Exploring the sudden loss of her child, the hope that precedes this crisis, and the suffering that follows, this collection of poetry renders a shattering experience with candor and immediacy. This collection is about the eviscerating loss of a child, the hope that precedes this crisis, and the suffering that follows. Spare, plain, sometimes startling in their snatches of humor, Pollari’s poems careen into the “tilted reality” of grief. This is poetry dredged from shock and rage, then dissected with pointillistic precision. Many of the pieces are closer to prose: in plain, forceful, language that will capture readers outside the poetry audience, they uncover and name sentiments outside of what is expected in books about child loss and grief: for instance, the embarrassment Niina felt for letting herself feel hope and joy, for revealing that she desired to be a mother at all, and for having to inform the world that her desire would not be granted. A shattering experience rendered with candor and immediacy, Path of Totality is a book “for anyone who ever expected anything” about a rarely told experience of motherhood.

New from celebrated poet and performer Anne Waldman - an edgy, visionary collection that meditates on gender, existence, passion and activism Mythopoetics, shape shifting, quantum entanglement, Anthropocene blues, litany and chance operation play inside the field of these intertwined poems, which coalesced out of months of protests with some texts penned in the streets. Anne Waldman looks to the imagination of mercurial possibility, to the spirits of the doorway and of crossroads, and to language that jolts the status quo of how one troubles gender and outwits patriarchy. She summons Tarot's Force Arcana, the passion of the suffragettes, and various messengers and heroines of historical, hermetic, and heretical stance, creating an intersectionality of lived experience: class, sexuality, race, politics all enter the din. These are experiments of survival.

Contains poems, without any commentary, enabling them to be used either as student reference material or as 'clean' copies for the examination.

Sonnets are familiar to us, but not relevant. What do they have to do with our fast-paced, tech-driven, ever-shrinking contemporary world? But what if the sonnet—invented 700 years ago—could come back like a cat with nine lives? A sonnet in the twenty-first century might serve as a sacramental form, calling us from our work-mad lives to quietness and reflection. In Pilgrim, You Find the Path by Walking, Jeanne Murray Walker invites the reader to join her on a journey told in 58 colloquial sonnets, beginning in the slangy streets of New York and ending in the holiness of silence and praise. Stops on the journey include reflections on death and grief, but also praise for a migrating butterfly, a knock on the door, the astonishing ocean. This book is designed to be used as a devotional and read slowly; to be both a book of poetry and a spiritual companion.

"A writer traces his history-brushes with violence, responses to threat, poetic and political solidarity-in poems of lyric and narrative urgency. John Murillo's second book is a reflective look at the legacy of institutional, accepted violence against African Americans and the personal and societal wreckage wrought by long histories of subjugation. A sparrow trapped in a car window evokes a mother battered by a father's fists; a workout at an iron gym recalls a long-ago mentor who pushed the speaker "to become something unbreakable." The presence of these and poetic forbears-Gil Scott-Heron, Yusef Komunyakaa-provide a context for strength in the face of danger and anger. At the heart of the book is a sonnet crown triggered by the shooting deaths of three Brooklyn men that becomes an extended meditation on the history of racial injustice and the notion of payback as a form of justice. "Maybe memory is the only home / you get," Murillo writes, "and rage, where you/first learn how fragile the axis/upon which everything tilts.""--

Inspired by the ancient wisdom of the Taoist tradition and wandering the rugged, majestic landscape of alpine mountains, Thompson creates a wonderful sense of place through a deeply sensitive spiritual voice that celebrates simplicity, gentleness and the natural grace inherent within us all; that of the Sage. His poems touch on a range of human experiences; of joy, sadness, love, enlightenment and delusion. Through the lens of modern day living he helps us to recognise an undisturbed Presence whose quiet light draws no attention to itself but is always available to us. His words speak of a deeper understanding, of Self-Realisation, whose poems are reminiscent of the voice of ancient Taoist and Zen Masters, who inspired us to enquire within at the Truth of what we are. His voice though is a gentle one: Sit with me under this sweet-chestnut tree in its wild silence no one has to say a thing. The reader may also be delighted to discover the unassuming artwork of Laura Demelza Bosma, whose drawings bring a warmth and sensitivity as they work in harmony with the poems here.

From the acclaimed author of The Wild Places and Underland, an exploration of walking and thinking In this exquisitely written book, Robert Macfarlane sets off from his Cambridge, England, home to follow the ancient tracks, holloways, drove roads, and sea paths that crisscross both the British landscape and its waters and territories beyond. The result is an immersive, enthralling exploration of the ghosts and voices that haunt old paths, of the stories our tracks keep and tell, and of pilgrimage and ritual. Told in Macfarlane’s distinctive voice, The Old Ways folds together natural history, cartography, geology, archaeology and literature. His walks take him from the chalk downs of England to the bird islands of the Scottish northwest, from Palestine to the sacred landscapes of Spain and the Himalayas. Along the way he crosses paths with walkers of many kinds—wanderers, pilgrims, guides, and artists. Above all this is a book about walking as a journey inward and the subtle ways we are shaped by the landscapes through which we move. Macfarlane discovers that paths offer not just a means of traversing space, but of feeling, knowing, and thinking.

A book-length poem about how an American Indian writer can’t bring himself to write about nature, but is forced to reckon with colonial-white stereotypes, manifest destiny, and his own identity as an young, queer, urban-dwelling poet. A Best Book of the Year at BuzzFeed, Interview, and more. Nature Poem follows Teebs—a young, queer, American Indian (or NDN) poet—who can’t bring himself to write a nature poem. For the reservation-born, urban-dwelling hipster, the exercise feels stereotypical, reductive, and boring. He hates nature. He prefers city lights to the night sky. He’d slap a tree across the face. He’d rather write a mountain of hashtag punchlines about death and give head in a pizza-parlor bathroom; he’d rather write odes to Aretha Franklin and Hole. While he’s adamant—bratty, even—about his distaste for the word “natural,” over the course of the book we see him confronting the assimilationist, historical, colonial-white ideas that collude NDN people with nature. The closer his people were identified with the “natural world,” he figures, the easier it was to mow them down like the underbrush. But Teebs gradually learns how to interpret constellations through his own lens, along with human nature, sexuality, language, music, and Twitter. Even while he reckons with manifest destiny and genocide and centuries of disenfranchisement, he learns how to have faith in his own voice.

"Ryan Wilson's unsettling debut collection The Stranger World is filled with poems of menace and promise, surprise and sorrow, tempered by gentle humor and always tuned to a fine music. The long poem 'Authority' reads like a masterpiece of modern horror. The deeply psychological 'Xenia' is a minor miracle of a poem. These pages contain 'real shores across imagined seas . . . where black suns set, ' where the poet meditates on 'that present unity / of absences the living move among.' Each page of The Stranger World yields a new delight. Wilson proves himself a worthy heir to Anthony Hecht with this remarkable, disarming, and genuinely moving book. Seek it out." -- Ernest Hilbert