If great drama flourishes in a changing world, the twentieth century may prove itself the most dramatically fruitful ever. The briefest historical outline shows a time of extraordinary upheaval, and twentieth-century drama's greatest achievement was that it managed to reflect those changes with courage, vision, and artistry. In A Pocket Guide to 20th Century Drama, Stephen Unwin and Carole Woddis examine fifty seminal works from the past one hundred years, and in the process chart some of the most profound events of that era -- from Anton Chekhov's illustration of the fin-de-siecle clash in cultural value systems in The Cherry Orchard to World War II's legacy of moral despair as voiced in Samuel Beckett's Waiting for Godot to Tony Kushner's stark and moving exploration of the ravages of AIDS in Angels in America. For each play, a precis is provided, along with a brief essay on its historical and literary context and a rundown of pertinent productions. In addition, the authors provide both an overview of the past century in history and drama, and a chronicle of one thousand of the century's notable plays, providing an understanding of what other works were being written at the time.

This Companion provides an original and authoritative surveyof twentieth-century American drama studies, written by some of thebest scholars and critics in the field. Balances consideration of canonical material with discussion ofworks by previously marginalized playwrights Includes studies of leading dramatists, such as TennesseeWilliams, Arthur Miller, Eugene O'Neill and Gertrude Stein Allows readers to make new links between particular plays andplaywrights Examines the movements that framed the century, such as theHarlem Renaissance, lesbian and gay drama, and the soloperformances of the 1980s and 1990s Situates American drama within larger discussions aboutAmerican ideas and culture

Critical introductions to a range of literary topics and genres. Looking back on 20th century British drama from its' historical, social and political perspective enables the reader to set each play in a broader context. Contents include a selection of play extracts from well-known authors including Harold Brighouse, John Osborne, Harold Pinter, Tom Stoppard and Timberlake Wertenbaker.

This volume of Twentieth-Century Italian Drama covers the period spanning from the end of the nineteenth century to that immediately following World War II, displaying the rich breadth of Italian theater in the modern age, from the comedic legacy carried on by such writers as Eduardo De Filippo to the delicate tragedy of playwrights like Federigo Tozzi.Included are seven full-length plays, five one-act plays, one variety sketch, and three futurist sintesi (sketches). Brief introductions preceding each play contextualize the piece within the various movements in Italian theater, and biographies of the editors and translators appear at the end of the volume. An extensive bibliography offers many suggestions for further reading in English.The playwrights included are Gabriele D'Annunzio, Filippo Tommaso Marinetti, Ettore Petrolini, Raffaele Viviani, Pier Maria Rosso di San Secondo, Federigo Tozzi, Massimo Bontempelli, Achille Campanile, Italo Svevo, Luigi Pirandello, Eduardo De Filippo, and Ugo Betti.

John Houchin explores the impact of censorship in twentieth-century American theatre. He argues that theatrical censorship coincides with significant challenges to religious, political and cultural traditions. Along with the well-known instance of the House Un-American Activities Committee in the 1950s, other almost equally influential events shaped the course of the American stage during the century. The book is arranged in chronological order. It provides a summary of censorship in eighteenth- and nineteenth-century America and then analyses key political and theatrical events between 1900 and 2000. These include a discussion of the 1913 riot after the Abbey Theatre touring produdtion of Playboy of the Western World; protests against Clifford Odet's Waiting for Lefty, performed by militant workers during the Depression; and reactions to the recent play Angels in America.

Drawing on the fields of dramaturgy, music theory, and historical musicology, this book answers a question about twentieth-century music: Why does tonality persist in opera, even after it has been abandoned in other genres?

This work provides an overview of Irish theatre, read in the light of Ireland's self-definition. Mediating between history and its relations with politics and art, it attempts to do justice to the enabling and mirroring preoccupations of Irish drama.

The essential, concise and readable guide to the plays of Ibsen, Chekhov and Strindberg. Are you looking for an overview of the major work of these three leading playwrights? Are you going to see a play by Ibsen, Chekhov or Strindberg and want a run-down of the storyline? Do you want to know why these three are considered major writers? A Pocket Guide to Ibsen, Chekhov and Strindberg gives you all this and more: An introduction to each playwright Historical and theatrical context to their plays A synopsis for and analysis of each of the major plays Details of productions around the world A chronology of plays during the period Henrik Ibsen (1828-1906), Anton Chekhov (1860-1904) and August Strindberg (1848-1912) are acknowledged masters of their craft. This handy reference book aims to tell you why they should be considered as such, as well as giving you a snapshot view of the plays and a considered view of the writers. Faber's 'Pocket Guide' series includes: A Pocket Guide to Shakespeare's Plays, A Pocket Guide to the 20th Century Theatre, A Pocket Guide to Opera and A Pocket Guide to Alan Ayckbourn's Plays.

Publisher Description

Publisher Description