This books is a sequel to After Amnesia, Dr Devy s Sahitya Akademi Award winning study. Of Many Heroes attempts to reconstruct the convention s of literary history in India prior to India s colonial encounter with the modern West. In some sections of the essay, the main focus is the mutual dependence of western literary history and cultural colonialism.

The Present Volume Deals With The First Nine Hundred Years Of The Medieval Period Of Indian Literary History.A History Of Indian Literature Is An Account Of The Literary Activities Of The Indian People Carried Through In Many Languages And Under Different Social Conditions. It Is The Story Of A Multilingual Literature, A Plurality Of Linguistic Expressions And Cultural Experience And Also Of The Remarkable Unity Underlying Them.

The "Maratha period" of the seventeenth and eighteenth centuries, when an independent Maratha state successfully resisted the Mughals, is a defining era in the history of the region of Maharashtra in western India. In this book, Prachi Deshpande considers the importance of this period for a variety of political projects including anticolonial/Hindu nationalism and the non-Brahman movement, as well as popular debates throughout the nineteenth and twentieth centuries concerning the meaning of tradition, culture, and the experience of colonialism and modernity. Sampling from a rich body of literary and cultural sources, Deshpande highlights shifts in history writing in early modern and modern India and the deep connections between historical and literary narratives. She traces the reproduction of the Maratha period in various genres and public arenas, its incorporation into regional political symbolism, and its centrality to the making of a modern Marathi regional consciousness. She also shows how historical memory provided a space for Indians to negotiate among their national, religious, and regional identities, pointing to history's deeper potential in shaping politics within thoroughly diverse societies. A truly unique study, Creative Pasts examines the practices of historiography and popular memory within a particular colonial context, and illuminates the impact of colonialism on colonized societies and cultures. Furthermore, it shows how modern history and historical memory are jointly created through the interplay of cultural activities, power structures, and political rhetoric.

The present work is the english rendering of La formation de la Langue Marathe - a well-known work by Jules Bloch. The original French version was the first systematic undertaking to coordinate data on Marathi languages,- tracing its evolution and development through various stages - from sanskrit Prakrit and Apabhramsa. Jules Bloch was expert in Dravidian languages, specially Tamil and had studied Indo-Aryan languages. He was therefore competant to undertake the study of Marathi language and place it in its whole environment. It is not surprising that the results of his studies stand unchallenged even half a century after the publication of his work.

In thirteenth-century Maharashtra, a new vernacular literature emerged to challenge the hegemony of Sanskrit, a language largely restricted to men of high caste. In a vivid and accessible idiom, this new Marathi literature inaugurated a public debate over the ethics of social difference grounded in the idiom of everyday life. The arguments of vernacular intellectuals pushed the question of social inclusion into ever-wider social realms, spearheading the development of a nascent premodern public sphere that valorized the quotidian world in sociopolitical terms. The Quotidian Revolution examines this pivotal moment of vernacularization in Indian literature, religion, and public life by investigating courtly donative Marathi inscriptions alongside the first extant texts of Marathi literature: the Lilacaritra (1278) and the Jñanesvari (1290). Novetzke revisits the influence of Chakradhar (c. 1194), the founder of the Mahanubhav religion, and Jnandev (c. 1271), who became a major figure of the Varkari religion, to observe how these avant-garde and worldly elites pursued a radical intervention into the social questions and ethics of the age. Drawing on political anthropology and contemporary theories of social justice, religion, and the public sphere, The Quotidian Revolution explores the specific circumstances of this new discourse oriented around everyday life and its lasting legacy: widening the space of public debate in a way that presages key aspects of Indian modernity and democracy.

About the Book FIRST PUBLISHED IN MARATHI IN 1998, THE NOVEL HAS BEEN TRANSLATED INTO FOURTEEN INDIAN AND FOREIGN LANGUAGES. This iconic Marathi novel by Vishwas Patil brings originality and new ideas to the most storied of lives—Subhas Chandra Bose. Possibly the most enigmatic figure in the history of India’s freedom struggle, Bose’s ideological differences with the two stalwarts of the Independence movement, Gandhi and Nehru, split the Congress down the middle. And yet he held them in high esteem, just as they admired him. While Bose asserted the independence of his own values even as he sought help from the Axis powers—Nazi Germany, Italy and later Japan—during World War II, for the cause of a free India, it was seen as treasonous and dangerous by many. Vishwas Patil recreates the life of a man who was twice elected president of the Congress, and quit to follow his own vision, forming the Indian National Army. His defiant nationalism provoked anger and distrust. Mahanayak traces Netaji’s steps from India to Germany, Italy, Singapore, Japan and Burma, to paint a complex portrait of a man of immense strengths and fatal failings. Rich with details drawn from the colossal canvas of the Indian revolution, this is an immersive historical novel that reads like a fast-paced thriller.

The story of Yayati is perhaps one of the most intriguing and fascinating episodes of Mahabharata. Yayati was a great scholar and one of the noblest rulers of olden times. He followed the shastras and was devoted to the welfare of his subjects. Even the King of Gods, Indra, held him in high esteem. Married to seductively beautiful Devayani, in love with her maid Sharmishtha, and father of five sons from two women, yet Yayati unabashedly declares, 'My lust for pleasure is unsatisfied...' His quest for the carnal continued, sparing not even his youngest son, and exchanging his old age for his son's youth... Winner of the Jnanpith and Sahitya Akademi Awards.