A House and its Atmosphere is a meditative essay about the experience of designing and building a house of one¿s own. Told in seventy black and white photographs and a series of narrative excursions, architect Ben Jacks reflects on a lifetime of influences as he reveals the personal nature of inhabiting a place at the edge of a tidal cove on an island in Maine. In the book he quietly advocates for the simple logic and modest ease of direct experience and an observational perspective in architecture. In chapters about imagining, walking, and designing Ben Jacks reflects on the essence of architectural experience, describing what it is like to begin to make momentous decisions, arguing that aesthetic experience is the result of how one has learned to see. Memory, family, nature, relationships, and work inform design at every step. A House and its Atmosphere is a grounded story about designing and building a small work of architecture. With students of architecture and amateur builders in mind, Ben Jacks makes a case for design informed by theories of place-identification, detail, and craft. The book is a primary source and a chronicle of experience of radical empiricism. As such it offers a kind of conceptual tool kit for those interested in thinking about the processes of architecture, designing, and placemaking. The book is a fresh and valuable contribution to the shelter memoir genre, from a professional architect¿s perspective.

Incorporating historical, sociological, and philosophical approaches, Changing the Atmosphere presents detailed empirical studies of climate science and its uptake into public policy.

While there is a tacit appreciation that freedom from violence will lead to more prosperous relations among peoples, violence continues to be deployed for various political and social ends. Yet the problem of violence still defies neat description, subject to many competing interpretations. Histories of Violence offers an accessible yet compelling examination of the problem of violence as it appears in the corpus of canonical figures – from Hannah Arendt to Frantz Fanon, Michel Foucault to Slavoj Žižek – who continue to influence and inform contemporary political, philosophical, sociological, cultural, and anthropological study. Written by a team of internationally renowned experts, this is an essential interrogation of post-war critical thought as it relates to violence.

Elements of Architecture explores new ways of engaging architecture in archaeology. It conceives of architecture both as the physical evidence of past societies and as existing beyond the physical environment, considering how people in the past have not just dwelled in buildings but have existed within them. The book engages with the meeting point between these two perspectives. For although archaeologists must deal with the presence and absence of physicality as a discipline, which studies humans through things, to understand humans they must also address the performances, as well as temporal and affective impacts, of these material remains. The contributions in this volume investigate the way time, performance and movement, both physically and emotionally, are central aspects of understanding architectural assemblages. It is a book about the constellations of people, places and things that emerge and dissolve as affective, mobile, performative and temporal engagements. This volume juxtaposes archaeological research with perspectives from anthropology, architecture, cultural geography and philosophy in order to explore the kaleidoscopic intersections of elements coming together in architecture. Documenting the ephemeral, relational, and emotional meeting points with a category of material objects that have defined much research into what it means to be human, Elements of Architecture elucidates and expands upon a crucial body of evidence which allows us to explore the lives and interactions of past societies.

How will the human body, collective and individual, cope with the estimated increases in global air temperatures and in the earth's corresponding thermal stress? Atmosphere Anatomies: On Design, Weather, and Sensation offers an in-depth examination of design strategies that situate the body and its bioclimatic milieu at the core of their spatial formation. Drawing upon ten paradigmatic projects in urban design and landscape architecture - from Rousham Gardens, Oxfordshire, to the city of Chandigarh in India - the book investigates the designers' bioclimatic aims and their spatial outcomes. Woven throughout the book, the evocative photographic essays of Iwan Baan showcase the selected projects as inhabited spaces for everyday life.

Earth's atmospheric layers include the exosphere, thermosphere, mesosphere, stratosphere, and troposphere. How and why have scientists divided Earth's atmosphere into these layers? What exactly are these layers made up of? What happens in each layer? Readers will learn the answers to these questions and more in this enriching text that supports curricular science studies. Readers will identify the various traits of each of the atmospheric layers, ascertain their functions, and appreciate their significance in regulating conditions on Earth.

A sought-after interior designer shares his principles for transforming four walls, a floor, and a ceiling into stunning poetry in space. Jim Howard creates luxe yet comfortable homes for sophisticated clients around the country. His design work is known for the sort of evocative atmosphere that characterizes the world’s great spaces. “Atmosphere” is the magic of a place, the embodiment of all its power to capture your attention and embrace you—some might call it the “wow factor.” But even as it excites, atmosphere also soothes, offering an overall feeling of well-being and calm. Howard wrote this book to convey all he has learned about crafting atmosphere at home, wherever that home may be, whatever aesthetic it might have. Doing so isn’t just a matter of rules or formulas; it is a science as much as an art, which Jim shares in a dozen captivating chapters.

"This big picture history of atmospheric research examines the first six decades of the twentieth century, from the dawn of applied fluid dynamics to the emergence, by 1960, of the interdisciplinary atmospheric sciences. Using newly available archival sources, it documents the work of three interconnected generations of scientists: Vilhelm Bjerknes, Carl-Gustaf Rossby, and Harry Wexler, whose aspirations were fueled by new theoretical insights, pressing societal needs, and expanded technological capabilities. Radio, radar, aviation, nuclear tracers, digital computing, sounding rockets, and satellites provided new ways to measure and study the global atmosphere -- a huge and dauntingly complex system. Bjerknes brought us a fundamental circulation theorem and founded the Bergen school of weather forecasting; Rossby established the graduate schools of meteorology at M.I.T., Chicago, and Stockholm, which focused on upper-air dynamics and, after 1947, on atmospheric environmental issues; and Wexler brought all the new technologies into the U.S. Weather Bureau and, with his colleague Jule Charney, prepared the foundations for the emergence of the interdisciplinary atmospheric sciences. This history weaves together cold war studies, military history, the rise of government research and development, and aviation and aeronautics with a nascent global awareness. It is a fascinating history of something we all experience--the weather --told through compelling historical characters"--Provided by publisher.

The great interest of Jocelyn Playfair's book for modern readers is its complete authenticity. Set sixty years ago at the time of the fall of Tobruk in 1942, one of the low points of the war, and written only a year later when we still had no idea which way the war was going.

The Guardian's Best Science Book of 2017: the fascinating science and history of the air we breathe. It's invisible. It's ever-present. Without it, you would die in minutes. And it has an epic story to tell. In Caesar's Last Breath, New York Times bestselling author Sam Kean takes us on a journey through the periodic table, around the globe, and across time to tell the story of the air we breathe, which, it turns out, is also the story of earth and our existence on it. With every breath, you literally inhale the history of the world. On the ides of March, 44 BC, Julius Caesar died of stab wounds on the Senate floor, but the story of his last breath is still unfolding; in fact, you're probably inhaling some of it now. Of the sextillions of molecules entering or leaving your lungs at this moment, some might well bear traces of Cleopatra's perfumes, German mustard gas, particles exhaled by dinosaurs or emitted by atomic bombs, even remnants of stardust from the universe's creation. Tracing the origins and ingredients of our atmosphere, Kean reveals how the alchemy of air reshaped our continents, steered human progress, powered revolutions, and continues to influence everything we do. Along the way, we'll swim with radioactive pigs, witness the most important chemical reactions humans have discovered, and join the crowd at the Moulin Rouge for some of the crudest performance art of all time. Lively, witty, and filled with the astounding science of ordinary life, Caesar's Last Breath illuminates the science stories swirling around us every second.