Khalil Totahs life spanned the waning days of the Ottoman Empire, the British Mandate in Palestine, and the foundation of the state of Israel. His passion for education drove him to leave his native Palestine for the US in 1906 to complete his education, which culminated in a PhD from Columbia University. His next adventure, in France during World War I, was followed by a return to Palestine with a beautiful American wife. Having achieved his education and successfully navigated life transitions, he set out to serve as principal of a teacher-training college in Jerusalem. Later he became principal of the Friends Boys School in Ramallah, the Quaker school that had taught and mentored him. In spite of work-related struggles and a family tragedy, he built and developed the school throughout the Arab Peasant Revolt and the British Mandate. He was esteemed and venerated by his people for his leadership. In 1944, Khalil and his family returned to the US, where he continued his career in education as director of the Arab information office in New York. He lectured, wrote, and became an activist on behalf of the Palestinians as partition was debated at the UN. Told by his daughter, the story of Khalils life sheds light on the history of Palestine of that period and of the Quakers in Palestine. His journal, diaries, articles, photographs, and her mothers letters to family in the US have formed the foundation for this story.

This groundbreaking volume takes an in-depth look at how individuals, families, and entire households "cope," negotiate their lives, and achieve personal and collective goals in Occupied Palestine. Contributors raise critical questions about tradition vs. modernity and the sociocultural consequences of emigration. Living Palestine establishes that household dynamics (i.e., kin-based marriage, fertility decisions, children's education, and living arrangements) cannot be fully grasped unless linked to the traumas of the past and worries of the present. Likewise, family strategies for survival and social mobility under occupation are swept up in the tide of history that engulfs the world in which Palestinians live and struggle. Living Palestine is drawn from an expansive research project of the Institute for Women's Studies at Birzeit University which sought to examine the Palestinian household from multiple perspectives through a survey of two thousand households in nineteen communities.

It is often the smallest details of daily life that tell us the most. And so it is under occupation in Palestine. What most of us take for granted has to be carefully thought about and planned for: When will the post be allowed to get through? Will there be enough water for the bath tonight? How shall I get rid of the rubbish collecting outside? How much time should I allow for the journey to visit my cousin, going through checkpoints? And big questions too: Is working with left-wing Israelis collaborating or not? What affect will the Arab Spring have on the future of Palestine? What can anyone do to bring about change? Are any of life's pleasures untouched by politics?

The first history of indigenous photography in the Middle East The birth of photography coincided with the expansion of European imperialism in the Middle East, and some of the medium's earliest images are Orientalist pictures taken by Europeans in such places as Cairo and Jerusalem—photographs that have long shaped and distorted the Western visual imagination of the region. But the Middle East had many of its own photographers, collectors, and patrons. In this book, Stephen Sheehi presents a groundbreaking new account of early photography in the Arab world. The Arab Imago concentrates primarily on studio portraits by Arab and Armenian photographers in the late Ottoman Empire. Examining previously known studios such as Abdullah Frères, Pascal Sébah, Garabed Krikorian, and Khalil Raad, the book also provides the first account of other pioneers such as Georges and Louis Saboungi, the Kova Brothers, Muhammad Sadiq Bey, and Ibrahim Rif'at Pasha—as well as the first detailed look at early photographs of the annual pilgrimage to Mecca. In addition, the book explores indigenous photography manuals and albums, newspapers, scientific journals, and fiction. Featuring extensive previously unpublished images, The Arab Imago shows how native photography played an essential role in the creation of modern Arab societies in Egypt, Palestine, Syria, and Lebanon before the First World War. At the same time, the book overturns Eurocentric and Orientalist understandings of indigenous photography and challenges previous histories of the medium.

Imaging and Imagining Palestine is the first comprehensive study of photography during the British Mandate period (1918–1948). It addresses well-known archives, photos from private collections never available before and archives that have until recently remained closed. This interdisciplinary volume argues that photography is central to a different understanding of the social and political complexities of Palestine in this period. While Biblical and Orientalist images abound, the chapters in this book go further by questioning the impact of photography on the social histories of British Mandate Palestine. This book considers the specific archives, the work of individual photographers, methods for reading historical photography from the present and how we might begin the process of decolonising photography. "Imaging and Imagining Palestine presents a timely and much-needed critical evaluation of the role of photography in Palestine. Drawing together leading interdisciplinary specialists and engaging a range of innovative methodologies, the volume makes clear the ways in which photography reflects the shifting political, cultural and economic landscape of the British Mandate period, and experiences of modernity in Palestine. Actively problematising conventional understandings of production, circulation and the in/stability of the photographic document, Imaging and Imagining Palestine provides essential reading for decolonial studies of photography and visual culture studies of Palestine." - Chrisoula Lionis, author of Laughter in Occupied Palestine: Comedy and Identity in Art and Film "Imaging and Imagining Palestine is the first and much needed overview of photography during the British Mandate period. From well-known and accessible photographic archives to private family albums, it deals with the cultural and political relations of the period thinking about both the Western perceptions of Palestine as well as its modern social life. This book brings together an impressive array of material and analyses to form an interdisciplinary perspective that considers just how photography shapes our understanding of the past as well as the ways in which the past might be reclaimed." - Jack Persekian, Founding Director of Al Ma'mal Foundation for Contemporary Art in Jerusalem "Imaging and Imagining Palestine draws together a plethora of fresh approaches to the field of photography in Palestine. It considers Palestine as a central node in global photographic production and the ways in which photography shaped the modern imaging and imagining from within a fresh regional theoretical perspective." - Salwa Mikdadi, Director al Mawrid Arab Center for the Study of Art, New York University Abu Dhabi

This book chronicles the local histories written by modern Palestinians about their villages that were destroyed in the 1948 war.

A quarterly on Palestinian affairs and the Arab-Israeli conflict.

Orientalism and Musical Mission presents a new way of understanding music's connections with imperialism, drawing on new archive sources and interviews and using the lens of 'mission'. Rachel Beckles Willson demonstrates how institutions such as churches, schools, radio stations and governments, influenced by missions from Europe and North America since the mid-nineteenth century, have consistently claimed that music provides a way of understanding and reforming Arab civilians in Palestine. Beckles Willson discusses the phenomenon not only in religious and developmental aid circles where it has had strong currency, but also in broader political contexts. Plotting a historical trajectory from the late Ottoman and British Mandate eras to the present time, the book sheds new light on relations between Europe, the USA and the Palestinians, and creates space for a neglected Palestinian music history.

Palestinians frequently present a harmonizing and homogenizing we-image of their own national we-group, as a way of counteracting Israeli attempts to sow divisions among them, whether through Israeli politics or through the dominant public discourse in Israel. However, a closer look reveals the fragility of this homogenizing we-image which masks a variety of internal tensions and conflicts. By applying methods and concepts from biographical research and figurational sociology, the articles in this volume offer an analysis of the Middle East conflict that goes beyond the polar opposition between “Israelis” and “Palestinians”. On the basis of case studies from five urban regions in Palestine and Israel (Bethlehem, Ramallah, East Jerusalem, Haifa and Jaffa), the authors explore the importance of belonging, collective self-images and different forms of social differentiation within Palestinian communities. For each region this is bound up with an analysis of the relevant social and socio-political contexts, and family and life histories. The analysis of (locally) different figurations means focusing on the perspective of Palestinians as members of different religious, socio-economic, political or generational groupings and local group constellations – for instance between Christians and Muslims or between long-time residents and refugees. The following scholars have contributed to this volume: Ahmed Albaba, Johannes Becker, Hendrik Hinrichsen, Gabriele Rosenthal, Nicole Witte, Arne Worm and Rixta Wundrak. Gabriele Rosenthal is a sociologist and professor of Qualitative Methodology at the Center of Methods in Social Sciences, University of Göttingen. Her major research focus is the intergenerational impact of collective and familial history on biographical structures and actional patterns of individuals and family systems. Her current research deals with ethnicity, ethno-political conflicts and the social construction of borders. She is the author and editor of numerous books, including The Holocaust in Three Generations (2009), Interpretative Sozialforschung (2011) and, together with Artur Bogner, Ethnicity, Belonging and Biography (2009).