Photo series by D Magazine senior editor explores Dallas' downtown from street-level. Zac Crain’s photos, taken on phones and during lunch breaks, show Dallas from a human perspective. No corner goes unexplored as Crain captures a familiar place through new eyes.

In the 1990's, Dallas was a basketball wasteland. Luckily for the city, along came Dirk Nowitzki, a towering Würzburg, Germany native with a cool efficiency and the ability to basket shots from seemingly impossible angles. Nowitzki spent his entire 21-season NBA career with the Dallas Mavericks, the longest tenure of any one player with one team in the league's history, and led them to their first and only NBA championship, while being named a 14-time All-Star, a 12-time All-NBA Team member, and the first European player to receive the NBA's Most Valuable Player Award. Zac Crain, award-winning journalist for D Magazine who moved to Dallas the same year that Nowitzki began his career in the city, memorializes Nowitzki’s career through a lyric essay reminiscent of Hanif Abdurraqib's Go Ahead in the Rain that mixes with author's story with the basketball legend's, charting the highs and lows (and mostly highs) of the Mavs' all-time statistical leader’s career and what they mean to the city of Dallas and its now basketball-obsessed citizens.

Black Tooth Grin is the first biography of "Dimebag" Darrell Abbott, the Texas-bred guitarist of the heavy metal band Pantera, who was murdered onstage in 2004 by a deranged fan-24 years to the day after John Lennon met a similar fate.Darrell Abbott began as a Kiss-inspired teenage prodigy who won dozens of local talent contests. With his brother, drummer Vinnie Abbott, he formed Pantera, becoming one of the most popular bands of the '90s and selling millions of albums to an intensely devoted fan base. While the band's music was aggressive, "Dime" was outgoing, gregarious, and adored by everyone who knew him. From Pantera's heyday to their implosion following singer Phil Anselmo's heroin addiction to Darrell's tragic end, Black Tooth Grin is a moving portrait of a great artist.

Spring of 1904. An inexperienced automobile driver jumps the curb and drives into the lobby of the St. George Hotel. The mayor orders a roundup of unlicensed dogs due to a citywide outbreak of rabies. An elevator crushes the head of a young man as he retrieves a half dollar he had dropped down the shaft. Embers from a wood-burning stove transform a sleeping house into a funeral pyre. A ten-year-old boy in City Park has a spike driven into his temple by a playmate with a fence picket. All this in just a few days. Rusty Williams catalogues the heartbreaking and bizarre forms in which death stalked Dallas at the turn of the twentieth century.

A "smoothly written and fair-minded" (Wall Street Journal) biography of architect Philip Johnson -- a finalist for the National Book Critic's Circle Award. When Philip Johnson died in 2005 at the age of 98, he was still one of the most recognizable and influential figures on the American cultural landscape. The first recipient of the Pritzker Prize and MoMA's founding architectural curator, Johnson made his mark as one of America's leading architects with his famous Glass House in New Caanan, CT, and his controversial AT&T Building in NYC, among many others in nearly every city in the country -- but his most natural role was as a consummate power broker and shaper of public opinion. Johnson introduced European modernism -- the sleek, glass-and-steel architecture that now dominates our cities -- to America, and mentored generations of architects, designers, and artists to follow. He defined the era of "starchitecture" with its flamboyant buildings and celebrity designers who esteemed aesthetics and style above all other concerns. But Johnson was also a man of deep paradoxes: he was a Nazi sympathizer, a designer of synagogues, an enfant terrible into his old age, a populist, and a snob. His clients ranged from the Rockefellers to televangelists to Donald Trump. Award-winning architectural critic and biographer Mark Lamster's The Man in the Glass House lifts the veil on Johnson's controversial and endlessly contradictory life to tell the story of a charming yet deeply flawed man. A rollercoaster tale of the perils of wealth, privilege, and ambition, this book probes the dynamics of American culture that made him so powerful, and tells the story of the built environment in modern America.

Although founded in 1841, Dallas did not experience significant growth until 1873 when the Texas and Pacific (T&P) Railroad crossed the Houston and Texas Central Railroad (H&TC) near downtown. Securing these railroads led to a prolific building boom that has never fully ended, even during the Great Depression and subsequent world wars. Dallas's ability to sustain growth and development as a banking and commercial center led to the demolition of much of the early built environment, a trend that continues even today. Lost Dallas explores and documents those buildings, neighborhoods, and places that have been lost and even forgotten since the city's modest antebellum beginning.

Discusses racial relations in Dallas during the 1950s and 1960s and describes the struggles of the black community to gain power

In 1950 Dallas was a spirited Texas town of some regional importance; by 1980 it was an international city, one of the nation's most populous, a center of trade, transportation, finance, pro sports, and popular culture. Historic Photos of Dallas in the 50s, 60s, and 70s documents this amazing transformation with seldom-seen photographs of the period. Nearly 200 historic images show Dallas in the process of refashioning its skyline, its streets, its institutions, its public behavior, and its sense of self and worth. Historic Photos of Dallas in the 50s, 60s, and 70s blends striking black-and-white images with crisp commentary to chronicle moments of joy, pride, and anguish during these tumultuous decades. This volume takes readers back to the not-so-long-ago Dallas of trolley buses, downtown movie theaters, and four-lane expressways, then shows how the city transcended its parochial beginnings to become one of the most dynamic American cities of the twentieth century.

Presents a plan for American cities that focuses on making downtowns walkable and less attractive to drivers through smart growth and sustainable design