Explores communities, manuscripts and their spaces of dwellingUtilises extensive archival and ethnographic fieldwork including unique access to the Alawi Bohra treasury of booksShows that the manuscript transmission of Fatimid manuscripts is as much alive today as centuries agoArgues that the Alawi Bohra community's manuscript collection is fundamental to the construction of its Neo-Fatimid identityShifts the focus from the study of manuscripts as material objects to the social framework within which they gain meaning through their interaction with readersThis book tells the story of a manuscript repository found all over the pre-modern Muslim world: the khizanat al-kutub, or treasury of books. The focus is on the undisclosed Arabic manuscript culture of a small but vibrant South Asian Shi'i Muslim community, the Bohras. It looks at how books that were once part of one of the biggest imperial book repositories of the medieval Muslim world, the khizanat of the Fatimids of North Africa and Egypt (909CE-1171CE) ended up having a rich social life among the Bohras across the Western Indian Ocean, starting in Yemen and ending in Gujarat. It shows how, under strict conditions of secrecy, and over several centuries, one khizana was turned into another, its manuscripts gaining new meanings in the new social realities in which they were preserved, read, transmitted, venerated and copied into. What emerged was a new distinctive Bohra Ismaili manuscript culture shaped by its local contexts.

Explores communities, manuscripts and their spaces of dwelling

This book examines material and multi-sensorial expressions of Shiʿi Islam in diverse, and understudied demographic and geographic contexts.It engages with conceptual debates and makes several propositions that push the frontiers of scholarship on Islamic and Religious Studies, Material Religion, Heritage Studies, and Anthropology and Sociology of Religion.The contributions presented in this volume demonstrate how material things and less thing-like materialities make the praesentia and potentia of the Sacred tangible, how they cultivate intimate relations between human and more-than-human beings, and how they act as links and gateways to the Elsewhere and Otherworldly. The volume posits that materialities of religion are integral to processes of heritagization shaped by competing social and political actors involved in the construction and canonization of religious—in this case, Shiʿi—heritage.

How widespread was authorship among rulers in the premodern Islamic world? The writings of different types of rulers in different regions and periods are analyzed in this book, from the early centuries in the central lands of Islam to 19th century Sudan. The composition of poetry appears as the most fertile area for authorship among rulers. Prose writings show a wide variety, from astrology to bookmaking, from autobiography to creeds. Some of the rulers made claims to special knowledge, but in all cases authorship played a special role in the construction of the rulers' authority and legitimacy. Contributors: Ahmed Ibrahim Abushouk, Sean W. Anthony, María Luisa Ávila†, Teresa Bernheimer, Philip Bockholt, Sonja Brentjes, Christiane Czygan, David Durand-Guédy, Anne-Marie Eddé, Sinem Eryılmaz, Maribel Fierro, Adam Gaiser, Angelika Hartmann†, Livnat Holtzman, Maher Jarrar, Robert S. Kramer, Christian Mauder, Matthew Melvin-Koushki, Letizia Osti, Jürgen Paul, Petra Schmidl, Tilman Seidensticker.

A sweeping account of three Gujarati Muslim trading communities, whose commercial success over nearly two centuries sheds new light on the history of capitalism, Islam, and empire in South Asia. During the nineteenth century, three Gujarati Muslim commercial castes—the Bohras, Khojas, and Memons—came to dominate Muslim business in South Asia. Although these communities constitute less than 1 percent of South Asia’s Muslim population, they are still disproportionately represented among the region’s leading Muslim-owned firms today. In No Birds of Passage, Michael O’Sullivan argues that the conditions enabling their success have never been understood, thanks to stereotypes—embraced equally by colonial administrators and Muslim commentators—that estrange them from their religious identity. Yet while long viewed as Hindus in all but name, or as “Westernized” Muslims who embraced colonial institutions, these groups in fact entwined economic prerogatives and religious belief in a distinctive form of Muslim capitalism. Following entrepreneurial firms from Gujarat to the Hijaz, Hong Kong, Mombasa, Rangoon, and beyond, O’Sullivan reveals the importance of kinship networks, private property, and religious obligation to their business endeavors. This paradigm of Muslim capitalism found its highest expression in the jamaats, the central caste institutions of each community, which combined South Asian, Islamicate, and European traditions of corporate life. The jamaats also played an essential role in negotiating the position of all three groups in relation to British authorities and Indian Muslim nationalists, as well as the often-sharp divisions within the castes themselves. O’Sullivan’s account sheds light on Gujarati Muslim economic life from the dawn of colonial hegemony in India to the crisis of the postcolonial state, and provides fascinating insights into the broader effects of capitalist enterprise on Muslim experience in modern South Asia.

Analyzes Muslim countries' contemporary problems, particularly violence, authoritarianism, and underdevelopment, comparing their historical levels of development with Western Europe.

This pioneering volume of essays explores the destruction of great libraries since ancient times and examines the intellectual, political and cultural consequences of loss. Fourteen original contributions, introduced by a major re-evaluative history of lost libraries, offer the first ever comparative discussion of the greatest catastrophes in book history from Mesopotamia and Alexandria to the dispersal of monastic and monarchical book collections, the Nazi destruction of Jewish libraries, and the recent horrifying pillage and burning of books in Tibet, Bosnia and Iraq.

Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.

Arranged alphabetically by subject and/or concept, the present handbook has been conceived, for convenience sake and quick reference, as an aid to students and researchers who are often puzzled or even sometimes intimidated by the ‘mysterious’ world of Arabic manuscripts and the technical language that goes with it. A companion volume to the recently published The Arabic Manuscript Tradition (2001) and its Supplement (2008), the vademecum comprises some 200 entries of varying lengths dealing with almost all aspects of Arabic manuscript studies (codicology and palaeography). It is richly illustrated with specimens from manuscripts and expertly executed drawings. The main sequence is followed by a number of appendices covering abbreviations, letterforms, sūrah-headings, major reference works and a guide to the description of manuscripts, as well as charts of major historical periods and dynasties.

First published in English in 2007 under title: The history of terrorism: from antiquity to al Qaeda.