An alphabet book featuring words about Appalachian culture, plus additional stories and facts, a glossary, and a list of places to visit in the region.

From the author and the illustrator of A is for Appalachia! The Alphabet Book of Appalachian Heritage comes a beautiful new book that will delight readers of all ages. Appalachian Toys and Games from A to Z celebrates a time when fun was powered by imagination and creativity rather than by batteries and electricity. From apple dolls (carefully molded from summer apples) to whimmydiddles (whirligig toys carved from sticks gathered in the forest), children will be inspired by a world of interesting nineteenth-century activities and toys while they learn about Appalachian heritage and the ABCs. Author Linda Hager Pack interweaves detailed descriptions of these entertainments with anecdotes, songs, and folktales. Pat Banks's vibrant watercolors bring these cherished pastimes to life. This book will inform and inspire young readers and will remind adults of simpler times when they played outside with siblings and friends, making their own fun. Nostalgic and lavishly illustrated, Appalachian Toys and Games from A to Z is a great read for anyone interested in the region's rich history and culture.

Text and illustrations explore the countryside and people of Appalachia.

Interweaving social, political, environmental, economic, and popular history, John Alexander Williams chronicles four and a half centuries of the Appalachian past. Along the way, he explores Appalachia's long-contested boundaries and the numerous, often contradictory images that have shaped perceptions of the region as both the essence of America and a place apart. Williams begins his story in the colonial era and describes the half-century of bloody warfare as migrants from Europe and their American-born offspring fought and eventually displaced Appalachia's Native American inhabitants. He depicts the evolution of a backwoods farm-and-forest society, its divided and unhappy fate during the Civil War, and the emergence of a new industrial order as railroads, towns, and extractive industries penetrated deeper and deeper into the mountains. Finally, he considers Appalachia's fate in the twentieth century, when it became the first American region to suffer widespread deindustrialization, and examines the partial renewal created by federal intervention and a small but significant wave of in-migration. Throughout the book, a wide range of Appalachian voices enlivens the analysis and reminds us of the importance of storytelling in the ways the people of Appalachia define themselves and their region.

A Handbook to Appalachia provides a clear, concise first step toward understanding the expanding field of Appalachian studies, from the history of the area to its sometimes conflicted image, from its music and folklore to its outstanding literature. Also includes information on African Americans, Asheville, (North Carolina), ballads, baskets, bluegrass music, blues music, Cherokee Indians, Cincinnati (Ohio), Churches, Civil War, coal, cultural diversity, death, folk culture, food, Georgia, health, immigration, industry, Irish, Kentucky, Midwest, migration, Melungeons, Native Americans, North Carolina, out-migration, politics, population, poverty, Radford University, schools, Scotch-Irish, Scotland, South Carolina, storytelling, strip mining, Tennessee, Ulster Scots, Virginia, West Virginia, Women, etc.

John O'Brien's deeply evocative book re- veals a place and a way of life--and the lives of an estranged father and son whose differences rest, ironically, in their own powerful bonds to Appalachia. John O'Brien was born in Philadelphia, his father having left his beloved home in the West Virginia mountains after an impoverished childhood made all the more painful by family tragedy. Struggling to escape a father defeated by disappointment, displacement, and poverty, John too left home. When John decided to settle near his father's birthplace in West Virginia, he hoped to comprehend the elder O'Brien's attachment to the land, as well as the disabling fatalism he had carried north. What he discovered is hardly the mythic Appalachia most Americans imagine, but a world of extravagant beauty--lush with green mountains, deep forests, ice-cold trout streams, and small hill farms. The people we meet who inhabit this land are for the most part unpretentious, working class, straightforward, open, commonsensical, and easygoing. They tend to look back more than most Americans do, defining themselves by how they fit into an extended family that includes their ancestors. We are in a mountain culture that feels old and deeply rooted, that follows a traditional way of life. It is a world the author would finally love and call his own. We also come face-to-face with provincialism, intolerance, and--perhaps Appalachia's defining legacy--the horrors of the coalfields and chemical plants. We see clearly what rapacious greed and exploitation have done for generations to much of the landscape and to the lives of the people. And we learn of the stream of reformers and missionaries, ever readyto show Appalachia the way, whose real contributions tend to be negligible or absurd. In this clear-eyed, beautifully rendered telling of his story and his father's, John O'Brien gives us, as well, the history and true heart of Appalachia.

Appalachia on Our Mind is not a history of Appalachia. It is rather a history of the American idea of Appalachia. The author argues that the emergence of this idea has little to do with the realities of mountain life but was the result of a need to reconcile the "otherness" of Appalachia, as decribed by local-color writers, tourists, and home missionaries, with assumptions about the nature of America and American civilization. Between 1870 and 1900, it became clear that the existence of the "strange land and peculiar people" of the southern mountains challenged dominant notions about the basic homogeneity of the American people and the progress of the United States toward achiving a uniform national civilization. Some people attempted to explain Appalachian otherness as normal and natural -- no exception to the rule of progress. Others attempted the practical integration of Appalachia into America through philanthropic work. In the twentieth century, however, still other people began questioning their assumptions about the characteristics of American civilization itself, ultimately defining Appalachia as a region in a nation of regions and the mountaineers as a people in a nation of peoples. In his skillful examination of the "invention" of the idea of Appalachia and its impact on American thought and action during the early twentieth century, Mr. Shapiro analyzes the following: the "discovery" of Appalachia as a field for fiction by the local-color writers and as a field for benevolent work by the home missionaries of the northern Protestant churches; the emergence of the "problem" of Appalachia and attempts to solve it through explanation and social action; the articulation of a regionalist definition of Appalachia and the establishment of instituions that reinforced that definition; the impact of that regionalistic definition of Appalachia on the conduct of systematic benevolence, expecially in the context of the debate over child-labor restriction and the transformation of philanthropy into community work; and the attempt to discover the bases for an indigenous mountain culture in handicrafts, folksong, and folkdance.

Explore the beauty and wonder of the Appalachian Mountains with this comprehensive guide from the experts at the Appalachian Mountain Club. Whether you're a seasoned hiker or new to the area, this book is your go-to resource for maps, trail recommendations, and insider tips on the best sights, sounds, and experiences the region has to offer. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.