PREMIO ALVES REDOL Em A Hora das Neblinas, assistimos ao regresso de D. Sebastiao a uma Lisboa tomada por nevoeiros literais e simbolicos, que a envolvem e aos poucos vao limitando os percursos dos seus moradores. A cidade que se nos depara e uma Lisboa metaforica, futura mas quase contemporanea da nossa, cujos habitantes se foram esquecendo das glorias do seu passado e se encontram agora amorfos, tomados de uma mediocridade peconhenta, o que faz com que quase ninguem comemore o regresso de D. Sebastiao. Acompanhamos a odisseia do rei e a sua estupefaccao para com o que vai vendo, ao mesmo tempo que vamos testemunhando a sua humanidade, as suas fraquezas e duvidas, a sua ignorancia da missao a que esta destinado. Desfilam a nossa frente personagens bizarras e inesqueciveis, apresentando-se o romance como um fresco de uma certa modernidade, no qual as proprias palavras que o compoem sao postas em causa, rasuradas, reinventadas, ao ritmo diabolico do progresso inexoravel do nevoeiro.

White Light: The Poetry of Alberto Blanco examines the interplay of complementary images and concepts in the award-winning Mexican writer's cycle of poems from 1979 to 2018. Blanco’s poetic trilogy A la luz de siempre is characterized by its broad range of form and subject and by the poet's own eclectic background as a chemist, maker of collages, and musician. Blanco speaks the language of the visual arts, science, mathematics, music, and philosophy, and creates work with deep interdisciplinary roots. This book explores how polarities such as space and place, reading and writing, sound and silence, visual and verbal representation, and faith and doubt are woven through A la luz de siempre. These complements reveal how Blanco’s poetry, like the phenomenon of white light, embraces paradox and transforms into something more than the sum of its disparate and polychromatic parts.

The International Conference on Computational Processing of Portuguese—PROPOR —is the main event in the area of natural language processing that is focused on Portuguese and the theoretical and technological issues related to this language. It w- comes contributions for both written and spoken language processing. The event is hosted in Brazil and in Portugal. The meetings have been held in Lisbon/Portugal (1993), Curitiba/Brazil (1996), Porto Alegre/Brazil (1998), Évora/ Portugal (1999), Atibaia/Brazil (2000), Faro/Portugal (2003), Itatiaia/Brazil (2006) and Aveiro/Portugal (2008). This meeting has been a highly productive forum for the progress of this area and to foster the cooperation among the researchers working on the automated processing of the Portuguese language. PROPOR brings together research groups, promoting the development of methodologies, resources and projects that can be shared among all researchers and practitioners in the field. The ninth edition of this event was held in Porto Alegre, Brazil, at Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS). It had two main tracks: one for language processing and another one for speech processing. This event hosted a special Demonstration Session and the first edition of the PhD and MSc Dissertation Contest, which aimed at recognizing the best academic work on processing of the Portuguese language in the last few years. This edition of the event featured tutorials on statistical machine translation and on speech recognition, as well as invited talks by renowned researchers of natural language processing.

The new winner of the Paz Prize for Poetry, granted by the National Poetry Series, is the author’s impressionistic homage to his hometown of Colima, Mexico. “In this remarkable bilingual debut . . . Pérez-Cortés cracks open the name of his hometown, Colima, to generate a vast mythology . . . The side-by-side presentation of the original Spanish and its English translation adds another layer to this engrossing volume.” —Booklist A Poets & Writers Page One Selection Ima and Coli Are the Tree That Was Never a Seed is Alejandro Pérez-Cortés’s personal genesis of Colima, Mexico, published here in both English and Spanish. The tree is an element/character in the book that appears and disappears throughout. Some poems are set in an ancient pre-Hispanic Colima; others reflect the reality of a modern-day Colima, sadly stigmatized and eroded by violence perpetrated by the narcos. In his introduction, preeminent Cuban poet José Kozer praises Pérez-Cortés: “Ima and Coli Are the Tree That Was Never a Seed comprises a voice that I consider poetic and that should be cared for and listened to with true interest. A voice that encompasses all, one that seeks to integrate, remake, and modify normative language when necessary, and to distort language that allows a better perception of the present and of everything that is historically behind a contemporary poet.” The Paz Prize for Poetry is presented by the National Poetry Series and Miami Book Fair at Miami Dade College and is awarded biennially. Named in the spirit of the late Nobel Prize–winning poet Octavio Paz, it honors a previously unpublished book of poetry written originally in Spanish by an American resident.