Minjung Theology is introduced here through theological biographical sketches of its main representatives. They formulated a protestant liberation theology under the South Korean military dictatorship of the 1970s and 80s. Their strong emphasis on the suffering (han) of the people (minjung) led them to the formulation of a genuine theology of the cross in Asia. Volker Küster explores the reception of Minjung Theology and raises the question what happened to it during the democratization process and the rise of globalization in the 1990s. Interpretations of art works by Minjung artists provide deep insights into these transformation processes. Prologue and epilogue abstract from the Korean case and offer a concise theory of contextual theology in an intercultural framework.

'I fear we shall never see another Tozer. Men like him are not college-bred but Spirit-taught.' Leonard Ravenhill, 20th century British evangelist. Pastor A. W. Tozer, author of the Christian classics The Pursuit of God and The Knowledge of the Holy, was a complex, intensely private, deeply spiritual man, and a gifted preacher whose impact for the kingdom of God is immeasurable. In this thoughtful biography, bestselling author Lyle Dorsett traces Tozer's life from his humble beginnings as a Pennsylvania farm boy to his heyday as a Chicago pastor- when hundreds of college students would travel to his South Side church to hear him preach and thousands more heard his Sunday broadcasts on WMBI- to his final pastorate in Toronto. From his conversion as a teen to his death in 1963, Tozer remained true to one passion: to know the Father and make Him known, no matter what the cost. The price he paid was loneliness, censure from other, more secular-minded ministers of the times, and even a degree of estrangement from his family. Read the life story of a flawed but gifted saint, whose works are still impacting the world today.

Widely regarded as the twentieth century s greatest theologian, Karth Barth refocused the task of Christian theology and demonstrated its relevance to every domain of human life, from the spiritual to the social to the political. It is precisely the broad sweep of Barth s theology that makes a book like The Great Passion of such great value a succinct yet comprehensive introduction to Barth s entire theological program. Of the many people who write on the life and thought of Karl Barth, Eberhard Busch is uniquely placed. A world-renowned expert on Barth s theology, he also served as Barth s personal assistant from 1965 to 1968. As Busch explains, one cannot fully understand Barth the theologian apart from understanding Barth the man. In this book he weaves doctrine and biography into a superb presentation of Barth s complete work. Busch s purpose in this introduction is to guide readers through the main themes of the multivolume Church Dogmatics against the horizon of our own times and problems. In ten sections Busch clearly explains Barth s views on all of the major subject areas of systematic theology: the nature of revelation, Israel and Christology, the Trinity and the doctrine of predestination, the problem of religion, gospel and law, creation, salvation, the Holy Spirit, ecclesiology, and eschatology. A distinctive feature of the book is the way Busch lets Barth speak for himself, often through surprising quotations and paraphrases. Busch also shows how Barth s writing should be read as a dialogue, constantly and consciously engaging other voices past and present, both inside and outside the church. Most important, The Great Passion demonstrates that Barth s thought is still remarkably helpful today.

St. Matthew Passion is Hans Blumenberg's sustained and devastating meditation on Jesus's anguished cry on the cross, "My God, my God, why have you forsaken me?" Why did this abandonment happen, what does it mean within the logic of the Gospels, how have believers and nonbelievers understood it, and how does it live on in art? With rare philological acuity and vast historical learning, Blumenberg unfolds context upon context in which this cry has reverberated, from early Christian apologetics and heretics to twentieth-century literature and philosophy. Blumenberg's guide through this unending story of divine abandonment is Johann Sebastian Bach's monumental Matthäuspassion, the parabolic mirror that bundled eighteen hundred years of reflection on the fate of the crucified and the only available medium that allows us post-Christian listeners to feel the anguish of those who witnessed the events of the Passion. With interspersed references to writers such as Goethe, Rilke, Kafka, Freud, and Benjamin, Blumenberg gathers evidence to raise the singular question that, in his view, Christian theology has not been able to answer: How can an omnipotent God be so offended by his creatures that he must sacrifice and abandon his own Son?

This is a sequel to Richard Viladesau's well-received study, The Beauty of the Cross: The Passion of Christ in Theology and the Arts from the Catacombs to the Eve of the Renaissance. It continues his project of presenting theological history by using art as both an independent religious or theological "text" and as a means of understanding the cultural context for academic theology. Viladesau argues that art and symbolism function as alternative strands of theological expression sometimes parallel to, sometimes interwoven with, and sometimes in tension with formal theological reflection on the meaning of crucifixion and its role in salvation history. This book examines the two great revolutionary movements that gave birth to the modern West: the Renaissance and the Protestant Reformation. This period was eventful for both theology and art, and thus particularly fruitful for Viladesau's project. Using individual works of art, over sixty of which are reproduced in this book, to epitomize particular artistic and theological models, he explores the contours of each paradigm through the works of representative theologians as well as liturgical, poetic, artistic, and musical sources. To name a few examples, the theologies of Savonarola, Luther, Calvin, and the Council of Trent, are examined in correlation to the new situation of art in the era of Fra Angelico, Leonardo, Michelangelo, Dürer, Cranach, and the Mannerists. In this book, Viladesau continues to deepen our understanding of the foremost symbol of Christianity.

Since its release on Ash Wednesday 2004, The Passion of the Christ has become a commercial success of astonishing proportions, already ranking as one of the highest grossing films of all time. At the same time, it has created a torrent of controversy and debate, provoking passionate responsesboth negative and positivefrom people of widely divergent backgrounds and beliefs. It has exposed fundamental differences of opinion and belief about everything from the historical truth of the Bible to the political power of Hollywood. Perspectives on the Passion of the Christ gathers together contributions from theologians, journalists, academics, and philosophers representing a wide spectrum of views and backgrounds. From the film's theological and historical underpinnings, to its cinematic and cultural implications, here is a balanced and thought-provoking exploration of the vital questions raised by The Passion of the Christ. Jews and Christians, evangelicals and agnostics, filmmakers and scholarsthe film elicits fascinating responses from all. Among others, Jon Meacham of Newsweek looks hard at the historical record and asks, "Who Really Killed Jesus" Rev. Susan Thistlethwaite asks why such an exceptionally violent movie has been embraced by so many conservative Christians and argues that The Passion of the Christ presents Jesus as a hero in a war movie; Rabbi Eugene Korn considers the movie's potential impact on interfaith relations; and Steve Martin offers an oblique comic view, from the perspective of a Hollywood insider. Full of insight into a phenomenon that has raised so many burning and complex issues, this collection is the indispensable guide to understanding the cultural lightning rod that is The Passion of the Christ.

Two aspects are fundamental to Hispanic/Latina theology: rich diversity and a collaborative spirit. In this groundbreaking book, Hispanic scholars come together to create a theology drawn from the collaboration of Latino and Latina Protestants in North America. The authors discuss a range of topics--God, Jesus Christ, the Holy Spirit, the importance of scripture, the church, humanity, the doctrine of sin, spirituality--and the challenges facing Hispanic/Latina Protestant theology.

Evangelical guide to the film The Passion of the Christ, including an analysis of the film's theological and artistic elements.

In Playing On: Re-staging the Passion after the Death of God, Mirella Klomp shows how the Dutch playfully rediscover Christian heritage. Engaging theologically with a public Passion play, she demonstrates how precisely a production of Jesus' last hours carves out a new and unexpected space for God in a (post-)secular culture.

This groundbreaking volume highlights the contemporary relevance of Jacques Lacan (1901-1981), whose linguistic reworking of Freudian analysis radicalized both psychoanalysis and its approach to theology. Part I: Lacan, Religion, and Others explores the application of Lacan's thought to the phenomena of religion. Part II: Theology and the Other Lacan explores and develops theology in light of Lacan. In both cases, a central place is given to Lacan's exposition of the real, thereby reflecting the impact of his later work. Contributors include some of the most renowned readers and influential academics in their respective fields: Tina Beattie, Lorenzo Chiesa, Clayton Crockett, Creston Davis, Adrian Johnston, Katerina Kolozova, Thomas Lynch, Marcus Pound, Carl Raschke, Kenneth Reinhard, Mario D'Amato, Noelle Vahanian, and Slavoj Žižek. Topics traverse culture, art, philosophy, and politics, as well as providing critical exegesis of Lacan's most gnomic utterances on theology, including "The Triumph of Religion."