Two journalists provide a guide for navigating through the Internet Age's viral and opinion-based news sources, explaining how to discern what sources or facts are reliable and how to think like a journalist and unearth the truth.

A latest irreverent road journal by the author of Get in the Van recounts his 2007 spoken word show tour through Iran, Syria, Lebanon, and Pakistan, during which he recorded unstinting observations on such topics as the assassination of Prime Minister Benazir Bhutto, changes throughout the music industry, and his own life work. Original.

The implications of the information economy for our lives and businesses. Well reviewed.

I was the Fool-king of Soho and the number-one slag in the Groucho Club, the second drunkest member of the world's drunkest band. This was no disaster, though. It was a dream coming true.' For Alex James, music had always been a door to a more eventful life. But as bass player of Blur - one of the most successful British bands of all time - his journey was more exciting and extreme than he could ever have predicted. In Bit of a Blur he chronicles his journey from a slug-infested flat in Camberwell to a world of screaming fans and private jets - and his eventual search to find meaning and happiness (and, perhaps most importantly, the perfect cheese), in an increasingly surreal world.

Fans of Jerry Spinelli's Maniac Magee and Louis Sachar's Holes will enjoy this story about a boy and the ancient secrets that hide deep in the heart of the Florida everglades near a place called Muck City. When Charlie moves to the small town of Taper, Florida, he discovers a different world. Pinned between the everglades and the swampy banks of Lake Okeechobee, the small town produces sugar cane . . . and the fastest runners in the country. Kids chase muck rabbits in the fields while the cane is being burned and harvested. Dodging flames and blades and breathing smoke, they run down the rabbits for three dollars a skin. And when they can do that, running a football is easy. But there are things in the swamp, roaming the cane at night, that cannot be explained, and they seem connected to sprawling mounds older than the swamps. Together with his step-second cousin "Cotton" Mack, the fastest boy on the muck, Charlie hunts secrets in the glades and on the muck flats where the cane grows secrets as old as the soft earth, secrets that haunted, tripped, and trapped the original native tribes, ensnared conquistadors, and buried runaway slaves. Secrets only the muck knows.

Meet a child with superhero-like abilities . . . and the parents who are racing to keep up with her in this sweetly funny picture book about the blur of childhood, from the award-winning creators of Drawn Together. A perfect gift to celebrate all of our special milestones--from graduations to birthdays and beyond! From the very beginning, there was something different about this child... An ultrasonic voice. Fantastically elastic limbs. Super-magnetic powers. But it wasn’t until the child took her first steps that she became: THE BLUR! Nothing can stand in her way as she takes the world by storm: always on the move and darting into danger! All too soon, she is zipping through the days, and zooming over the years… Framed as an origin story, here is a fun superhero romp for kids, filled with bold and bright illustrations, that will pull at the hearstrings of every parent.

'If I lose the light of the sun, I will write by candlelight, moonlight, no light, If I lose paper and ink, I will write in blood on forgotten walls. I will write always. I will capture nights all over the world and bring them to you.' Henry Rollins, renowned spoken-word performer, musician, actor and author of several books, has a unique, hard-edged view of the world. This collection of writings from 1989 - 1991 is the classic Rollins book. From dramatic fiction shorts detailing stark, disturbing realities to gut-wrenching tour journals destroying all misconceptions of the glamour of fame and the music industry; from the challenging poetry to revealing dream sequences, Rollins' writing is unflinching in its honesty, uncompromising in its truth and irresistibly addictive.

The book, "traces the creation, from conception to realization, of a media pavilion for the Swiss Expo.02 whose primary materials are steel and fog."

The official story of the most significant British band of the 90s. Now updated with fresh interviews including insights into lead singer Damon's new act, Gorillaz, that is sweeping awards on both sides of the Atlantic. This is the story of bitter rows with record companies, farcical feuds with Oasis, fist fights with each other, struggles with the bottle, foundering romances and a love-hate relationship with America. Drawing on the hours of exclusive interviews he has done with the band since their early days, Stuart Maconie offers a gripping insight into this intense, hedonistic quartet. Updated with fresh interviews including insights into Damon's award-winning new act Gorillaz. The official story of Blur, told through exclusive interviews.

"Taken as a trilogy, consent not to be a single being is a monumental accomplishment: a brilliant theoretical intervention that might be best described as a powerful case for blackness as a category of analysis."—Brent Hayes Edwards, author of Epistrophies: Jazz and the Literary Imagination In Black and Blur—the first volume in his sublime and compelling trilogy consent not to be a single being—Fred Moten engages in a capacious consideration of the place and force of blackness in African diaspora arts, politics, and life. In these interrelated essays, Moten attends to entanglement, the blurring of borders, and other practices that trouble notions of self-determination and sovereignty within political and aesthetic realms. Black and Blur is marked by unlikely juxtapositions: Althusser informs analyses of rappers Pras and Ol' Dirty Bastard; Shakespeare encounters Stokely Carmichael; thinkers like Kant, Adorno, and José Esteban Muñoz and artists and musicians including Thornton Dial and Cecil Taylor play off each other. Moten holds that blackness encompasses a range of social, aesthetic, and theoretical insurgencies that respond to a shared modernity founded upon the sociological catastrophe of the transatlantic slave trade and settler colonialism. In so doing, he unsettles normative ways of reading, hearing, and seeing, thereby reordering the senses to create new means of knowing.