A photo-journey through the homes and lives of 30 families, revealing culture and economic levels around the world.

At a time when the world is grappling with rising food and energy prices and climate change, Living in a Material World provides an insight into some of the contributing factors behind these challenges. The emergence of new consumers in China, India, Russia and the Middle East has added formidable competition to the natural resources that have been taken for granted in the developed world. Everything we consume involves the use of metals, fossil fuels or agriculture. Our high tech 'lifestyles' depend on the secure supply of these raw materials which we take from planet earth and use to make our lives more comfortable, more productive or more manageable. The effect of this increasing global demand for commodities has pushed up prices of materials from oil and copper to corn and wheat; forcing consumers to pay more for the many 'necessities' of life, from a loaf of bread to electricity bills. Since the commodity boom has unfolded, commodities have gone from the back page of the newspaper to the front; with more and more headlines about record food and oil prices, dire climate change warnings, energy security and China's demand for more raw materials. This era of high oil and food prices is no passing phase: The supply of many key natural resources is stretched to the limit. But what is the real cost? Living in a Material World makes the link between raw materials and the consumer, and shows how they are relevant to everybody, everyday - now more so than at any time since the last oil shock nearly three decades ago. A unique insight into this 'once in a generation' boom, the book shows how the increasing value of commodities is impacting on consumers and investors, in ways we are only just beginning to understand. "It was a great pleasure to read this book which provides an essential background to understanding commodities for anybody interested in understanding them more closely. It is so rare to see all the essential elements brought together in one book." –Chris Brodie, Krom River Partners LLP "Kevin Morrison set out to write a book about the daily relevance that raw materials have for the ordinary consumer. He has achieved his objective par excellence. The subject matter has been comprehensively researched and well documented - yet the writer has avoided using complicated technical language. The style of the book is more in tune with a novel and the main topics are treated with a special sense of humour. I would readily recommend this work to anyone interested in how global energy issues have a direct affect on us all." –Mehdi Varzi, President, Varzi Energy, London

A companion to the groundbreaking bestseller Material World: A Global Family Portrait, this remarkable volume portrays the striking similarities and profound differences in the lives of women around the world at the dawn of the twenty-first century. Under the direction of Faith D’Aluisio and Peter Menzel, a team of renowned women journalists traveled the world to take a close look at the lives of women in twenty disparate lands. In first-person interviews of startling candor, the women share their feelings about family, children, money, love, sex, and marriage. These interviews, together with 375 stunning full-color photographs, create a powerful multicultural portrait of the half of humanity that all too often remains invisible.

This book draws on the tools of science and technology studies and economic sociology to reconceptualize the intersection of economy and technology, suggesting materiality - the idea that social existence involves not only actors and social relations but also objects - as the theoretical point of convergence.

Spirits in the Material World: The Challenge of Technology provocatively argues that technology is best understood as an otherworldly or spiritual force. Under its influence, humans are fast becoming spirit-like creatures, beings who assume their bodies are incidental to what it means to be human and the "real world" an accidental quality of the human condition. Technology authorizes such an understanding and legitimates a manner of action that obscures the centrality of embodiment and its significance. Gil Germain challenges many of the assumptions underpinning the technological worldview through a reading of leading contemporary theorists who have addressed the interconnection between technology and disembodiment. The book both reveals and contests the multifarious ways in which technology's spiritual thrust is manifested in contemporary thought and practice. While respecting technology's hold on modernity and its predisposition toward disembodiment, Germain gives important reasons why this inclination toward spiritizaiion ought to be resisted and what shape this resistance must take if it is to be meaningful. Gil Germain is associate professor of political studies at the University of Prince Edward Book jacket.

A magnificent work of original research that unravels history through textiles and cloth—how we make it, use it, and what it means to us. How is a handmade fabric helping save an ancient forest? Why is a famous fabric pattern from India best known by the name of a Scottish town? How is a Chinese dragon robe a diagram of the whole universe? What is the difference between how the Greek Fates and the Viking Norns used threads to tell our destiny? In Fabric, bestselling author Victoria Finlay spins us round the globe, weaving stories of our relationship with cloth and asking how and why people through the ages have made it, worn it, invented it, and made symbols out of it. And sometimes why they have fought for it. She beats the inner bark of trees into cloth in Papua New Guinea, fails to handspin cotton in Guatemala, visits tweed weavers at their homes in Harris, and has lessons in patchwork-making in Gee's Bend, Alabama - where in the 1930s, deprived of almost everything they owned, a community of women turned quilting into an art form. She began her research just after the deaths of both her parents —and entwined in the threads she found her personal story too. Fabric is not just a material history of our world, but Finlay's own journey through grief and recovery.

A noted philosopher proposes a naturalistic (rather than supernaturalistic) way to solve the "really hard problem": how to live in a meaningful way—how to live a life that really matters—even as a finite material being living in a material world. If consciousness is "the hard problem" in mind science—explaining how the amazing private world of consciousness emerges from neuronal activity—then "the really hard problem," writes Owen Flanagan in this provocative book, is explaining how meaning is possible in the material world. How can we make sense of the magic and mystery of life naturalistically, without an appeal to the supernatural? How do we say truthful and enchanting things about being human if we accept the fact that we are finite material beings living in a material world, or, in Flanagan's description, short-lived pieces of organized cells and tissue? Flanagan's answer is both naturalistic and enchanting. We all wish to live in a meaningful way, to live a life that really matters, to flourish, to achieve eudaimonia—to be a "happy spirit." Flanagan calls his "empirical-normative" inquiry into the nature, causes, and conditions of human flourishing eudaimonics. Eudaimonics, systematic philosophical investigation that is continuous with science, is the naturalist's response to those who say that science has robbed the world of the meaning that fantastical, wishful stories once provided. Flanagan draws on philosophy, neuroscience, evolutionary biology, and psychology, as well as on transformative mindfulness and self-cultivation practices that come from such nontheistic spiritual traditions as Buddhism, Confucianism, Aristotelianism, and Stoicism, in his quest. He gathers from these disciplines knowledge that will help us understand the nature, causes, and constituents of well-being and advance human flourishing. Eudaimonics can help us find out how to make a difference, how to contribute to the accumulation of good effects—how to live a meaningful life.

Tired of the clichés often trotted out about craft, Perri Lewis makes it her task to bring the world of making into the 21st century. In Material World, Perri enlists the help of luminaries from the worlds of art, craft, design and fashion to share their knowledge and advice. Among these include Rob Ryan, Emma Bridgewater, Grayson Perry, Philip Treacy, Tatty Devine, Topshop and Tracey Emin. Instead of just giving the reader individual projects, you can learn the techniques for crafts such as paper-cutting, dress-making, printing, encrusting, leather work and tailoring. However, if you prefer more guidance, there are 15 projects to make, including découpage shoes, a patchwork Louis chair and a printed scarf. With the compiled words of wisdom of these experts, and Perri's own timeless advice, you'll be up and running with scissors in no time.

For anyone who has ever yearned for a better life and a better world, the Kielburgers challenge people to improve their own lives by helping others, and to recognize what is truly valuable.

Over the course of the last decade, Ronald Hill has dedicated his research efforts to answering the question: How do the poor survive in America's material world? Hill identifies six subgroups among the poor, including the "hidden homeless," homeless families living in shelters, poor children, and the rural poor. Approximately 13 percent of Americans (35 million people) live in poverty. That rate soars for children: it is estimated that nearly one in five young people lives in a home without adequate income, shelter, food, and health care. Bearing in mind the specific needs of each community, Hill proposes solutions that attack the roots of poverty by utilizing impoverished groups' strengths and understanding their weaknesses.