This is an illustrated volume of specially-commissioned studies of the history of the cathedral foundation of Lincoln which traces its historical development, architectural evolution and musical history from its post-Norman foundation to the present day. The book synthesises the findings of modern scholarship and presents an important and comprehensible interdisciplinary survey for anyone interested in English cathedral history and architecture, and above all for anyone who visits or frequents this great landmark of England's heritage.

Medieval stairs, galleries and upper chambers in cathedrals, abbeys, and parish churches have been an enduring source of fascination to historians and archaeologists since the eighteenth century, but their practical purposes have long been shrouded in mystery and speculation. From libraries to lights, clocks to dovecotes, from secret games of skittles played over the vaults to the daring exploits of the twelfth-century Flying Monk, Toby Huitson explores the lofty spaces, nooks and crannies of medieval upper spaces though the interrogation of a wide range of documentary, visual and archaeological materials. Evidence is revealed for over 30 different functions during the period from around AD 1000 to 1550. Generously illustrated and fully-referenced, the text is accompanied by a set of special features and a quick-reference section, making it indispensable to all those interested in medieval history and architecture. Dr Toby Huitson teaches at the University of Kent, Canterbury.

The question of who actually ran cities in the eighteenth, nineteenth, and twentieth centuries has been increasingly debated in recent years. As well as trying to understand the distribution of political power and the rise of broad political participation, urban historians have questioned how and whether elites retained influence in municipal government. The essays in this collection provide a detailed examination of the relationship between urban elites and the exercise of 'power', bringing together economic, social and cultural history with the political history of power resources and decision-making. The volume challenges common perceptions of a monolithic urban elite by looking at specific case studies. Collectively these essays provide a more sophisticated view of the exercise of urban power as the negotiation of various elite groups defined by their economic, social, political or cultural privilege. To contribute to this complex account of the history of cities, elites, and their influence, the collection applies a range of methodological approaches to studying European and American cities, as well as the wider world.

"This dedicated volume of the Journal of the British Archaeological Association draws together ten papers which, collectively, explore something of the art and architecture, styles and uses, of the medieval cloister in England and Wales. Contributors consider the continental context, cloisters in English palaces, Benedictine and Augustinian cloister arcades in the 12th and 13th centuries, architecture and meaning in Cistercian east ranges, late medieval vaulted cloisters in the West Country, cloisters at the cathedrals of Old Sarum, Canterbury, and Lincoln, and assess the extent to which the cloister bosses at Norwich cathedral priory reflect contemporary religious politics. The volume also contains an extended consideration and gazetteer of all Cistercian cloisters in England and Wales."

Title first published in 2003. Westminster Abbey occupies a unique position in the religious and royal landscape of the United Kingdom and Commonwealth. As the scene of coronations and other great public occasions, it has been the continuing focus of the nation's religious life for half the Christian era. Yet the building itself would not have survived the upheavals of the Protestant Reformation had the institution running it not been itself 'reformed' from monastery into collegiate church. These nine studies discuss ways in which Westminster's new corporate structure evolved in the first century of its existence, and look at some of the personalities who played a part in that process. New research, much of it in the Abbey's own rich archive, opens up previously unseen views of this great church's internal affairs, its relationship with the Crown, and its place in its own locality.

Bell's Cathedrals is a book by A. F. Kendrick. It depicts the Lincoln Cathedral in England along with its tumultuous historical happenings and meticulously lists the bishops from the 11th up to the late 19th century.

The first broad-ranging social history in English of the medieval secular clergy.

This important addition to the literature is the first overall study of the architecture of Norman England since Sir Alfred Clapham's English Romanesque Architecture after the Conquest (1934). Eric Fernie, a recognized authority on the subject, begins with an overview of the architecture ofthe period, paying special attention to the importance of the architectural evidence for an understanding of the Norman Conquest. The second part, the core of the book, is an examination of the buildings defined by their function, as castles, halls, and chamber blocks, cathedrals, abbeys, andcollegiate churches, monastic buildings, parish churches, and palace chapels. The third part is a reference guide to the elements which make up the buildings, such as apses, passages, vaults, galleries, and decorative features, and the fourth offers an account of the processes by which they wereplanned and constructed. This book contains powerful new ideas that will affect the way in which we look at and analyze these buildings.

The great cathedrals and churches of the medieval West continue to awe. How were they built, and why do they remain standing? What did their builders know about what they were doing? These questions have given rise to considerable controversy, which is fully reflected in the papers selected here. The first section of the book is concerned with the medieval builders and their design methods; the second focuses on engineering issues in the context of the infamous collapse of the choir at Beauvais in 1284. The following papers extend the analysis into the 15th century, looking for example at Brunelleschi’s dome for Florence Cathedral, and deal with the often neglected structures of roofs, towers and spires.

This is the first detailed comparative study of patronage as an instrument of power in the relations between kings and bishops in England and Normandy after the Conquest. Esteemed medievalist Everett U. Crosby considers new perspectives of medieval state-building and the vexed relations between secular and ecclesiastical authority.