A Functional Account of Marathi's Voice Phenomena offers a comprehensive account of the formal and semantic aspects of the two most prominent voice phenomena in Marathi: the passive and the causative. Previous studies offer many partial insights into various aspects of Marathi’s passives and causatives. However, a comprehensive description of the formal, semantic, and pragmatic aspects of Marathi’s passives and causatives as not been available so far. Attempting to fill this gap, the present monograph offers a description in the functional-typological framework. At the same time it introduces the reader to the rich tradition of grammatical studies in Marathi, which up to now have remained inaccessible to those who are unfamiliar with the language.

The Handbook of Japanese Contrastive Linguistics is a unique publication that brings together insights from three traditions—Japanese linguistics, linguistic typology and contrastive linguistics—and makes important contributions to deepening our understanding of various phenomena in Japanese as well other languages of the globe. Its primary goal is to uncover principled similarities and differences between Japanese and other languages of the globe and thereby shed new light on the universal as well as language-particular properties of Japanese. The issues addressed by the papers in this volume cover a wide spectrum of phenomena ranging from lexical to syntactic and discourse levels. The authors of the chapters, leading scholars in their respective field of research, present the state-of-the-art research from their respected field.

This volume is the first to present a detailed survey of the systems of verb-verb complexes - compounds consisting of a main verb and a quasi-auxiliary - in Asian languages. Leading specialists offer an in-depth analysis of the diachrony and geographical distribution of these constructions in a wide range of Asian languages.

Post-millennial Marathi cinema is a dynamic and expanding practice that is celebrated as a “new-wave” but has not received much critical engagement. This book presents the first comprehensive inquiry of contemporary films and examines their textual, industrial, and cultural intersections to understand what constitutes the “new-ness” of Marathi cinema. Establishing the vernacular particularity of Marathi cinema, the book argues that newage films are actively engaged in a reflexive intellectual and social critique as a mark of new filmmaking in India. In the diversity of genres and topics handled by Marathi filmmakers since 2004 this study identifies four broad affective topographies for analysis – an imagery of nostalgia underpinning the narrative strategies of Marathi films, the articulation of social aspiration as a theme as well as a societal dialectic, an experiential reflexivity in the representation of Dalit and marginal narratives, and a mediatic network of border-crossings through transnational influences on films. Contemporary Marathi Cinema: Space, Marginality, and Aspiration offers a critical dialogue on broad issues of film policy, multiplex economics, genre forms, queer politics, and neoliberal contexts. It will be indispensable to students and researchers of Indian cinemas, regional filmmaking, media, cultural studies, popular culture and performance, literature, and South Asian studies, and will also be of interest to filmmakers and cinephiles.

Morphology and Syntax of Old Hindī offers a commented edition of one hundred poems of medieval mystic and thinker Kabīr, a detailed treatment of morphological structure of the language and its main syntactic features, numerous textual examples, and a glossary.

This volume is the most comprehensive reference work to date on Lexical Functional Grammar. The authors provide detailed and extensive coverage of the analysis of syntax, semantics, morphology, prosody, and information structure, and how these aspects of linguistic structure interact in the nontransformational framework of LFG. The book is divided into three parts. The first part examines the syntactic theory and formal architecture of LFG, with detailed explanations and comprehensive illustration, providing an unparalleled introduction to the fundamentals of the theory. Part two explores non-syntactic levels of linguistic structure, including the syntax-semantics interface and semantic representation, argument structure, information structure, prosodic structure, and morphological structure, and how these are related in the projection architecture of LFG. Chapters in the third part illustrate the theory more explicitly by presenting explorations of the syntax and semantics of a range of representative linguistic phenomena: modification, anaphora, control, coordination, and long-distance dependencies. The final chapter discusses LFG-based work not covered elsewhere in the book, as well as new developments in the theory. The volume will be an invaluable reference for graduate and advanced undergraduate students and researchers in a wide range of linguistic sub-fields, including syntax, morphology, semantics, information structure, and prosody, as well as those working in language documentation and description.