A collection of portraits of mothers and daughters along with brief statements by some of the women photographed.

Relying on women's own words in letters and journals, Rosenzweig refutes the prescriptive literature of the times with its dire predictions of inevitable rifts between Victorian mothers and their daughters, the new women of the twentieth century. Instead Rosenzweig shows us mothers who rejoiced in their daughters' educational successes and, while they did not always comprehend the nature of the changes taking place, were only too happy to see their daughters escape some of their own restrictions and grief. Extremely useful to scholars and teachers of women's history and family history, The Anchor of My Life should also be fascinating to the general public for the accurate window that it provides on these complicated family relationship in our history. —Laurie Crumpacker , Department of History, Simmons College "Drawing on a broad array of historical sources, The Anchor of My Lifechallenges the common assumption that mother-daughter relationships invariably are characterized by tensions and conflicts. This lively and moving book deserves a wide audience." —Emily K. Abel , author of Circles of Care: Work and Identity in Women's Lives The relationship between mothers and daughters has been the subject of much research and study, in such fields as psychoanalysis, sociology, and women's studies. But rarely has the history and evolution of this relationship been examined. In The Anchor of My Life, Linda W. Rosenzweig draws on a wide range of primary sources--letters, diaries, autobiographies, prescriptive advice or self-help literature, and fiction—to reveal the historical nuances of this pivotal relationship. Rosenzweig's distinctive approach focuses on the interaction between mothers and daughters of the American middle class at the turn of the century, revealing that mothers and daughters managed to sustain close, nurturing relationships in an era marked by a major female generation gap in terms of aspirations and opportunities. Illustrated with photographs and portraits of the time, The Anchor of My Life provocatively challenges the facile, late twentieth-century assumption that the mother-daughter relationship is necessarily defined by hostility, guilt, and antagonism.

In Portrait of a Daughter, a woman breaks a cycle of self-destruction, allowing her to feel her departed mother as a presence, not a void.Set in nineteen-eighties New York City, Grace Clancy comes of age as she suffers the death of her mother at age sixteen. Raised by her alcoholic father and iron-fisted grandmother, she moves through unstable relationships and turmoil with unshakeable fortitude. From the glitzy nightlife of dance clubs to dangerous living conditions to life in a new city, Grace finally transforms her trauma into triumph.This is a novel about loss, female strength, and the power of resilience and faith.

Who was your mother before she was a mother? Essays and photos from Brit Bennett, Jennifer Egan, Danzy Senna, Laura Lippman, Jia Tolentino, and many more. In this remarkable collection, New York Times–bestselling novelist Edan Lepucki gathers more than sixty original essays and favorite photographs to explore this question. The daughters in Mothers Before are writers and poets, artists and teachers, and the images and stories they share reveal the lives of women in ways that are vulnerable and true, sometimes funny, sometimes sad, and always moving. Contributors include: Brit Bennett * Jennine Capó Crucet * Jennifer Egan * Angela Garbes * Annabeth Gish * Alison Roman * Lisa See * Danzy Senna * Dana Spiotta * Lan Samantha Chang * Laura Lippman * Jia Tolentino * Tiffany Nguyen * Charmaine Craig * Maya Ramakrishnan * Eirene Donohue * and many others

In this beautifully crafted book, Elizabeth Kendall tells the story of a family, of a passionate attachment between a mother and a daughter and the sudden tragedy that tears it apart. American Daughter is also a brilliant portrait of wellborn women's lives in cities and towns in the post-World War II era, as Kendall evokes how difficult it was to become anything other than an American daughter, which meant being a dependent woman. Occupying a coveted place in St. Louis's privileged high society, Henry and Betty Kendall seemed to be the American dream come true: six children, a sprawling house, a legacy of higher education at Harvard and Vassar. Yet underneath lay the flawed marriage of an idealistic young woman who made her eldest daughter her best friend and turned civil rights into her salvation. Elizabeth maintained the family silence as eccentricities began to appear in her father's behavior, along with whispers of financial difficulties. She accompanied her mother back to Vassar for a summer program on the home and family, then came into her own, away from her family, at the haven of a girls' summer camp and at Radcliffe. From the war-torn 1940s, when young men in uniform, home on leave, went to debutante parties, through the seismic social changes of the 1960s, Kendall tells the intertwined story of her mother and herself, of their powerful bond and how both shaped their lives in response to it. Unrelentingly honest, rich with humor and insights into families and women's lives, American Daughter is both a poignant portrait of American life at the middle of the twentieth century, and a dual coming-of-age story of a mother and a daughter, united by commitment and love, separated by a fatal accident-and by the vastly different birthrights of their generations.

In Rome one January afternoon in 1943, a young German woman is on her way to listen to a Bach concert at the Lutheran church. The war is for her little more than a daydream, until she realizes that her husband might never return. Portrait of the Mother as a Young Woman, winner of the prestigious Georg Büchner prize, is a mesmerizing psychological portrait of the human need to safeguard innocence and integrity at any cost—even at the risk of excluding reality. More than just the story of this single woman, it is a compelling and credible description of a typical young German woman during the Nazi era.

The “graceful, loving,” (The New York Times Book Review), never-before-told story of Hollywood icon Natalie Wood’s glamorous life, sudden death, and lasting legacy, written by her daughter, Natasha Gregson Wagner. Natasha Gregson Wagner’s mother, Natalie Wood, was a child actress who became a legendary movie star, the dark-haired beauty of Splendor in the Grass and West Side Story. She and Natasha’s stepfather, the actor Robert Wagner, were a Hollywood it-couple twice over, first in the 1950s, and then again when they remarried in the 70s. To Natasha, she was, above all, a doting, loving mom. But Natalie’s sudden death by drowning off Catalina Island at the age of forty-three devastated her family, turned Robert Wagner into a person of interest, and transformed a vibrant wife, mother, and actress into a figure of tragedy. The weekend has long been shrouded in rumors and scandalous tabloid speculation, but until now there has never been an account of how the events and their aftermath were experienced by Natalie’s beloved eldest daughter. Here, for the first time, is a“deeply intimate chronicle of life with her famous mother and how Wood’s death devastated the family” (Los Angeles Times). Cutting through the shadow hanging over her mother’s legacy, More Than Love is a “poignant” (The Washington Post) tale of a daughter coming to terms with her grief, as well as a “revealing new look at Natalie Wood” (Good Morning America).

Sheila Munro is the daughter of one of the world's most admired fiction writers: Alice Munro, three-time winner of Canada's prestigious Governor General's Award. In Lives of Mothers and Daughters, she reveals what it was like to grow up with a mother of such tremendous renown. At the core of the book lies a loving and intimate biography of Alice, presented as only a daughter can. Sheila traces the story back to her ancestors, who left Scotland in the early 19th century, before telling of Alice's birth in 1931, her youth growing up on an Ontario farm, and her two marriages, and two grandchildren--Sheila's own children. Sheila has a tale to tell that's her own as well, involving her writerly aspirations and her efforts to forge a unique path while following in her mother's footsteps. And so, from her perspective as both an author and a mother, Sheila writes frankly about her mother and her mother's writing. The legions of devoted Alice Munro fans will glimpse real-life settings, situations and characters that have worked their way into her fiction as Sheila offers a behind-the-scenes tour (replete with Munro family snapshots) of the inspirations for the tales Munro fans know and love.

A New York Times Notable Book A Library Journal Best Book of 2021 A “marvelous…superbly effective” (The New Yorker) debut novel about a young woman coming of age with a dazzling yet damaged mother who lived and loved in extremes. Met by rave reviews in The New Yorker, The New York Times, and more, this stunning translation of Violaine Huisman’s “witty, immersive autofiction showcases a Parisian childhood with a charismatic, depressed parent” (Oprah Daily). Beautiful and magnetic, Catherine, a.k.a. “Maman,” smokes too much, drives too fast, laughs too hard, and loves too extravagantly, and her daughter Violaine wouldn’t have it any other way. But when Maman is hospitalized after a third divorce and a breakdown, everything changes. Even as Violaine and her sister long for their mother’s return, once she’s back Maman’s violent mood swings and flagrant disregard for personal boundaries soon turn their home into an emotional landmine. As the story of Catherine’s own traumatic childhood and adolescence unfolds, the pieces come together to form an indelible portrait of a mother as irresistible as she is impossible, as triumphant as she is transgressive. With spectacular ferocity of language, a streak of dark humor, and stunning emotional bravery, The Book of Mother is an exquisitely wrought story of a mother’s dizzying heights and devastating lows, and a daughter who must hold her memory close in order to surrender, and finally move on.