A Psychoanalytic Study of Lawrence Durrell’s The Alexandria Quartet: Exile and Return focuses on the dialogue created by literature and psychoanalysis in an individual’s quest to explore existential issues, such as a sense of belonging to a homeland and a recurring sense of the Uncanny (das unheimliche). Rony Alfandary explores Durrell’s attempt to recreate a sense of belonging to a homeland, which perhaps never existed but can be retraced and reinvented through writing. This book studies some issues present in Durrell’s work: the connection between biographical and fictional elements in the study of literature the influence of early Freudian theoretical themes upon the writer later influences including post-modern and hermeneutic theories The life and work of Lawrence Durrell can serve as a prototype of a man’s quest for meaning, in a world caught in turmoil in the period between and during WW2. The author’s psychoanalytic exploration of the work and its relevance to human experience today, shows how the themes Durrell dealt with remain relevant. Alfandary highlights the ways in which his usage of several author narrative styles exemplifies the divergent and often contradictory nature of "Truth", emerging rather as multi-layered, multi-voiced and often torn sense of human subjectivity. A Psychoanalytic Study of Lawrence Durrell’s The Alexandria Quartet: Exile and Return demonstrates Durrell’s strong influence by psychoanalytic thought and will appeal to both psychoanalytic and literary scholars.

The prize-winning biography of the celebrated author of the Alexandria Quartet and the Avignon Quintet: an “elegant and meticulous . . . treat” (Kirkus Reviews). A New York Times Notable Book Born in colonial India in 1912, Lawrence Durrell established his literary reputation as a citizen of the Mediterranean. After attending school in England, Durrell escaped the country he dubbed “Pudding Island” for the Greek island of Corfu, only to make another escape—this time from Nazi invasion—to Egypt. His experiences in wartime Alexandria led to a quartet of novels, beginning with Justine, that are collectively considered some of the great masterpieces of postwar fiction. Durrell’s peripatetic life, which eventually took him to the South of France, fed his work with the richness and drama of his various adoptive homes. A man of protean talents, Durrell is celebrated for his fiction and poetry, as well has his highly regarded translations, essays, and travel literature. In researching this authorized biography, Ian S. MacNiven traveled over a period of twenty years from India to California, interviewing hundreds of individuals and visiting all but one of the many places Durrell lived. The result is an intimate portrait of a literary titan that was awarded a prize by the French city of Antibes for the year’s best study on Durrell.

The Durrell family are immortalised in Gerald Durrell's My Family and Other Animals and its ITV adaptation, The Durrells. But what of the real life Durrells? Why did they go to Corfu in the first place - and what happened to them after they left? The real story of the Durrells is as surprising and fascinating as anything in Gerry's books, and Michael Haag, with his first hand knowledge of the family, is the ideal narrator, drawing on diaries, letters and unpublished autobiographical fragments. The Durrells of Corfu describes the family's upbringing in India and the crisis that brought them to England and then Greece. It recalls the genuine characters they encountered on Corfu - Theodore the biologist, the taxi driver Spiro Halikiopoulos and the prisoner Kosti - as well as the visit of American writer Henry Miller. And Haag has unearthed the story of how the Durrells left Corfu, including Margo's and Larry's last-minute escapes before the War. An extended epilogue looks at the emergence of Larry as a world famous novelist, and Gerry as a naturalist and champion of endangered species, as well as the lives of the rest of the family, their friends and other animals. The book is illustrated with family photos from the Gerald Durrell Archive, many of them reproduced here for the first time.

DIVDIVThe final installment of the Alexandria Quartet, hailed by the New York Times Book Review as “one of the most important works of our time”/divDIV /divDIVYears after his liaisons with Justine and Melissa, Darley becomes immersed in a relationship with Clea, a bisexual artist. The ensuing chain of events transforms not only the lovers, but the dead as well, and leads to the series’ brilliant and unexpected resolution. /divDIV /divDIVPraised by Life as among the “most discussed and widely admired serious fiction of our time,” Clea carries on Durrell’s assured and unwavering style, and confirms the series’ standing as a resounding masterpiece of twentieth-century fiction./divDIV /divDIVThis ebook contains a new introduction by Jan Morris./div /div

730 million people—almost 10% of the world’s population—inhabit islands. One quarter of the states represented at the United Nations are islands. Islands constitute almost twenty percent of the total land area of Greece, and exhibit more significant aspects of biodiversity than other global contexts. They are both occasions of triumph and occurrences of catastrophe. Islands are both open and enclosed communities, points of arrival and departure. Islands exert a fascination for the visitor and generate, in the islander, both positive and negative mindsets. The romantic fallacies about self-sufficiency and insularity of islands are constantly challenged. This collection of essays by scholars from some of the world’s most compelling islands—Jersey, Ireland, Tasmania, Corfu, Ereikousa, Prince Edward Island, Malta—explores the psychology of islands, islanders and their visitors, the literatures they stimulate, and the scientific, ethical and biogeographical issues they present in an increasingly globalised world. Corfu, the home of Lawrence and Gerald Durrell in the 1930s, and host to literary and scientific enquiry, is the place where this collection was conceived, and occupies a central place in its discussions.

This is Durrell's first novel, published in 1935, shortly after he left England to live abroad until his death in 1990. It traces Walsh Clifton's Anglo-Indian childhood and his struggles to negotiate a life between "mother" India and "father" England. The trauma of leaving India for an alien home propels the novel's concerns with colonial life and its wounds, transitioning from an idyllic rural world to London and Bloomsbury in the 1920s.

The “virtuoso” author’s memoir of his spiritual journey with famed Taoist philosopher Jolan Chang (The New York Times). Beginning with their first meeting over lunch at Lawrence Durrell’s Provencal home, Durrell and Jolan Chang—renowned Taoist philosopher and expert on Eastern sexuality—developed an enduring relationship based on mutual spiritual exploration. Durrell’s autobiographical rumination on their friendship and on Taoism recounts the author’s existential ponderings, starting with his introduction to the mystical and enigmatic “smile in the mind’s eye.” From parsimony, cooking, and yoga to poetry, Petrarch, and Nietzche, A Smile in the Mind’s Eye is a charming tale of a writer’s spiritual and philosophical awakening.

An extraordinary literary event: Daniel Mendelsohn’s acclaimed two-volume translation of the complete poems of C. P. Cavafy—including the first English translation of the poet’s final Unfinished Poems—now published in one handsome edition and featuring the fullest literary commentaries available in English, by the renowned critic, scholar, and international best-selling author of The Lost. No modern poet so vividly brought to life the history and culture of Mediterranean antiquity; no writer dared break, with such taut energy, the early-twentieth-century taboos surrounding homoerotic desire; no poet before or since has so gracefully melded elegy and irony as the Alexandrian Greek poet Constantine Cavafy (1863–1933). Whether advising Odysseus on his return to Ithaca or confronting the poet with the ghosts of his youth, these verses brilliantly make the historical personal—and vice versa. To his profound exploration of longing and loneliness, fate and loss, memory and identity, Cavafy brings the historian’s assessing eye along with the poet’s compassionate heart. After more than a decade of work and study, Mendelsohn—a classicist who alone among Cavafy’s translators shares the poet’s deep intimacy with the ancient world—gives readers full access to the genius of Cavafy’s verse: the sensuous rhymes, rich assonances, and strong rhythms of the original Greek that have eluded previous translators. Complete with the Unfinished Poems that Cavafy left in drafts when he died—a remarkable, hitherto unknown discovery that remained in the Cavafy Archive in Athens for decades—and with an in-depth introduction and a helpful commentary that situates each work in a rich historical, literary, and biographical context, this revelatory translation is a cause for celebration: the definitive presentation of Cavafy in English.