page, vice president of Doubleday, Page & Co. when the book appeared, was released anonymously. This allowed the author to discuss the flaws and mistakes of his colleagues and clients. In the author's view, publishers at the time were more concerned with the cost of manufacturing than the content of the titles they published, and Page was praised for revealing corruption within the industry.

In the early nineteenth century, the publishing house of Taylor & Hessey brought out the work of Keats, Clare, Hazlitt, De Quincey, Carlyle, Lamb, Coleridge and many more of the most important literary figures of the time, as well as the great literary journal of the period, the London Magazine. Tim Chilcott here examines the life and work of John Taylor, the firm’s founder. The account, originally published in 1972 and incorporating a large amount of hitherto unpublished material, is a fascinating piece of literary, social and publishing history, showing clearly the relationship between the author and his publisher, and in turn between the publisher and the reading public.

Uses fresh archival material to explore Jack London's publishing career outside of North America, illuminating the relationships with publishers and agents, principally in Britain, as a key to understanding the character, drive, and international success of this popular figure of twentieth-century American letters.

Creeds and confessions throughout Christian history provide a unique vantage point from which to study the Christian faith. To this end, Donald Fairbairn and Ryan Reeves construct a story that captures both the central importance of creeds and confessions over the centuries and their unrealized potential to introduce readers to the overall sweep of church history. The book features texts of classic creeds and confessions as well as informational sidebars.

In the three decades after 1885, a virtual explosion in the nation's print media—newspaper tabloids, inexpensive magazines, and best-selling books—vaulted the American writer to unprecedented heights of cultural and political influence. The Labor of Words traces the impact of this mass literary marketplace on Progressive era writers. Using the works and careers of Jack London, Upton Sinclair, David Graham Phillips, and Lincoln Steffens as case studies, Christopher P. Wilson measures the advantages and costs of the new professional literary role and captures the drama of this transformative epoch in American journalism and letters.

The Difficult Art of Giving rethinks standard economic histories of the literary marketplace. Traditionally, American literary histories maintain that the post-Civil War period marked the transition from a system of elite patronage and genteel amateurism to what is described as the free literary market and an era of self-supporting professionalism. These histories assert that the market helped to democratize literary production and consumption, enabling writers to sustain themselves without the need for private sponsorship. By contrast, Francesca Sawaya demonstrates the continuing importance of patronage and the new significance of corporate-based philanthropy for cultural production in the United States in the postbellum and modern periods. Focusing on Henry James, William Dean Howells, Mark Twain, Charles Chesnutt, and Theodore Dreiser, Sawaya explores the notions of a free market in cultural goods and the autonomy of the author. Building on debates in the history of the emotions, the history and sociology of philanthropy, feminist theory, and the new economic criticism, Sawaya examines these major writers' careers as well as their rich and complex representations of the economic world. Their work, she argues, demonstrates that patronage and corporate-based philanthropy helped construct the putatively free market in literature. The book thereby highlights the social and economic interventions that shape markets, challenging old and contemporary forms of free market fundamentalism.

The publishing memoirs of Charles Nuetzel, legendary paperback author, editor, publisher, and packager. Interviews, reminiscences, tips and tricks of the trade -- everything you ever wanted to know about the early days of publishing from one of the authors who lived through it! "I was lucky enough not only in selling my work to publishers but also ending up packaging books for some of them, and finally becoming a 'publisher' much like those who had bought my first novels. From there it as a simple leap to editing not only a science-fiction anthology, but also a line of SF books for Powell Sci-Fi back in the 1960s." -- Charles Nuetzel