Hardbound book - work of fiction.

A story of friendship, encouragement, and the quest to design a better world A Man Apart is the story—part family memoir and part biography—of Peter Forbes and Helen Whybrow’s longtime friendship with Bill Coperthwaite (A Handmade Life), whose unusual life and fierce ideals helped them examine and understand their own. Coperthwaite inspired many by living close to nature and in opposition to contemporary society, and was often compared to Henry David Thoreau. Much like Helen and Scott Nearing, who were his friends and mentors, Coperthwaite led a 55-year-long “experiment in living” on a remote stretch of Maine coast. There he created a homestead of wooden, multistoried yurts, a form of architecture for which he was known around the world. Coperthwaite also embodied a philosophy that he called “democratic living,” which was about empowering all people to have agency over their lives in order to create a better community. The central question of Coperthwaite’s life was, “How can I live according to what I believe?” In this intimate and honest account—framed by Coperthwaite’s sudden death and brought alive through the month-long adventure of building with him what would turn out to be his last yurt—Forbes and Whybrow explore the timeless lessons of Coperthwaite’s experiment in intentional living and self-reliance. They also reveal an important story about the power and complexities of mentorship: the opening of one’s life to someone else to learn together, and carrying on in that person’s physical absence. While mourning Coperthwaite’s death and coming to understand the real meaning of his life and how it endures through their own, Forbes and Whybrow craft a story that reveals why it’s important to seek direct experience, to be drawn to beauty and simplicity, to create rather than critique, and to encourage others.

As seen on Oprah’s Super Soul Sunday A beacon of hope in the face of our current world crises, this uplifting book demonstrates how embracing our interconnectedness is key to world transformation In a time of social and ecological crisis, what can we as individuals do to make the world a better place? This inspirational and thought-provoking book serves as an empowering antidote to the cynicism, frustration, paralysis, and overwhelm so many of us are feeling, replacing it with a grounding reminder of what’s true: we are all connected, and our small, personal choices bear unsuspected transformational power. By fully embracing and practicing this principle of interconnectedness—called interbeing—we become more effective agents of change and have a stronger positive influence on the world. Throughout the book, Eisenstein relates real-life stories showing how small, individual acts of courage, kindness, and self-trust can change our culture’s guiding narrative of separation, which, he shows, has generated the present planetary crisis. He brings to conscious awareness a deep wisdom we all innately know: until we get ourselves in order, any action we take—no matter how good our intentions—will ultimately be wrong-headed and wrong-hearted. Above all, Eisenstein invites us to embrace a radically different understanding of cause and effect, sounding a clarion call to surrender our old worldview of separation, so that we can finally create the more beautiful world our hearts know is possible. With chapters covering separation, interbeing, despair, hope, pain, pleasure, consciousness, and many more, the book invites us to let the old Story of Separation fall away so that we can stand firmly in a Story of Interbeing.

LIVING TOGETHER IN A WORLD FALLING APART The classic "handbook on Christian community," with updated reflections By Dave and Neta Jackson When LIVING TOGETHER IN A WORLD FALLING APART was first published in 1974, tensions in society-an unpopular war, racial divisions, fearful economics, the seeming futility of "success," and widespread alienation-were not addressed in most churches. Racism still thrived, worship meant three hymns and you're out, and relationships had deteriorated to weekly handshakes. But many believed-based on New Testament descriptions of the early church-that this couldn't be all God planned for his people. These restless souls eagerly read about Dave and Neta Jackson's personal search as they experimented with household living and took a road trip visiting the crop of emerging Christian communities around the country. Written in a breezy, candid manner, LIVING TOGETHER became not only a bestseller and classic "handbook on Christian community," but provided perhaps the only sociological snapshot of the many Christian communities from that era. Now, because many conditions in church and society are repeating themselves, interest in Christian community is reviving-whether through small groups, house churches, the emerging church movement, the new monasticism, or among Christians experimenting with communal living as a way to be more faithful, effective, and connected. This updated edition contains the original text of LIVING TOGETHER as well as many of the Jacksons' personal reflections and evaluations after living in Christian community for over 25 years, thereby providing nearly 30 percent new material.

A close-up examination and exploration, How We Live Now challenges our old concepts of what it means to be a family and have a home, opening the door to the many diverse and thriving experiments of living in twenty-first century America. Across America and around the world, in cities and suburbs and small towns, people from all walks of life are redefining our “lifespaces”—the way we live and who we live with. The traditional nuclear family in their single-family home on a suburban lot has lost its place of prominence in contemporary life. Today, Americans have more choices than ever before in creating new ways to live and meet their personal needs and desires. Social scientist, researcher, and writer Bella DePaulo has traveled across America to interview people experimenting with the paradigm of how we live. In How We Live Now, she explores everything from multi-generational homes to cohousing communities where one’s “family” is made up of friends and neighbors to couples “living apart together” to single-living, and ultimately uncovers a pioneering landscape for living that throws the old blueprint out the window. Through personal interviews and stories, media accounts, and in-depth research, How We Live Now explores thriving lifespaces, and offers the reader choices that are freer, more diverse, and more attuned to our modern needs for the twenty-first century and beyond.

This is the first extended study in English of Theophrastus' Characters, one of the briefest but also most influential works to survive from classical antiquity. Since the seventeenth century, the Characters has served as a model and an inspiration for authors as diverse as La Bruyère, Thackeray, George Eliot and Elias Canetti. This study aims to locate Theophrastus and his Characters with respect to the political and philosophical worlds of Athens in the late fourth century, focusing on later imitators in order to provide clues to reading the Theophrastan original. Special attention is paid to the problems and possibilities of the Characters as testimony to the culture and society of contemporary Athens, integrating the text into the extensive fragments and testimonies of Theophrastus' other writings. The implications for the historian of the elusive humour of the Characters, dependent in large measure on the device of caricature, are explored in detail. What emerges is a picture of the complex etiquette appropriate for upper-class citizens in the home, the streets and other public places in Athens where individuals were on display. Through their resolutely shaming behaviour, the Characters illuminate the honour for which citizens should, by implication, be striving. A key theme of the study is Theophrastus' ambivalent position in Athens: a distinguished philosopher and head of the Lyceum, yet still subject to the disabilities of his metic status.

Popular marriage counselor and seminar leader John Gray provides a unique, practical and proven way for men and women to communicate and relate better by acknowledging the differences between them. Once upon a time Martians and Venusians met, fell in love, and had happy relationships together because they respected and accepted their differences. Then they came to earth and amnesia set in: they forgot they were from different planets. Using this metaphor to illustrate the commonly occurring conflicts between men and women, Gray explains how these differences can come between the sexes and prohibit mutually fulfilling loving relationships. Based on years of successful counseling of couples, he gives advice on how to counteract these differences in communication styles, emotional needs and modes of behavior to promote a greater understanding between individual partners. Gray shows how men and women react differently in conversation and how their relationships are affected by male intimacy cycles ("get close", "back off"), and female self-esteem fluctuations ("I'm okay", "I'm not okay"). He encourages readers to accept the other gender's particular way of expressing love, and helps men and women learn how to fulfill each other's emotional needs. With practical suggestions on how to reduce conflict, crucial information on how to interpret a partner's behavior and methods for preventing emotional "trash from the past" from invading new relationships, Men Are from Mars, Women Are from Venus is a valuable tool for couples who want to develop deeper and more satisfying relationships with their partners.

A seminal and original work that delves deeply into what slaveholders thought.

This work by the late and great sociologist Hugh Dalziel Duncan, paints the great panorama of the Middle West, where egalitarianism is the most cherished value, and money is the most important vehicle of life. How art finds a place in this society is shown in the specific struggle between the architects, businessmen, unionists, and educators of Chicago. Into such specifics Duncan reveals the place of supposedly abstract theories developed by John Dewey, George Herbert Mead, Thorstein Veblen, and above all, Louis H. Sullivan, whose school of architecture presents both a new form of physical design and a new order of society. The rise, seeming defeat, and final triumph of Sullivan's principles of order in architecture are related to his social and aesthetic theories of form in society. In democratic society, all individuals must be capable of art, just as all individuals share in art as experience. Sullivan's description of the development within the individual of the idea of architecture is treated as an allegory of such development in the spirit of democratic values. His life is offered as a parable of the problem facing American artists as they attempt to root art in democratic culture. In Sullivan's words: "The critical study of architecture becomes not merely the direct study of art, but "in extenso, a "study of the social conditions producing it. The study of a newly shaping type of civilization. By this light, the study of architecture becomes naturally and logically a branch of social science. . . ." Duncan's exceptional volume, written with grace and clarity, registers the achievements of this Chicago School, showing how culture and democracy reached a special moment of consensus with the money-based economy of our time.