"A flavorsome re-creation of things past in the life of a generous, friendly people." —New York Times Book Review "George Webb's gentle recollections of his childhood and Pima Indian lifeways will doubtless endure forever. This deeply moving autobiography is the perfect introduction for younger Pimas to their culture and history." —Arizona Highways

The lifestyle of a people, preserved in the memory of a Pima whose life ran from the late 1800s to the Space Age. The universality of man’s eternal hope of betterment is reflected in the wisdom of the Pimas: So now I hope You will strive To make this day The best in your life. George Webb. “...a book which seems to have grown right out of the Arizona earth—anecdotal, almost artless in its directness, but having the impact of reality...a flavorsome re-creation of things past in the life of a friendly, generous people.”— The New York Times “George Webb’s gentle recollections of his childhood and Pima Indian lifeways will doubtless endure forever. This deeply moving autobiography is the perfect introduction for younger Pimas to their culture and history.” —Arizona Highways “This extraordinarily pleasant and amiable narrative wakes vivid an ancient and happy way of life”—Oliver LaFarge

In simple, unaffected prose, Mrs. Shaw constructs a moving saga of Native Americans caught between their tribal past and a Europeanized present. . . . Some of the most interesting passages deal with the wrenching realities of Indian life on the reservation in the years around the turn of the century, when the Indian male as a warrior found himself bereft of his very reason for being and forced to endeavor to become a farmer. ÑJournal of Arizona History "A most interesting book. . . . Her account of how the Pima Indians lived, their family structure, how they reared their children, courtship and marriage, how they treated their elders, their religious practices before the coming of a Christian missionary in 1870, and their accommodation with death are related in language that can be easily understood by the layman and, yet, provide information which can be used by the sociologist and anthropologist." ÑJournal of the West "The current trend in books written by American Indians is to idealize the Indian past while condemning white culture. This volume is a notable exception because its author is old enough to remember the past and because she has been successful in adapting those elements of white culture which she found useful without sacrificing this essential heritage. . . . The style is simple and straightforward, that of a good storyteller which reaches all adult levels." ÑChoice "Simple and charming reminiscences of the old Pima ways at the turn of the century when they still prevailed and of the changes which recent decades have brought about in the lives of the desert people." ÑBooks of the Southwest "Throughout her account a special kind of humor, sensitivity and pride is revealed when discussing her peoples and her own personal experiences." ÑThe Masterkey

Reflections on the late Arthur Miller from over seventy writers, actors, directors and friends, with 'Arthur Miller Remembers', an interview with the writer from 1995. Following his death in February 2005, newspapers were filled with tributes to the man regarded by many as the greatest playwright of the twentieth century. Published as a celebration and commemoration of his life, Part I of Remembering Arthur Miller is a collection of over seventy specially commissioned pieces from writers, actors, directors and friends, providing personal, critical and professional commentary on the man who gave the theatre such timeless classics as All my Sons, A View from the Bridge, The Death of a Salesman, and The Crucible. Contributors read like a Who's Who of theatre, film and literature: Edward Albee, Alan Ayckbourn, Brian Cox, Richard Eyre, Joseph Fiennes, Nadine Gordimer, Dustin Hoffman, Warren Mitchell, Harold Pinter, Vanessa Redgrave and Tom Stoppard, to name but a few. Part II, 'Arthur Miller Remembers', is an in-depth and wide-ranging interview conducted with Miller in 1995. Bigsby's expertise and Miller's candour produce a wonderfully insightful commentary and analysis both of Miller's life and the life of twentieth century America. It covers Miller's upbringing in Harlem, the Depression, marriage to Marilyn Monroe, post-war America, being sentenced to prison by the House Un-American Activities Committee in 1956, and his presidency of the writer's organisation, PEN International. The discourse also provides a commentary on and analysis of his many plays andMiller's reflections on the Amercian theatre.

Levi Romero recalls the tradiciones of life in northern New Mexico--a way of life seldom represented in American poetry.

Rural Arizona in the 1920's offered a harsh environment to those who chose to call it home. Life on an impoverished Indian Reservation further deepened the challenge, but it also was the turning point in my family's life. Rich and lasting friendships were developed among the Indian people, the memories of which are lasting today. This is a historical and pictorial review of the Government Agency located on the Pima Indian Reservation at Sacaton, Arizona, and a review of a number of prominent people who administered the Tribal affairs during the period between 1859-1968, after which the Tribe then became independent and se1f-governing. The book contains 105 pictures dating back into the late 1800s and into the late 1940s. Pima cotton, the worlds finest, was developed at Sacaton, and the history of this development is described. It is a wonderful and enlightening story of another time.

The Akimel O'odham, or Pima Indians, of the northern Sonoran Desert continue to make their home along Arizona's Gila River despite the alarming degradation of their habitat that has occurred over the past century. The oldest living Pimas can recall a lush riparian ecosystem and still recite more than two hundred names for plants in their environment, but they are the last generation who grew up subsisting on cultivated native crops or wild-foraged plants. Ethnobiologist Amadeo M. Rea has written the first complete ethnobotany of the Gila River Pima and has done so from the perspective of the Pimas themselves. At the Desert's Green Edge weaves the Pima view of the plants found in their environment with memories of their own history and culture, creating a monumental testament to their traditions and way of life. Rea first discusses the Piman people, environment, and language, then proceeds to share their botanical knowledge in entries for 240 plants that systematically cover information on economic botany, folk taxonomy, and linguistics. The entries are organized according to Pima life-form categories such as plants growing in water, eaten greens, and planted fruit trees. All are anecdotal, conveying the author's long personal involvement with the Pimas, whether teaching in their schools or learning from them in conversations and interviews. At the Desert's Green Edge is an archive of otherwise unavailable plant lore that will become a benchmark for botanists and anthropologists. Enhanced by more than one hundred brush paintings of plants, it is written to be equally useful to nonspecialists so that the Pimas themselves can turn to it as a resource regarding their former lifeways. More than an encyclopedia of facts, it is the Pimas' own story, a witness to a changing way of life in the Sonoran Desert.

Pomo Indian basketry ranks as a world-class art, and no more interesting collection exists than that created by Elsie Allen and her mother, Annie Burke, presented here in full-color.

Set in a dark future America devastated by the forces of climate change, this thrilling bestseller and National Book Finalist is a gritty, high-stakes adventure of a teenage boy faced with conflicting loyalties. In America's flooded Gulf Coast region, oil is scarce, but loyalty is scarcer. Grounded oil tankers are being broken down for parts by crews of young people. Nailer, a teenage boy, works the light crew, scavenging for copper wiring just to make quota--and hopefully live to see another day. But when, by luck or by chance, he discovers an exquisite clipper ship beached during a recent hurricane, Nailer faces the most important decision of his life: Strip the ship for all it's worth or rescue its lone survivor, a beautiful and wealthy girl who could lead him to a better life.... In this powerful novel, Hugo and Nebula Award winning author Paolo Bacigalupi delivers a fast-paced adventure set in the vivid and raw, uncertain future of his companion novels The Drowned Cities and Tool of War. "Suzanne Collins may have put dystopian literature on the YA map with The Hunger Games...but Bacigalupi is one of the genre's masters, employing inventively terrifying details in equally imaginative story lines." —Los Angeles Times A New York Times Bestseller A Michael L. Printz Award Winner A National Book Award Finalist A VOYA 2010 Top Shelf Fiction for Middle School Readers Book A Rolling Stone 40 Best YA Novels Book Don’t miss the other books in the series: The Drowned Cities Tool of War