She has one last chance to prove she chose the right course for her life. In 1908, young Dorothy Tuckerman chafes under the bland, beige traditions of her socialite circles. Only the aristocracy’s annual summer trips to The Greenbrier resort in West Virginia spark her imagination. In this naturally beautiful place, an unexpected romance with an Italian racecar driver gives Dorothy a taste of the passion and adventure she wants. But her family intervenes, sentencing Dorothy to the life she hopes to escape. Thirty-eight years later, as World War II draws to a close, Dorothy has done everything a woman in the early twentieth century should not: she has divorced her husband—scandalous—and established America’s first interior design firm—shocking. Now, Dorothy returns to The Greenbrier with the assignment to restore it to something even greater than its original glory. With her beloved company’s future hanging in the balance and brimming with daring, unconventional ideas, Dorothy has one more chance to give her dreams wings or succumb to her what society tells her is her inescapable fate. Based on the true story of famed designer Dorothy Draper, The Grand Design is a moving tale of one woman’s quest to transform the walls that hold her captive. “Five Stars!” —Carleton Varney, president of Dorothy Draper & Company, Inc. “As captivating and confident as the heroine at its center.” —Kristy Woodson Harvey, New York Times bestselling author of The Wedding Veil “Full of luscious details of fashion and luxury!” —Kelly O’Connor McNees, author of The Lost Summer of Louisa May Alcott “A dazzling, intimate portrait.” —Louise Claire Johnson, author of Behind the Red Door “Historical fiction at its finest!” —Elyssa Friedland, author of Last Summer at the Golden Hotel Historical novel centered around America’s first female interior designer Stand-alone novel Book length: 109,000 words Includes discussion questions for book clubs

Relativity physics.

A complete celebration of Britain’s favourite architectural show.

Collects X-Men: Grand Design - X-Tinction #1-2 - plus the classic Uncanny X-Men (1981) #268, masterfully recolored by Ed. Presented in the same dynamic, oversized format of the best-selling Hip Hop Family Tree. The series that has critics and fans raving returns for its final installment! The fall and rise of the X-Men revisited! Relive the now-classic storylines of the 1980s - including the Mutant Massacre, the Fall of the Mutants, Inferno and the X-Tinction Agenda! And it's out with the old and in with the blue and gold as the X-Men enter the '90s! An explosive era of X-Men history is revisited, expanded and polished for a new generation - including the debuts of such 1990s mainstays as Jubilee, Gambit, Psylocke, Mister Sinister and more! The final chapter of this best-selling prestige series caps off the first three decades of X-Men lore in one neat package - all of it brought to life by the master of graphic fiction himself, Ed Piskor!

DIV Packed with tools and tips, this essential guide provides the instructions any aspiring self-builder needs to ensure that their vision becomes reality. Organized into three main sections—Thinking, Dreaming, and Doing—guidelines are provided that cover every aspect of the build, from finding a plot, obtaining planning permission, and commissioning and briefing architects and builders up through implementing the build itself. Structured around fundamental locations—urban, suburban, and rural—a host of successful projects are featured, including, a reinvented violin factory, a converted barn, and a glass pavilion on a beach. Suggestions for using green design and building techniques are also provided. DIVDIV Kevin McCloud is an interior designer and the author of several books, including Bathrooms, Choosing Colors, Grand Designs, Grand Designs Abroad, and Lighting Style.

Despite the abundance of books on the Civil War, not one has focused exclusively on what was in fact the determining factor in the outcome of the conflict: differences in Union and Southern strategy. In The Grand Design, Donald Stoker provides for the first time a comprehensive and often surprising account of strategy as it evolved between Fort Sumter and Appomattox. Reminding us that strategy is different from tactics (battlefield deployments) and operations (campaigns conducted in pursuit of a strategy), Stoker examines how Abraham Lincoln and Jefferson Davis identified their political goals and worked with their generals to craft the military means to achieve them--or how they often failed to do so. Stoker shows that Davis, despite a West Point education and experience as Secretary of War, ultimately failed as a strategist by losing control of the political side of the war. Lincoln, in contrast, evolved a clear strategic vision, but he failed for years to make his generals implement it. And while Robert E. Lee was unerring in his ability to determine the Union's strategic heart--its center of gravity--he proved mistaken in his assessment of how to destroy it. Historians have often argued that the North's advantages in population and industry ensured certain victory. In The Grand Design, Stoker reasserts the centrality of the overarching plan on each side, arguing convincingly that it was strategy that determined the result of America's great national conflict.

From John Marco comes the epic sequel to his thrilling debut military fantasy, The Jackel of Nar. An infamous warrior is once again caught between two irrexixtible forces, and his choice may change the world... Prince Richius Vantran, the Jackal of Nar, has fled into exile. Meanwhile, Nar has exploded in civil war. The conflict is being waged between the religious fanatics of Bishop Herrith, who follow the Light of God, and the ruthless followers of Count Biagio and his Black Renaissance. As the terrifying slaughter mounts, fueled by the development of hideous new war machines, Vantran is offered a chance to ally with a third faction and take his revenge against his ancient enemy Biagio. But Biagio, a master of deception and intrigue, has a grand design to gain total power that involves luring Vantran's new allies into a deadly trap. As for Vantran, Biagio has a special punishment: to strike the warrior-prince's only weakness...Vantran's innocent daughter. And Vantran himself will unwittingly seal the young girl's fate.

The guiding principle of peacebuilding over the past quarter century has been "liberal peace": the promotion of democracy, capitalism, and respect for human rights in an effort to prevent a reoccurrence of the nationalism, fascism, and economic collapse that led to World War II. This tactichas been relatively successful in reducing war between countries, but it has failed to produce lasting peace at the local level. The goals of peacebuilding have changed over time and place, but have always been built around intervention, with the goal of creating "progress" in post-conflictcountries.As Oliver P. Richmond argues in this book, the concept of peace connects the imperial era with the liberal era, and now, neoliberal eras of states and markets, and perhaps with the developing era of technology and mobility. But recent studies have shown that only a minority of modern peaceagreements survive for more than a few years. All of this begs the question of the legitimacy and effectiveness of the liberal peace agenda, particularly for scholars looking at the historical development, justifications, and tools for intervention.This book examines the development of the "grand design" and various subsequent attempts to develop a peaceful international order, and its implications for the current international peace architecture. Richmond examines six main theoretical-historical stages in this process, which have produced asubstantial, though fragile, international peace architecture, always entangled with, and hindered by, what might be described as a counter-peace framework. He contends that post-WWII liberal peace, which has aimed to balance liberty with regulation through law, democracy, human rights, and freetrade, has recently given way to a retrogressive, technologically driven neoliberal peace, which is more oriented towards free trade, counter-terrorism and insurgency, surveillance, and state security. The Grand Design provides a sweeping look at the troubled history of peacebuilding in order toconsider what the next-stage, "post-liberal peace," might look like.

The world has gone gray-fuzzy, blurry, gender-neutral gray. In a secularist culture, many people today are confused about what it means to be a man or a woman. Owen Strachan and Gavin Peacock clear away the confusion and open up the Scriptures.

With this richly illustrated history of industrial design reform in nineteenth-century Britain, Lara Kriegel demonstrates that preoccupations with trade, labor, and manufacture lay at the heart of debates about cultural institutions during the Victorian era. Through aesthetic reform, Victorians sought to redress the inferiority of British crafts in comparison to those made on the continent and in the colonies. Declaring a crisis of design and workmanship among the British laboring classes, reformers pioneered schools of design, copyright protections, and spectacular displays of industrial and imperial wares, most notably the Great Exhibition of 1851. Their efforts culminated with the establishment of the South Kensington Museum, predecessor to the Victoria and Albert Museum, which stands today as home to the world’s foremost collection of the decorative and applied arts. Kriegel’s identification of the significant links between markets and museums, and between economics and aesthetics, amounts to a rethinking of Victorian cultural formation. Drawing on a wide range of sources, including museum guidebooks, design manuals, illustrated newspapers, pattern books, and government reports, Kriegel brings to life the many Victorians who claimed a stake in aesthetic reform during the middle years of the nineteenth century. The aspiring artists who attended the Government School of Design, the embattled provincial printers who sought a strengthened industrial copyright, the exhibition-going millions who visited the Crystal Palace, the lower-middle-class consumers who learned new principles of taste in metropolitan museums, and the working men of London who critiqued the city’s art and design collections—all are cast by Kriegel as leading cultural actors of their day. Grand Designs shows how these Victorians vied to upend aesthetic hierarchies in an imperial age and, in the process, to refashion London’s public culture.