D. Dalziel in this melodramatic book "A Parody on Princess Ida" centers the story on Princess Ida, a princess of the city of Chicago. It discusses the love story of this respectable figure of the royal family. A book filled with interesting songs and well-described illustrations.

An examination of Gilbert and Sullivan's comic operas, and how parody was used in the culture wars of late-nineteenth-century England.

Most books written on Gilbert and Sullivan have focused on the authors rather than on their work. Examining all 14 operas in detail, this book offers a fresh look at the works themselves.

Thespis -- Trial by jury -- The sorcerer -- H.M.S. Pinafore -- The pirates of penzance -- Patience -- Iolanthe -- Princess Ida -- The mikado -- Ruddigore -- The yeomen of the guard -- The gondoliers -- Utopia limited -- The grand duke

Papers presented at the International Gilbert & Sullivan Festival in Gettysburg, PA, in June 2011. Edited, and with an Introduction by Ralph MacPhail, Jr.; Foreword by Rich Wiley. Contents include "Components of Gilbert's Genius" by Harry Benford; "Was Gilbert a Little Liberal or a Little Conservative?" by Ian Bradley; "Gilbert's Girls" by Elise Curran; "The Humor of the Operas" by John E. Dreslin; "Cheerful Facts about Matters Mathematical" by Thomas Drucker; "Think British--Sing Yiddish!" by Al Grand; "'H.M.S. Pinafore' in American Waters" by William Hyder; "The Principal Comic Roles" by Sylvan H. Kesilman; "The Reality of 'Iolanthe'" by Daniel Kravetz; "The Savoy Operas Viewed through an Aristotelian Lens" by Shane K. Magargal; "The Curious Case of 'Little Maid of Arcadee'" by Marc Shepherd; "The Writing and Composition of 'The Mountebanks'" by J. Donald Smith; "Gilbert & Sullivan's Influence on the American Musical" by Andrew Vorder Bruegge; and "Gender Parody in the Savoy Operas" by Carolyn Williams.

The comic operas of Gilbert and Sullivan are a performing arts phenomenon. Wildly popular when first produced, they are if anything even more popular today. The Complete Annotated Gilbert & Sullivan provides the complete text of all thirteen of the Gilbert and Sullivan operas still being performed today, including H.M.S. Pinafore, The Pirates of Penzance, and The Mikado. Each work is thoroughly annotated, with the text, including stage directions, given on the right-hand page, and the notes on the left. The annotations provide a wealth of information--everything from the identity of real-life people mentioned in the opera, to clear explanations of obscure words and phrases (such as legal terms) and other literary references, to comments from first-night critics, and much more. In addition, Bradley has written a marvelously informative introduction to the book as well as superb introductions to each piece, describing the genesis of the work, its performance history, and other fascinating tidbits. A goldmine of information, The Complete Annotated Gilbert & Sullivan will delight the hearts of Savoyards everywhere.

In The Mikado to Matilda: British Musicals on the New York Stage, Thomas Hischak provides an overview of British musicals that made their way to Broadway, covering their entire history up to the present day. This is the first book to look at the British musical theatre with reference to those London musicals that were also produced in New York City. The book covers 110 British musicals, ranging from 1750 to the present day, including the popular Gilbert and Sullivan comic operettas during the Victorian era, the Andrew Lloyd Webber mega-musicals of the late twentieth century, and today's biggest hits such as Matilda. Each London musical is discussed first as a success in England and then how it fared in America. The plots, songs, songwriters, performers, and producers for both the West End and the Broadway (or Off Broadway) production are identified and described. The discussion is sometimes critical, evaluating the musicals and why they were or were not a success in New York.

D. (Davison) Dalziel and H. W. (Harry Whitney) McVickar's 'A Parody on Iolanthe' is a hilarious and irreverent send-up of the Gilbert and Sullivan classic. Originally published in 1882, this book is a must-read for fans of musical theater and lovers of parody and satire. Dalziel and McVickar's clever lyrics and witty insights into the original work make this book a delight to read for anyone who loves to laugh. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.