The father is incarcerated; the mother of his children is working two jobs to provide shelter, food, and clothing to the children. Partly as a result of his incarceration, she has grown as a person, due to the obstacles and choices she has had to make, while he has become less confident because of the lack of decisions he is allowed to make. Add to that situation children who have grown up without a father role model in their lives, who are angry and embarrassed over the situations they have been placed in. Throw in the standard judgment of free world people. He is there for a reason. Do we even realize that the whole family is doing time together? The only catch is, the kids and wife are doing time for crimes they did not commit. Where is the hope in such situations?

Nicholl delivers a fascinating insight into the lives and loves of two extraordinary young men who have captured the hearts and minds of not only the British public, but those the world over. This is the definitive book about the princes, bringing their story up to date.

Ambrose Gwinnett Bierce (born June 24, 1842, assumed to have died sometime after December 26, 1913) was an American editorialist, journalist, short story writer, fabulist, and satirist. He wrote the short story "An Occurrence at Owl Creek Bridge" and compiled a satirical lexicon The Devil's Dictionary. His vehemence as a critic, his motto "Nothing matters," and the sardonic view of human nature that informed his work, all earned him the nickname "Bitter Bierce." Despite his reputation as a searing critic, Bierce was known to encourage younger writers, including poet George Sterling and fiction writer W. C. Morrow. Bierce employed a distinctive style of writing, especially in his stories. His style often embraces an abrupt beginning, dark imagery, vague references to time, limited descriptions, impossible events and the theme of war. In 1913, Bierce traveled to Mexico to gain first-hand experience of the Mexican Revolution. While traveling with rebel troops, he disappeared without a trace. Bierce was considered a master of pure English by his contemporaries, and virtually everything that came from his pen was notable for its judicious wording and economy of style. He wrote in a variety of literary genres. His short stories are held among the best of the 19th century, providing a popular following based on his roots. He wrote realistically of the terrible things he had seen in the war in such stories as "An Occurrence at Owl Creek Bridge," "The Boarded Window," "Killed at Resaca," and "Chickamauga." In addition to his ghost and war stories, he also published several volumes of poetry. His Fantastic Fables anticipated the ironic style of grotesquerie that became a more common genre in the 20th century. One of Bierce's most famous works is his much-quoted book, The Devil's Dictionary, originally an occasional newspaper item which was first published in book form in 1906 as The Cynic's Word Book. It consists of satirical definitions of English words which lampoon cant and political double-talk. Under the entry "leonine," meaning a single line of poetry with an internal rhyming scheme, he included an apocryphal couplet written by the fictitious "Bella Peeler Silcox" (i.e. Ella Wheeler Wilcox) in which an internal rhyme is achieved in both lines only by mispronouncing the rhyming words: The electric light invades the dunnest deep of Hades. Cries Pluto, 'twixt his snores: "O tempora! O mores! Bierce's twelve-volume Collected Works were published in 1909, the seventh volume of which consists solely of The Devil's Dictionary, the title Bierce himself preferred to The Cynic's Word Book.

The #1 New York Times bestselling author and true crime master Ann Rule presents her fifteenth volume of the acclaimed Crime Files series focusing on disturbing stories of people in danger, sometimes from strangers and sometimes from the people they know and love. Walking home on a dark night, you hear footsteps coming up behind you. As they get closer, your heart pounds harder. Is it a dangerous stranger or someone you know and trust? The answer is as simple as turning around, but don’t look behind you…run. With her signature in-depth research and compelling writing, Ann Rule chronicles fateful encounters with the secret predators hiding in plain sight. First in line is a stunning case that spanned thirty years and took one determined detective to four states—ending, finally, in Alaska—where he unraveled not one but two murders. A second case appears to begin and end with the hunt for the Green River Killer, focusing on a Washington State man who was once cleared as a suspect in that deadly chain of homicides. In another true story, a petite woman went to a tavern, looking only for conversation and fun. Instead, she met violent death in the form of a seven-foot tall man who had seemed shy and harmless. You’ll feel a chill as you uncover these and numerous other cases of unfortunate victims who made one tragic mistake: trusting the wrong person—even someone they thought they knew.

When Vera decides to travel from Argentina on holidays with her best friend to Los Angeles, the city of glamour and beauty stereotypes, she is unaware of how her life will turn around as she bumps into a famous Hollywood star, whose life is under the scrutiny of the cameras of paparazzi, so different from hers. Vera has seen Theo on the big screen many times, but little does she know that an unforeseen event will bring the two of them together and so, unexpectedly, love, desire, and passion join their paths facing them with the unavoidable challenge of choosing a different destiny. Scars Behind the Wall is a novel that tells the story of a woman who at an early age is forced to endure a bilateral mastectomy due to breast cancer. This makes Vera radically change the way she sees her body, deciding to turn off her sexuality and sensuality completely and lead her life alone away from men. In addition to stating how we all have some kind of physical or emotional scar, the reader will bear witness to whether Theo will manage with his love to break through the wall Vera has built around her heart, and thus make her rediscover a more compassionate image of her body and everything she has been through. Scars behind the Wall will surprise you, move you, and make you fall in love.

Twelve-year-old David sneaks through the ventilation shafts in his London apartment building pulling pranks on his neighbors, which awakens the ghost of a boy with a grudge against the lonely, senile old man who lives upstairs.

Behind “The Wall” By: David Hodge Behind “The Wall” is a memoir of author David Hodge’s experiences behind prison walls. These experiences remind us that we do not want to waste our life in prison before deciding to live an honest, God-fearing life. We only get one life here on Earth. Maintaining our freedom is the best thing we can do for ourselves, free to go and come as we please, free to choose our partners in life, free to manage our life. We do not have to sell dope for a living or use illegal drugs to escape reality. Society needs to stop idolizing drug dealers and praising a man for holding down a job. And the responsible ones of this country need to work on paying a decent wage to our uneducated workforce so they are not enticed by the possibilities of illegal activities. That is what fuels the penal system, folks taking a chance at the American Dream because they believe they can support themselves, family, and lifestyle with such activities. David hopes his experiences will touch the hearts of those trying not to return to prison, those lost without a direction, and those looking for guidance.

A searing sci-fi thriller about a woman reckoning with her past to solve a series of sudden and inexplicable deaths in the face of a coming apocalypse—from the Compton Crook Award–winning author of The Space Between Worlds. “A bold, beautiful, gut-punch of a story, at turns ferocious and poetic—and sometimes both at once.”—Veronica Roth, New York Times bestselling author of Chosen Ones “[Those Beyond the Wall] reads like Mad Max: Fury Road was written by Phillip K. Dick and N.K. Jemisin.”—CrimeReads SHORTLISTED FOR THE URSULA K. LE GUIN PRIZE FOR FICTION In Ashtown, a rough-and-tumble desert community, the Emperor rules with poisoned claws and an iron fist. He can’t show any sign of weakness, as the neighboring Wiley City has spent lifetimes beating down the people of Ashtown and would love nothing more than its downfall. There’s only one person in the desert the Emperor can fully trust—and her name is Scales. Scales is the best at what she does: keeping everyone and everything in line. As a skilled mechanic—and an even more skilled fighter, when she needs to be—Scales is a respected member of the Emperor’s crew, who’s able to keep things running smoothly. But the fragile peace Scales helps to maintain is fractured when a woman is mangled and killed before her eyes. Even more incomprehensible: There doesn’t seem to be a murderer. When more bodies start to turn up, both in Ashtown and in the wealthier, walled-off Wiley City, Scales is tasked with finding the cause—and putting an end to it by any means necessary. To protect the people she loves, she teams up with a frustratingly by-the-books partner from Ashtown and a brusque-but-brilliant scientist from the City, delving into both worlds to track down an invisible killer. But the answers Scales finds are bigger than she ever could have imagined, leading her into the brutal heart beneath Wiley City’s pristine façade and dredging up secrets from her own past that she would rather keep hidden. If she wants to save the world from the earth-shattering truths she uncovers, she can no longer remain silent—even if speaking up costs her everything.

In an isolated town that closely resembles the West Bank, thirteen-year-old Joshua discovers that his world may not be as it seems; that his people may be aggressors rather than victims; and that he must stand up to his stepfather and forge his own sense of right and wrong.

In this wise and lyrical book about landscapes of the desert and the mind, Edward Abbey guides us beyond the wall of the city and asphalt belting of superhighways to special pockets of wilderness that stretch from the interior of Alaska to the dry lands of Mexico.