Volume 1.

Embark on a captivating journey through the rich tapestry of Danish history with Saxo Grammaticus's monumental work, ""The Danish History."" This extraordinary narrative blends history and legend, providing readers with a deep understanding of Denmark's cultural heritage. As Saxo recounts the tales of kings, heroes, and legendary figures, you will witness the rise and fall of dynasties and the evolution of a nation. His masterful storytelling brings to life the events that shaped Denmark, from the mythic past to the historical reality. But here's the thought-provoking question: What truths lie hidden behind the legends, and how do they shape our understanding of the past? Explore the intricate details of this historical epic, where fact and fiction intertwine, inviting you to reflect on the nature of history itself. Saxo’s unique perspective offers a window into the psyche of a nation, making this work a must-read for history enthusiasts. Are you ready to uncover the tales that define a culture in ""The Danish History""? This is your opportunity to experience the legends and realities of Denmark’s past. Will you dare to explore the historical roots that continue to shape its identity? Seize the chance to own a piece of literary history. Purchase ""The Danish History"" now, and immerse yourself in the enthralling saga of Denmark!

Denmark, the southernmost Nordic nation, remains little-known to many citizens of the world. Too often conflated with its Scandinavian neighbors to the north, it is a land of generally flat terrain, with an inviting temperate climate. The land of the Danes has much to offer visitors, and this guide to Danish society, culture, and history offers an inside look, with details on Denmark's substantial contributions to science, engineering, exploration, seafaring, literature, philosophy, music, architecture, and many other fields. Brief portraits depict such Danes as "Clown Prince" Victor Borge, Hans Christian Andersen, Kierkegaard, and Out of Africa author Karen Blixen. Throughout, there is a focus upon Denmark's human rights record, democratic institutions, and humanistic traditions. By examining Danish culture, this work fosters a greater understanding of Denmark, its people, and their way of life.

Peter Høeg's first novel is an interweaving of the lives and loves of four families, within which histories time expands, clocks stop or race forward at will. The dreams and disappointments of the children of the author's magnificent imagination foreshadow the themes of Miss Smilla's Feeling for Snow and Borderliners

Gesta Danorum - Deeds of the Danes In the early years of the thirteenth century the Danish writer Saxo Grammaticus provided his people with a History of the Danes, an account of their glorious past from the legendary kings and heroes of Denmark to king Gorm. It is one of the major sources for the heroic and mythological traditions of northern Europe, though the complex Latin style and the wide range of material brought together from different sources have limited its use.

This book shows how the people of Estonia, Latvia, and Lithuania confronted a military superpower and achieved independence in the Baltic "Singing Revolution". When attacked by Soviet soldiers in public displays of violent force, singing Balts maintained faith in non-violent political action. As an inspiration to all nations, the non-violent Baltic independence movement revolutionised each country through singing and smiling. The "Singing Revolution" is indeed the essence of the Baltic way, and began in 1987 as a public revolt against Soviet restrictions on free speech and assembly. The revolutions and following elections in 1990 resulted in three separate governments and a declaration of independence from the Soviet Union. The book seeks to answer questions such as why the struggle for Baltic independence came to be called the Singing Revolution? What did they sing? And what role did singing play in the Estonian, Latvian, and Lithuanian campaigns of political mobilisation and non-violent action? Furthermore, and uniquely for this publication, it explores, in great depth, the songs that gave the revolution its name, translating and interpreting over 110 choral, rock, and folk songs in their poetic, cultural, and historical context.

"The aim of this collection is to make possible the forging of a more robust, politically useful, and theoretically elaborate understanding of working-class literature(s). These essays map a substantial terrain: the history of working-class literature(s) in Russia/The Soviet Union, The USA, Finland, Sweden, The UK, and Mexico. Together they give a complex and comparative - albeit far from comprehensive - picture of working-class literature(s) from an international perspective, without losing sight of national specificities. By capturing a wide range of definitions and literatures, this collection gives a broad and rich picture of the many-facetted phenomenon of working-class literature(s), disrupts narrow understandings of the concept and phenomenon, as well as identifies and discusses some of the most important theoretical and historical questions brought to the fore by the study of this literature. If read as stand-alone chapters, each contribution gives an overview of the history and research of a particular nation's working-class literature. If read as an edited collection (which we hope you do), they contribute toward a more complex understanding of the global phenomenon of working-class literature(s)." This work was published by Saint Philip Street Press pursuant to a Creative Commons license permitting commercial use. All rights not granted by the work's license are retained by the author or authors.

The Tenor is a sweeping tale of historical fiction in the style of Ann Patchett's Bel Canto and De Burniere's Captain Corelli's Mandolin. It swiftly moves from Pino Vaggi's youth in pre-war Italy, to his coming of age as a soldier in war-torn Greece, before ending in a shattering surprise finale at Maria Callas' historic final performance ever on the stage of New York's Metropolitan Opera House in 1965. It is based loosely on the stories and anecdotes that the author learned from several of Maria Callas' personal friends and from nearly a dozen trips to Italy and Greece to research the subject.