"A House Divided Against Itself (Vol.1-3)" by Mrs. Oliphant. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

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The Witchcraft Delusion in New England (Vol. 1-3) is a seminal collection that encapsulates the fervor and introspection surrounding the witch trials that marred early American history. This anthology brings together a compendium of narratives, letters, and trial records that vividly depict the hysteria and the contrasting rational responses to the witchcraft accusations in 17th-century New England. The diversity in literary stylesfrom firsthand accounts to reflective essaysprovides a nuanced understanding of the socio-political and religious contexts that fueled the witch trials. Particularly, the collection highlights the tension between Cotton Mathers justifications for the trials and Robert Calefs critique of them, offering readers a comprehensive examination of the eras conflicting ideologies. The contributing authors, Cotton Mather and Robert Calef, represent polarized perspectives on the witch trials, encapsulating the complex interplay of fear, superstition, and rationality characteristic of Puritan New England. Their works align with larger historical and cultural movements, reflecting the perennial human struggle with ambiguity and fear of the unknown. This anthology, by presenting these contrasting views, unearths the multifaceted narratives that have shaped cultural and historical discourses on morality, justice, and religion. The Witchcraft Delusion in New England is an invaluable resource for readers interested in the dynamics of social hysteria, legal history, and cultural conflict. It offers an unparalleled insight into how societies grapple with phenomena that lie beyond the rational understanding of their time. This collection is recommended for scholars, students, and anyone intrigued by the interplay of history, belief, and the human condition, promising a riveting journey through a tumultuous period of American history.

In Georg Wilhelm Friedrich Hegel's monumental work, 'The Philosophy of Fine Art' (Vol. 1-3), readers are taken on a profound journey through the realm of art and aesthetics. Hegel's intricate exploration of the philosophy of art delves into the symbolic, classical, and romantic forms of art, providing a comprehensive analysis of the essence of beauty and artistic creation. His writing style is both eloquent and systematic, reflecting the philosophical rigor for which he is renowned. The book not only serves as a key text in the history of aesthetics but also offers valuable insights into the role of art in human culture and society. Hegel's work is essential for anyone interested in the intersection of philosophy and art. Georg Wilhelm Friedrich Hegel, a prominent German philosopher of the 19th century, was deeply influenced by his predecessors such as Kant and Schelling. His philosophical background and intellectual curiosity led him to investigate the nature of art and aesthetics in his ambitious 'The Philosophy of Fine Art'. Hegel's keen analytical skills and profound understanding of metaphysics are evident throughout his exploration of art's inherent meaning and significance. For readers seeking a comprehensive and thought-provoking study of art and aesthetics, 'The Philosophy of Fine Art' by Hegel is a must-read. Whether you are a student of philosophy, a lover of art, or simply curious about the nature of beauty, this groundbreaking work offers a unique perspective on the role of art in shaping human experience and culture.

Four school friends arrange an appointment in 15 years and are committed to keeping it, no matter what surprises and unforeseen adventures are prepared for them by life. A novel starts with the reflections of one of the protagonists on whether the others will keep the promise or he is the only one to keep the foolish promise of childhood. All four come. Father Time has given each of them a peculiar role in life. One is a respected doctor. The other one is an archeologist. The third one is a correspondent. The fourth hero is a traveler. Neither of them is married, and that means they are free to depart from the monotonous routine of their loves into an exciting journey full of mysteries, betrayal, love, politics, and adventures that will keep the reader suspended from the first to the last page of the book.

The Stones of Venice is a three-volume treatise on Venetian art and architecture by English art historian John Ruskin. Ruskin examines Venetian architecture in detail, describing for example over eighty churches. He discusses architecture of Venice's Byzantine, Gothic and Renaissance periods, and provides a general history of the city. As well as being an art historian, Ruskin was a social reformer. He set out to prove how Venetian architecture exemplified the principles he discussed in his earlier works.