1664. There is an electric air of foreboding on the streets of London. An atmosphere Thomas Chaloner fears will only take a small spark to ignite into another civil war. . . ---------------------------------- The fifth adventure in the Thomas Chaloner series Thomas Chaloner has forged a living as spy to the Lord Chancellor, the Earl of Clarendon, since the early days of the Restoration. Now, in February 1664, he is aware of an undercurrent of restlessness on the streets of London. The coffee houses are thick with rumours. There is anger at the new laws governing church attendance and a deepening contempt for the loucheness of the court. And there is murder. The infamous church-smasher Dick Culmer is killed among the tottering, ramshackle buildings of London Bridge and Chaloner's investigations into the death link Culmer to a group of puritan conspirators. Further west, in the opulence of Somerset House and in the Palace of White Hall, Chaloner gradually realises that the ring-leaders of a rebellion are planning an explosive climax to achieve their goals. Desperately racing against time, Chaloner is determined to thwart them - as determined as they are to prevent him revealing their true intentions ...

Alex Cross must face the world's most dangerous agents, criminals, and assassins. The fate of the world rests in his hands. In broad desert daylight, a mysterious platoon of soldiers evacuates the entire population of Sunrise Valley, Nevada. Minutes later, a huge bomb detonates a hundred feet above the ground and lays waste to homes, cars, and playgrounds: a town annihilated in an instant. The Russian supercriminal known as the Wolf claims responsibility for the blast. Alex Cross is on vacation in San Francisco with his girlfriend, Jamilla Hughes, when he gets the call. World leaders have just four days to prevent an unimaginable cataclysm. Racing down the hairpin turns of the Riviera in the most unforgettable finale James Patterson has ever written, he confronts the truth of the Wolf's identity, a revelation that even Cross himself may be unable to survive.

"Charlotte, now the Countess of Wrexford, would like nothing more than a summer of peace and quiet with her new husband ... But when Wrexford and their two young wards, Raven and Hawk, discover a body floating in Hyde Park's famous lake, that newfound peace looks to be at risk. The late Jeremiah Willis was the engineering genius behind a new design for a top-secret weapon, and the prototype is missing from the Royal Armory's laboratory. Wrexford is tasked with retrieving it before it falls into the wrong hands"--

A superbly entertaining, high-spirited novel, London Bridges gives a very contemporary spin to the classic English detective thriller. Set in 1990s London, the plot centers on a treasure lost in the Blitz and newly discovered by an unscrupulous lawyer, who is tempted by greed into a series of crimes leading to murder. "The true treasure here is Stevenson's motley chorus of characters" (The New Yorker); the main character is London itself, lovingly depicted in all its rich variousness. With elegant wit, keen social observation, and dazzling intelligence, Stevenson explores the ways that people's lives intertwine in a great city, often with startling results.

In Regency London, an unconventional scientist and a fearless female artist team up to trap a cold-hearted killer: “Thoroughly enjoyable” (Deanna Raybourn, New York Times–bestselling author). The Earl of Wrexford possesses a brilliant scientific mind, but boredom and pride lead him to reckless behavior. So when pompous, pious Reverend Josiah Holworthy publicly condemns him for debauchery, Wrexford unsheathes his rapier-sharp wit and strikes back. As their war of words escalates, London’s most popular satirical cartoonist, A.J. Quill, skewers them both. But then the clergyman is found slain in a church—his face burned by chemicals, his throat slashed ear to ear—and Wrexford finds himself the chief suspect. An artist in her own right, Charlotte Sloane has secretly slipped into the persona of her late husband, using his nom de plume, A.J. Quill. When Wrexford discovers her true identity, she fears it will be her undoing. But he has a proposal—use her sources to unveil the clergyman’s clandestine involvement in questionable scientific practices, and unmask the real murderer. Soon Lord Wrexford and the mysterious Mrs. Sloane plunge into a dangerous shadow world hidden among London’s intellectual enclaves to trap a cunning adversary—before they fall victim to the next experiment in villainy . . . “Sharp, engaging characters, rich period detail, and a compellingly twisty plot, Andrea Penrose delivers a winner.” —Deanna Raybourn, New York Times–bestselling author “Fans of C.S. Harris take note! A riveting ride through Regency London, from the slums of St. Giles, to the mansions of Mayfair.” —Lauren Willig, New York Times–bestselling author “Historical chemistry meets alchemy . . . A delight of a book.&rdquo

Usman Khan was convicted of terrorism-related offences at age 20, and sent to high-security prison. He was released eight years later, and allowed to travel to London for one day, to attend an event marking the fifth anniversary of a prison education programme he participated in. On 29 November 2019, he sat with others at Fishmongers' Hall, some of whom he knew. Then he went to the bathroom to retrieve the things he had hidden there: a fake bomb vest and two knives, which he taped to his wrists. That day, he killed two people: Saskia Jones and Jack Merritt. Preti Taneja taught fiction writing in prison for three years. Merritt oversaw her program; Khan was one of her students. 'It is the immediate aftermath,' Taneja writes. 'I am living at the centre of a wound still fresh. The I is not only mine. It belongs to many.' In this searching lament Taneja interrogates the language of terror, trauma and grief; the fictions we believe and the voices we exclude. Contending with the pain of unspeakable loss set against public tragedy, she draws on history, memory, and powerful poetic predecessors to reckon with the systemic nature of atrocity. Blurring genre and form, Aftermath is a profound attempt to regain trust after violence and to recapture a politics of hope through a determined dream of abolition.

After a humiliating mistake, lawyer Benjamin Booker resolves to never again trust a beautiful woman. When an old friend is killed, the senior partner isn't satisfied with Bow Street's efforts and asks Benjamin to investigate. Eager to leave London for a while, Benjamin agrees. Evidence takes him to a remote island on the Thames, a world unto itself, shrouded in mist and mystery. Soon he finds himself falling for the main suspect--a woman who claims not to have left the island in ten years. But should he trust her? On Belle Island, Isabelle feels safe and leads a productive life, but fear keeps her trapped there. When Mr. Booker arrives with news of her trustee's murder in London, Isabelle is stunned. She has not left the island, yet she has a recurring dream about the man's death. Or is it a memory? She had been furious with him, but she never intended . . . this. When a second person dies and evidence shockingly points to her, Isabelle doesn't know who to trust: the attractive lawyer or the admirer and friends who assemble on the island, each with grudges against the victim. Can she even trust her own mind? While they search for the truth, secrets come to light and danger comes calling.

Miscast in the media for nearly 130 years, the victims of Jack the Ripper finally get their full stories told in this eye-opening and chilling reminder that life for middle-class women in Victorian London could be full of social pitfalls and peril.