Port Sunlight was founded in 1888 by the industrialist Lord Leverhulme to house the workers from his prospering business—which would evolve into Unilever. Acclaimed for its planning and house design, Port Sunlight greatly influenced subsequent planned developments, as well as the garden city movement. This fully revised version of A Guide to Port Sunlight marries the practical details of a guidebook with historical information about Port Sunlight’s design and architecture, its place in the history of urban planning, and Leverhulme's role in the town’s creation. A wealth of illustrations helps make this the perfect book for armchair and actual travelers to this jewel of nineteenth-century town planning.

The Reader's Guide to British History is the essential source to secondary material on British history. This resource contains over 1,000 A-Z entries on the history of Britain, from ancient and Roman Britain to the present day. Each entry lists 6-12 of the best-known books on the subject, then discusses those works in an essay of 800 to 1,000 words prepared by an expert in the field. The essays provide advice on the range and depth of coverage as well as the emphasis and point of view espoused in each publication.

Twenty years ago, Jacqueline Yallop was leading guided walks at Nenthead, one of a network of ‘model’ villages which sprang up across Britain during the eighteenth and nineteenth centuries. A life-long fascination was born. From Scotland’s New Lanark Mills to the Arts and Crafts cottages of Port Sunlight, Yallop visits these utopian experiments to explore their rich histories. Looking at everything from sewage systems to sculpture, chocolate to coal, and free trade to electoral emancipation, this book is a personal exploration of why and how these village utopias came about, what they tell us about the past, and how they still resonate with us today.

William Hesketh Lever - soap-boiler, social reformer, MP, tribal chieftain, multi-millionaire and Lord of the Western Isles - was one of the most extraordinary men ever to leave his mark on Britain. Beliefs far ahead of their times - the welfare state, votes for women, workers' rights - jostled in his mind with ideas that were fantastically bonkers - the world's problems could be solved by moving populations from country to country, ballroom dancing could save the soul and the only healthy way to sleep was outdoors in the wind and the rain. Adam Macqueen traces Lever's footsteps from his humble Bolton boyhood to a business empire that straddled the world, visiting the homes and model towns from the Mersey to the Congo that still bear the mark - and often the name - of William Lever. It is a hilarious and touching journey that shines a spotlight on a world and a set of beliefs long gone, and asks several vital questions: where does philanthropy stop and social engineering begin? Is it right for an employer to dictate how his workers spend their weekends and hire private detectives to make sure they are doing it properly? Are the length of a lawn and the curve of a bannister of vital importance to the great scheme of things? And why would a multi-millionaire with half a dozen homes and property on four continents chose to sleep on the roof?

This handbook explores a diverse range of artistic and cultural responses to modern conflict, from Mons in the First World War to Kabul in the twenty-first century. With over thirty chapters from an international range of contributors, ranging from the UK to the US and Australia, and working across history, art, literature, and media, it offers a significant interdisciplinary contribution to the study of modern war, and our artistic and cultural responses to it. The handbook is divided into three parts. The first part explores how communities and individuals responded to loss and grief by using art and culture to assimilate the experience as an act of survival and resilience. The second part explores how conflict exerts a powerful influence on the expression and formation of both individual, group, racial, cultural and national identities and the role played by art, literature, and education in this process. The third part moves beyond the actual experience of conflict and its connection with issues of identity to explore how individuals and society have made use of art and culture to commemorate the war. In this way, it offers a unique breadth of vision and perspective, to explore how conflicts have been both represented and remembered since the early twentieth century.

An examination of new urban approaches both in theory and in practice. Taking a critical look at how new urbanism has lived up to its ideals, the author asks whether new urban approaches offer a viable path to creating good communities. With examples drawn principally from North America, Europe and Japan, Planning the Good Community explores new urban approaches in a wide range of settings. It compares the movement for urban renaissance in Europe with the New Urbanism of the United States and Canada, and asks whether the concerns that drive today's planning theory - issues like power, democracy, spatial patterns and globalisation- receive adequate attention in new urban approaches. The issue of aesthetics is also raised, as the author questions whether communities must be more than just attractive in order to be good. With the benefit of twenty years' hindsight and a world-wide perspective, this book offers the reader unparalleled insight as well as a rigorous and considered critical analysis.

This work was written and compiled by the then Secretary of the Garden Cities and Town Planning Association in 1913. It shows just how much the conception of the garden city had been broadened from Howard’s original texts. Indeed the Association’s own name had been broadened to add the newly emergent practice and theory of town planning to the original focus. Alongside the garden city, recognition is now given to the burgeoning numbers of garden suburbs and garden villages. Many examples of these are identified and briefly described, including many which are small and now little known, greatly adding to the interest of the publication. Even the underlying arguments for such developments differ. Alongside the more altruistic arguments in favour of reform, there are now those which explicitly emphasise the need to ensure a healthy race to maintain the Empire.

Writing and Fantasy brings together essays which restore a sense of the fantastic as a political response to cultural opportunities and pressures. It moves on from two conventional fields of discussion: the psychoanalytic, where phantasies are produced by the emergence of the consciousness, and the social, where fantasies are the production of nineteenth-century individualism. Chapters run from the classical period to the twentieth century, each focusing on a local reading of how fantasy acts as a strategy to contain or exploit specific historical and cultural moments. A wide variety of sites are investigated including the feminization of the wild west, originary and maternal spaces, highwaywomen, financial credit, and the ideal home. Multiple genres containing fantasy are explored, ranging from ghost stories to feminist utopias. Aids to the reader include an introduction summarising recent discussions of fantasy, illustrations dealing with visual fantasies, and an annotated bibliography. The new research presented here will be of great interest to academics and students in literature, history and cultural studies departments who are working in the field of the historical development of concepts of fantasy, cultural opposition, and the imbrication of politics and modes of representation.

Stretching for around thirty miles to the coast, the Mersey Estuary is perhaps best known for Liverpool’s spectacular waterfront and the Mersey Ferry. But there are many other hidden gems along its shores. The Mersey Estuary: A Travel Guide provides suggestions for places to visit along the estuary.