This is the first synthesis on Egyptian enigmatic writing (also referred to as “cryptography”) in the New Kingdom (c.1550–1070 BCE). Enigmatic writing is an extended practice of Egyptian hieroglyphic writing, set against immediate decoding and towards revealing additional levels of meaning. The first volume consists of studies by the main specialists in the field. This second volume is a lexicon of all attested enigmatic signs and values.

What do we know about the writings of ancient Egypt, two hundred years after Jean-Francois Champollion deciphered hieroglyphs? This Guide answers the question in an easily accessible format, presenting the current state of knowledge on the different scripts that were used in the Land of Pharaohs. The reader will find over fifty articles written by specialists, presenting the diversity of scripts in time and space, explaining their main organizational principles, and describing the main contexts in which they were used. The Guide begins by offering an overview of the scripts of Egypt, from the appearance of hieroglyphs up to the introduction of Arabic writing. It then explores the multiple aspects of hieroglyphic writing: the number of glyphs and their classification; the relationship between written glyphs and figurative representations; the organization in space and the materiality of hieroglyphs; the relationship of hieroglyphic writing to spoken language; as well as the play on symbols and other so-called enigmatic uses. Finally, the Guide focuses on the main uses of writing in ancient Egypt. Learning how to write, the use of movable and monumental material, inscriptions on objects and graffiti, the destruction of writing and systems of symbols are all practices that are considered. The use of writing for specific purposes-such as administrative, funerary or magical-or in specific socio-historical contexts is also adressed.

This is the first synthesis on Egyptian enigmatic writing (also referred to as “cryptography”) in the New Kingdom (c.1550–1070 BCE). Enigmatic writing is an extended practice of Egyptian hieroglyphic writing, set against immediate decoding and towards revealing additional levels of meaning. This first volume consists of studies by the main specialists in the field. The second volume is a lexicon of all attested enigmatic signs and values.

Traditionally, writing--a graphic, multidimensional form of communication--has been approached as a vehicle for representing, and therefore conveying, the spoken word. Moving beyond this manner of analysis, this volume interrogates writing as a medium that is not simply a handmaiden to oral and aural exchange but a communication system that is richly layered and experienced. To exploit this aspect of visual code, scholars from the fields of Egyptology, Sinology, Hittitology, and Assyriology, together with Mesoamericanists, art historians, and a sign language specialist, are brought together in this volume. In its pages, these contributors incorporate into their analyses methods more commonly used in linguistics and semiotics, communication studies, art historical analysis, and traditional philology to new ends in order to form original trajectories of inquiry. Each contribution either lays bare explicit exploitation of visuality in scribal production as a means to cement power, reveal the mystical, induce humor, or expose clandestine views or it locates implicit knowledge schemes and cultural maps underlying and informing these same productions. The pioneering investigations presented in Seen Not Heard reveal that although writing may be heard, the fact that it can also be seen affects its reception and therefore the meaning of any transported phonological units.

Warrior, mighty builder, and statesman, over the course of his 67-year-long reign (1279-1212 BCE), Ramesses II achieved more than any other pharaoh in the three millennia of ancient Egyptian civilization. Drawing on the latest research, Peter Brand reveals Ramesses the Great as a gifted politician, canny elder statesman, and tenacious warrior. With restless energy, he fully restored the office of Pharaoh to unquestioned levels of prestige and authority, thereby bringing stability to Egypt. He ended almost seven decades of warfare between Egypt and the Hittite Empire by signing the earliest international peace treaty in recorded history. In his later years, even as he outlived many of his own children and grandchildren, Ramesses II became a living god and finally, an immortal legend. With authoritative knowledge and colorful details Brand paints a compelling portrait of this legendary Pharaoh who ruled over Imperial Egypt during its Golden Age.

The Oxford Handbook of Egyptology offers a comprehensive survey of the entire study of ancient Egypt from prehistory through to the end of the Roman period. It seeks to place Egyptology within its theoretical, methodological, and historical contexts, indicating how the subject has evolved and discussing its distinctive contemporary problems, issues, and potential. Transcending conventional boundaries between archaeological and ancient textual analysis, the volume brings together 63 chapters that range widely across archaeological, philological, and cultural sub-disciplines, highlighting the extent to which Egyptology as a subject has diversified and stressing the need for it to seek multidisciplinary methods and broader collaborations if it is to remain contemporary and relevant. Organized into ten parts, it offers a comprehensive synthesis of the various sub-topics and specializations that make up the field as a whole, from the historical and geographical perspectives that have influenced its development and current characteristics, to aspects of museology and conservation, and from materials and technology - as evidenced in domestic architecture and religious and funerary items - to textual and iconographic approaches to Egyptian culture. Authoritative yet accessible, it serves not only as an invaluable reference work for scholars and students working within the discipline, but also as a gateway into Egyptology for classicists, archaeologists, anthropologists, sociologists, and linguists.

This is the first synthesis on Egyptian enigmatic writing (also referred to as "cryptography") in the New Kingdom (c.1550-1070 BCE). Enigmatic writing is an extended practice of Egyptian hieroglyphic writing, set against immediate decoding and towards revealing additional levels of meaning. This first volume consists of studies by the main specialists in the field. The second volume is a lexicon of all attested enigmatic signs and values.

This book zeroes in on hidden writing and alternative systems of graphic notation, exploring writings that deflect attention from language.

Inhalt: Martina Aprile: A study on the procurement of offerings system for the funerary complex of Senwosret II at el-Lahun Alessio Delli Castelli: The Definition of Art and Sculpture Concerning Kai Widmaier's Bilderwelten Abraham I. Fernández Pichel, David Klotz: Fundamental Texts of Latopolitan Theology. The Bandeau Inscriptions from the Soubassements of the Ptolemaic Façade (Esna II, 16 and 30) Brendan Hainline: Markers of Non-Royal Ritual Utterances in the Pyramid Texts Sabine Herrmann: "Cette pyramide est bâtie en forme de pavillon". Zur Entdeckungsgeschichte der Pyramiden von Dahshur in Mittelalter und Früher Neuzeit Jochem Kahl, Mohamed Abdelrahiem, Anna Arpaia, Andrea Kilian, Chiori Kitagawa, Jan Moje, Philipp Scharfenberger: The Asyut Project: Sixteenth Season of Fieldwork (2022) Florence Langermann: Seven Fragments of a Healing Statue from Heliopolis/Matareya Bieke Mahieu: The Identification and Sequence of the Hyksos Kings in Dynasty 15 Mostafa Hassan Nour, John M. Iskander, Sameh Hashem: The Stela of King Apries from El-Qantara Gharb. A Royal Journey to the Eastern Borders Anthony Spalinger: Chariot Wheels

Collections of scenes and texts designated variously as the "Book of the Earth," "Creation of the Solar Disc," and "Book of Aker" were inscribed on the walls of royal sarcophagus chambers throughout Egypt's Ramessid period (Dynasties 19-20). This material illustrated discrete episodes from the nocturnal voyage of the sun god, which functioned as a model for the resurrection of the deceased king. These earliest "Books of the Earth" employed mostly ad hoc arrangements of scenes, united by shared elements of iconography, an overarching, bipartite symmetry of composition, and their frequent pairing with representations of the double sky overhead. From the Twenty-First Dynasty and later, selections of programmatic tableaux were adapted for use in private mortuary contexts, often in conjunction with innovative or previously unattested annotations. The present study collects and analyzes all currently known Book of the Earth material, including discussions of iconography, grammar, orthography, and architectural setting.