The greatest haunted house story ever written, the inspiration for a 10-part Netflix series directed by Mike Flanagan and starring Michiel Huisman, Carla Gugino, and Timothy Hutton First published in 1959, Shirley Jackson’s The Haunting of Hill House has been hailed as a perfect work of unnerving terror. It is the story of four seekers who arrive at a notoriously unfriendly pile called Hill House: Dr. Montague, an occult scholar looking for solid evidence of a “haunting”; Theodora, his lighthearted assistant; Eleanor, a friendless, fragile young woman well acquainted with poltergeists; and Luke, the future heir of Hill House. At first, their stay seems destined to be merely a spooky encounter with inexplicable phenomena. But Hill House is gathering its powers—and soon it will choose one of them to make its own. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Horror.

In the latest thriller from New York Times bestseller Riley Sager, a woman returns to the house made famous by her father’s bestselling horror memoir. Is the place really haunted by evil forces, as her father claimed? Or are there more earthbound—and dangerous—secrets hidden within its walls? What was it like? Living in that house. Maggie Holt is used to such questions. Twenty-five years ago, she and her parents, Ewan and Jess, moved into Baneberry Hall, a rambling Victorian estate in the Vermont woods. They spent three weeks there before fleeing in the dead of night, an ordeal Ewan later recounted in a nonfiction book called House of Horrors. His tale of ghostly happenings and encounters with malevolent spirits became a worldwide phenomenon, rivaling The Amityville Horror in popularity—and skepticism. Today, Maggie is a restorer of old homes and too young to remember any of the events mentioned in her father's book. But she also doesn’t believe a word of it. Ghosts, after all, don’t exist. When Maggie inherits Baneberry Hall after her father's death, she returns to renovate the place to prepare it for sale. But her homecoming is anything but warm. People from the past, chronicled in House of Horrors, lurk in the shadows. And locals aren’t thrilled that their small town has been made infamous thanks to Maggie’s father. Even more unnerving is Baneberry Hall itself—a place filled with relics from another era that hint at a history of dark deeds. As Maggie experiences strange occurrences straight out of her father’s book, she starts to believe that what he wrote was more fact than fiction.

Joey, a third grader, goes on a class trip to State Forest where he secretly searches for the Great Spirit of the Wannatuck tribe.

A psychological horror with a literary twist, Kill Creek delivers elevated prose, while evoking the unnerving, atmospheric terror essential to greats like Peter Straub and Stephen King—a haunting that lingers long after turning the last page.

"A must-read for lost souls everywhere." —Kirkus Reviews, Starred Review With spellbinding verse prose, R.M. Romero channels the spirit of myth into a brilliantly original tale, inspired by her experiences restoring Jewish cemeteries in Eastern Europe. Magic will burn you up. Sent to stay with her aunt in Prague and witness the humble life of an artist, Ilana Lopez—a biracial Jewish girl—finds herself torn between her dream of becoming a violinist and her immigrant parents’ desire for her to pursue a more stable career. When she discovers a forgotten Jewish cemetery behind her aunt’s cottage, she meets the ghost of a kindhearted boy named Benjamin, who died over a century ago. As Ilana restores Benjamin’s grave, he introduces her to the enchanted side of Prague, where ghosts walk the streets and their kisses have warmth. But Benjamin isn't the only one interested in Ilana. Rudolph Wassermann, a man with no shadow, has become fascinated with her and the music she plays. He offers to share his magic, so Ilana can be with Benjamin and pursue her passion for violin. But after Ilana discovers the truth about Wassermann and how Benjamin became bound to the city, she resolves to save the boy she loves, even if it means losing him—forever. A love letter to Latin American and Jewish diasporas, based on the author's experiences working to maintain Jewish cemeteries in Eastern Europe. The Ghosts of Rose Hill is a tender and empowering read that you will devour in one sitting. Steeped in history and the experiences of immigrant families, especially Jewish families, each carefully-chosen word of this magical verse novel casts a spell. A School Library Journal Best Book of the Year An Indie Next Pick!

Whoo-whooo-whoooo cried the wind as it swept down from the Himalayan snows The menacing wind rattled windows, choked chimneys and blew away clothes as it loomed over the little village next to Haunted Hill, where Usha, Suresh and Binya lived. It was even more ominous the day Usha was on her way back from the bazaar. A deep rumble echoed and a sudden flash of lightning lit up the hill as heavy pellets of rain came down in quick succession. Usha was forced to take shelter in the ruins of Haunted Hill that stood before her, grim and forbidding. As the tin sheet above groaned and clattered and streaks of lightning lit up the walls, Usha saw two small figures crouching in the disused fireplace. Then everything was dark again . . . A gritty, hair-raising story about friendship, courage and survival from India's favourite teller of tales, this stunning edition is an absolute must-have to introduce young readers to the magic of Ruskin Bond's craft.

The house next door to the Kennedys appears to be haunted by an all-pervasive evil, and the couple watches as a succession of owners becomes engulfed by the sinister force, until the Kennedys set out to destroy the house themselves.

Perfect for Halloween! From the New York Times bestselling author of Escape From Mr. Lemoncello's Library and coauthor of I Funny and Treasure Hunters, comes a series of spine-tingling mysteries to keep you up long after the lights go out. How serious is stage fright? At the Hanging Hill Playhouse, it can kill you. After narrowly escaping a malevolent spirit in The Crossroads, Zack and Judy are hoping to relax during the rehearsals for a show based on Judy’s bestselling children’s books. Little do they know that the director is planning to raise a horde of evil specters from the dead, and to accomplish this, he needs a human sacrifice . . . and Zack fits the bill perfectly. This second book featuring the intrepid Zack and his stepmother, Judy, is full of the same humorous and spine-tingling storytelling that has made Chris Grabenstein a fast favorite with young and old alike.

Winner • National Book Critics Circle Award (Biography) Winner • Edgar Award (Critical/Biographical) Winner • Bram Stoker Award (Nonfiction) A New York Times Notable Book A Washington Post Notable Nonfiction Pick of the Year Named one of the Best Books of the Year by Entertainment Weekly, NPR, TIME, Boston Globe, NYLON, San Francisco Chronicle, Seattle Times, Kirkus Reviews, and Booklist In this “thoughtful and persuasive” biography, award-winning biographer Ruth Franklin establishes Shirley Jackson as a “serious and accomplished literary artist” (Charles McGrath, New York Times Book Review). Instantly heralded for its “masterful” and “thrilling” portrayal (Boston Globe), Shirley Jackson reveals the tumultuous life and inner darkness of the literary genius behind such classics as “The Lottery” and The Haunting of Hill House. In this “remarkable act of reclamation” (Neil Gaiman), Ruth Franklin envisions Jackson as “belonging to the great tradition of Hawthorne, Poe and James” (New York Times Book Review) and demonstrates how her unique contribution to the canon “so uncannily channeled women’s nightmares and contradictions that it is ‘nothing less than the secret history of American women of her era’ ” (Washington Post). Franklin investigates the “interplay between the life, the work, and the times with real skill and insight, making this fine book a real contribution not only to biography, but to mid-20th-century women’s history” (Chicago Tribune). “Wisely rescu[ing] Shirley Jackson from any semblance of obscurity” (Lena Dunham), Franklin’s invigorating portrait stands as the definitive biography of a generational avatar and an American literary genius.