Stories of the volcano goddess Pele and her youngest sister Hi'iaka, patron of hula, are most familiar as a form of literary colonialism--first translated by missionary descendants and others, then co-opted by Hollywood and the tourist industry. But far from quaint tales for amusement, the Pele and Hi'iaka literature published between the 1860s and 1930 carried coded political meaning for the Hawaiian people at a time of great upheaval. Voices of Fire recovers the lost and often-suppressed significance of this literature, restoring it to its primary place in Hawaiian culture. Ku'ualoha ho'omanawanui takes up mo'olelo (histories, stories, narratives), mele (poetry, songs), oli (chants), and hula (dances) as they were conveyed by dozens of authors over a tumultuous sixty-eight-year period characterized by population collapse, land alienation, economic exploitation, and military occupation. Her examination shows how the Pele and Hi'iaka legends acted as a framework for a Native sense of community. Freeing the mo'olelo and mele from colonial stereotypes and misappropriations, Voices of Fire establishes a literary mo'okū'auhau, or genealogy, that provides a view of the ancestral literature in its indigenous contexts. The first book-length analysis of Pele and Hi'iaka literature written by a Native Hawaiian scholar, Voices of Fire compellingly lays the groundwork for a larger conversation of Native American literary nationalism.

Marty Langsmith is only five years old when a strange thunder rolls across the Hawaiian sky and life as she knows it explodes into flames. With her mother, April, and hundreds of other women and children, Marty is evacuated from the ruins of Pearl Harbor and sent into a brave new world overshadowed by uncertainty and grief. Feeling abandoned by her deployed Army officer father in the wake of the attack, Marty is haunted by nightmares of the lion in the lei shop, a creature that's said to devour happy children. But as the years pass, mother and daughter slowly begin to embrace their new life and make peace with the pain of the past. Spanning the tumultuous war years, The Lion in the Lei Shop deftly recaptures a dramatic chapter of American history. Originally published in 1970 and reissued for a new generation of readers as part of renowned librarian Nancy Pearl's Book Lust Rediscoveries series, this lyrical novel gives a rarely heard voice to the women and children of Pearl Harbor.

The art of featherworking has a long, cultural history in Hawaii. Rooted in the tradition of their Polynesian ancestors, the early Hawaiian perfected and transformed the art as they created feathered cloaks, capes, helmets, images, and standards for the alii. Many of the items made were considered sacredfrom both the process of their creation to their uses. Despite the influx of Western ideas, and the introduction of Christianity which, for a time, halted the practice of many traditional customs, this artform has survived and flourishes todaythanks in part to those in the community who continue their ancestors' legacy. This new edition of Feather Lei as an Art is meant to perpetuate the art of featherworking and bring it to a wide audience. It provides step-by-step instructions o how to make both traditional (round) and contemporary (flat) feather lei. Vibrant, color photographs complement instructions and provide a visual testament to the beauty of featherworking. Designed and written with the beginner in mind, the aspiring featherworker is guided not only through the steps of how to make the lei, but through the soul-satisfying journey which leads to its completion. Included is an overall look at the history of this ancient art; an explanation of the difference between traditional and contemporary lei; interpretations of the traditional colors used and color combinations; a detailed supply list; how to identify, prepare and work with feathers; how to store feather lei; and examples of what types of featherwork is being explore today.

A Choice Outstanding Academic Title for 2022 China's Cultural Revolution (1966-1976) produced propaganda music that still stirs unease and, at times, evokes nostalgia. Lei X. Ouyang uses selections from revolutionary songbooks to untangle the complex interactions between memory, trauma, and generational imprinting among those who survived the period of extremes. Interviews combine with ethnographic fieldwork and surveys to explore both the Cultural Revolution's effect on those who lived through it as children and contemporary remembrance of the music created to serve the Maoist regime. As Ouyang shows, the weaponization of music served an ideological revolution but also revolutionized the senses. She examines essential questions raised by this phenomenon, including: What did the revolutionization look, sound, and feel like? What does it take for individuals and groups to engage with such music? And what is the impact of such an experience over time? Perceptive and provocative, Music as Mao's Weapon is an insightful look at the exploitation and manipulation of the arts under authoritarianism.

Die Umstrukturierung und Liberalisierung der Stromerzeugung brachte tiefgreifende Veränderungen des Marktes, des Wettbewerbs, der Technologien und nicht zuletzt der gesetzlichen Vorschriften mit sich. Dieser Band konzentriert sich auf die technischen Fortschritte und bespricht derzeit aktuelle Probleme anhand anschaulicher Fallstudien. So werden zum Beispiel neue Verfahren zur Vorhersage der Netzlast erläutert. Von international renommierten Experten geschrieben! (07/00)

"Aloha" is at once the most significant and the most misunderstood word in the Indigenous Hawaiian lexicon. For K&257;naka Maoli people, the concept of "aloha" is a representation and articulation of their identity, despite its misappropriation and commandeering by non-Native audiences in the form of things like the "hula girl" of popular culture. Considering the way aloha is embodied, performed, and interpreted in Native Hawaiian literature, music, plays, dance, drag performance, and even ghost tours from the twentieth century to the present, Stephanie Nohelani Teves shows that misunderstanding of the concept by non-Native audiences has not prevented the K&257;naka Maoli from using it to create and empower community and articulate its distinct Indigenous meaning. While Native Hawaiian artists, activists, scholars, and other performers have labored to educate diverse publics about the complexity of Indigenous Hawaiian identity, ongoing acts of violence against Indigenous communities have undermined these efforts. In this multidisciplinary work, Teves argues that Indigenous peoples must continue to embrace the performance of their identities in the face of this violence in order to challenge settler-colonialism and its efforts to contain and commodify Hawaiian Indigeneity.

When Freudian sexual theory hit China in the early 20th century, it ran up against competing models of the mind from both Chinese tradition and the new revolutionary culture. Chinese theorists of the mind—both traditional intellectuals and revolutionary psychologists— steadily put forward the anti-Freud: a mind shaped not by deep interiority that must be excavated by professionals, but shaped instead by social and cultural interactions. Chinese novelists and film directors understood this focus and its relationship to Mao's revolutionary ethos, and much of the literature of twentieth-century China reflects the spiritual qualities of the revolutionary mind. From Ah Q to Lei Feng investigates the continual clash of these contrasting models of the mind provided by Freud and revolutionary Chinese culture, and explores how writers and filmmakers negotiated with the implications of each model. .

Seventeen years after she married, Judith Strasser escaped her emotionally and physically abusive husband and sought a better way to live. In the process, Strasser rediscovered what she had suppressed through that long span of time: exceptional strength and a passion for writing. Black Eye includes excerpts from a journal Strasser kept from 1985 to1986, the year she made the decision to leave her marriage, and present-day commentary on the journal passages and her family history. Strasser works like a detective investigating her own life, drawing clarity and power from journal passages, dreams, and memories that originally emerged from confusion and despair. With language that is both insightful and poetic, she reveals the psychological and social circumstances that led a "strong" woman, an intelligent and politically active feminist, to become an emotionally dependent, abused wife. Not coincidentally, the same year that Strasser finally found the courage to leave her husband, she also reclaimed her creative voice. Newly empowered and energized by this enormous life change, Strasser began writing again after twenty-five silent years dominated by her mother s illness and death, her own cancer, and her painful, fearful marriage. Black Eye is one of the fruits of this creative reawakening. Strasser s writing is refreshingly honest and instantly engrossing. Not shy of wretchedness or beauty, Strasser s story is bitterly personal, ultimately triumphant, and inspiring to all who deal with the adversity that is part of human life."

One of China’s most significant contemporary poets, co-translated by former US Poet Laureate Tracy K. Smith Yi Lei published her poem “A Single Woman’s Bedroom” in 1987, when cohabitation before marriage was a punishable crime in China. She was met with major critical acclaim—and with outrage—for her frank embrace of women’s erotic desire and her unabashed critique of oppressive law. Over the span of her revolutionary career, Yi Lei became one of the most influential figures in contemporary Chinese poetry. Passionate, rigorous, and inimitable, the poems in My Name Will Grow Wide Like a Tree celebrate the joys of the body, ponder the miracle of compassion, and proclaim an abiding reverence for the natural world. Presented in the original Chinese alongside English translations by Changtai Bi and Pulitzer Prize–winning poet Tracy K. Smith, this collection introduces American readers to a boundless spirit—one “composing an explosion.”

It's the middle of the pandemic and Hawaii has been virtually closed to tourists. So when Leilani Santiago and her young sisters save a mysterious woman wearing a lei from drowning in Waimea Bay in Kauai questions abound: who is she and where did she come from? When the lei made of mokihana berries, the official flower of Kauai, is traced back to Leilani's best friend, the very pregnant Courtney Kahuakai, and her family's flower business, Leilani finds herself in the middle of a murder investigation while her shave ice shack is temporarily shuttered due to the pandemic. The survival of Leilani, her family and friends will depend on her sense of ingenuity and the strength of her island community. Leilani becomes obsessed with the woman and even breaks into her Airbnb to discover her identity. She finds that the woman, a travel agent who has a Japanese passport, has information about a local attorney on the island, Garvin Washburne. When Washburne shoots and kills a hospital nurse who, armed with a machete, had trespassed into the attorney's home, Leilani is further drawn into this mystery. As residents protest the reopening of tourism, do Garvin and the travel agent from Japan represent the opposition? Soon the future of Leilani's family member is threatened and Leilani realizes the serious repercussions of her amateur investigation. The survival of Leilani, her family and friends will depend on her sense of ingenuity and the strength of her island community.