When the gods go to war, who will stand against their divine fury? In the thrilling conclusion to the A Fire Beneath the Skin trilogy, the enchanted kingdom of Helva faces a nightmarish future of endless bloodshed, and Rina Veraiin--a young warrior-duchess armed with mysterious, magical tattoos--must use her fantastic powers to save her home from eternal war. As her far-flung friends scour Helva for additional tattoos to increase her formidable abilities, Rina reckons with an enigmatic death priest...the one whose contract grants her extraordinary magic but demands an awful price. When her debt comes due, can Rina make the ultimate sacrifice? Deities clash and allies succumb as Rina strives to fulfill her obligation and confront her strange and shocking destiny. Becoming an ink mage taxed Rina's resources to their very limits; now she must become something else, something more, something awesome and terrible. If she fails, her world will fall.

This groundbreaking book proposes that the rise of alphabetic literacy reconfigured the human brain and brought about profound changes in history, religion, and gender relations. Making remarkable connections across brain function, myth, and anthropology, Dr. Shlain shows why pre-literate cultures were principally informed by holistic, right-brain modes that venerated the Goddess, images, and feminine values. Writing drove cultures toward linear left-brain thinking and this shift upset the balance between men and women, initiating the decline of the feminine and ushering in patriarchal rule. Examining the cultures of the Israelites, Greeks, Christians, and Muslims, Shlain reinterprets ancient myths and parables in light of his theory. Provocative and inspiring, this book is a paradigm-shattering work that will transform your view of history and the mind.

Rina Veraiin has youth, beauty, and strength. She is a born warrior, able to out-ride any man, deal death with her fierce blade, and command awesome and mysterious forces granted to her by a set of magical tattoos. Now as the newly minted duchess of Klaar, Rina confronts a menace that threatens her world in a divine conflict that will push her newfound abilities to their limits.

Thirty dynamic portraits of female deities range from the well-known Greek and Roman goddesses to legendary figures from Celtic, Norse, Egyptian, African, Native American, Asian, and other cultures. Brief captions.

In the first installment of the A Fire Beneath the Skin trilogy, the city of Klaar has never fallen. No enemy has ever made it across the Long Bridge or penetrated the city's mighty walls. Even when a powerful invading army shows up at the gates, the duke and his daughter, Rina Veraiin, are certain that it poses little threat. But they are cruelly betrayed from within and, in a horrific spasm of violence, the city is brought to its knees. With the help of her bodyguard, Kork, the battle-trained young Rina narrowly escapes the slaughter and makes her way to the lair of an ancient sorcerer--the Ink Mage--who gifts her with a strange, beautiful set of magical tattoos. Now a duchess in exile, Rina sets out on a quest to reclaim what is rightfully hers, aided by a motley assortment of followers who will help her in her cause--some for noble reasons and others for their own dark purposes. With the enemy's agents nipping at her heels, Rina must learn to harness her new and startling magical powers if she is to assert her rightful place as ruler of Klaar.

"Devi, the Great Goddess of India, is beautiful, beneficent, terrifying, all-powerful, and glorious. Ubiquitous in India's social and spiritual fabric, she has, over the millennia, been painted, sculpted, carved, and wrought from silver and bronze in myriad shapes and forms. Devi: The Great Goddess brings together 120 of these diverse examples of Devi and a group of distinguished essayists who explore facets of Devi worship and tradition, including ritual, architecture, literature, history, and contemporary issues such as feminism and gender politics. The book appeals to readers compelled by the exploration and interpretation of the art, religion, and history of India."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Draws on the mythological stories of seven Greek goddesses to present a range of decorating ideas and themes designed to enhance a home, in a guide that demonstrates how to use symbols, forms, and rituals to promote feelings of warmth, sensuality, and serenity.

New York Times bestselling author P. C. Cast presents the first novel in her Goddess Summoning series... Home alone on the night of her twenty-fifth birthday, Air Force Sergeant Christine Canady yearned for something to cure her loneliness. After drinking too much champagne, she recited a divine invocation to revive her humdrum life. But how was she to know the spell would actually work? When her plane crashes into the ocean, CC’s life changes forever. She awakens, bewildered, to find herself in a legendary time and place ruled by magic—and in the body of the mythic mermaid Undine. But danger lurks in the waters, ready to swallow CC whole. Taking pity on her, the goddess Gaea turns her into a damsel, that she might seek shelter on land. But when a dashing knight comes to CC’s rescue—a dream-come-true she should be falling for—she instead aches for the sea and the darkly sexy merman who’s stolen her heart…

A sparkling, witty and compelling novel based on the tragic rise and fall of the beautiful seventeenth century swordswoman and opera singer, Julie d'Aubigny (also known as La Maupin), a woman whose story is too remarkable to be true - and yet it is. Versailles, 1686: Julie d'Aubigny, a striking young girl taught to fence and fight in the court of the Sun King, is taken as mistress by the King's Master of Horse. tempestuous, swashbuckling and volatile, within two years she has run away with her fencing master, fallen in love with a nun and is hiding from the authorities, sentenced to be burnt at the stake. Within another year, she has become a beloved star at the famed Paris Opera. Her lovers include some of Europe's most powerful men and France's most beautiful women. Yet Julie is destined to die alone in a convent at the age of 33. Based on an extraordinary true story, this is an original, dazzling and witty novel - a compelling portrait of an unforgettable woman. 'I thought the book was utterly fascinating, dazzlingly original and inventive, and written with such wit and flair. the character of Julie is drawn so poignantly - what a woman!' Kate Forsyth 'An engaging and skilfully told tale of a singular character' Sydney Morning Herald 'The divine creature who plummets 'from the painted clouds' to center stage in Kelly Gardiner's gender-bending picaresque Goddess, is based on an actual historical character, Julie d'Aubigny. Scenes sparkle with period details and sensory impressions: all spectacle and shimmer, all gesture and pose, Baroque mask and mirror and role-play. Gardiner does this very well. And her goddess fascinates.' New York Times Book Review 'This is a wonderful story, made all the more gripping for being founded on truth. Gardiner undertakes to bring this ambiguous and outrageous woman back to life ... she succeeds with flair ... I wholeheartedly recommend this book as the most exquisitely-rendered historical novel I have read in years.' Historical Novel Society review

This book examines the making of the Goddess Durga both as an art and as part of the intangible heritage of Bengal. As the ‘original site of production’ of unbaked clay idols of the Hindu Goddess Durga and other Gods and Goddesses, Kumartuli remains at the centre of such art and heritage. The art and heritage of Kumartuli have been facing challenges in a rapidly globalizing world that demands constant redefinition of ‘art’ with the invasion of market forces and migration of idol makers. As such, the book includes chapters on the evolution of idols, iconographic transformations, popular culture and how the public is constituted by the production and consumption of the works of art and heritage and finally the continuous shaping and reshaping of urban imaginaries and contestations over public space. It also investigates the caste group of Kumbhakars (Kumars or the idol makers), reflecting on the complex relation between inherited skill and artistry. Further, it explores how the social construction of art as ‘art’ introduces a tangled web of power asymmetries between ‘art’ and ‘craft’, between an ‘artist’ and an ‘artisan’, and between ‘appreciation’ and ‘consumption’, along with their implications for the articulation of market in particular and social relations in general. Since little has been written on this heritage hub beyond popular pamphlets, documents on town planning and travelogues, the book, written by authors from various fields, opens up cross-disciplinary conversations, situating itself at the interface between art history, sociology of aesthetics, politics and government, social history, cultural studies, social anthropology and archaeology. The book is aimed at a wide readership, including students, scholars, town planners, heritage preservationists, lawmakers and readers interested in heritage in general and Kumartuli in particular.