"foreword by Jamie Kennedy " "A Fool and Forty Acres" is Heinricks' beautifully written account of leaving behind the rat race, slowing life down, and establishing an intimate relationship with one small parcel of land in a magical corner of Canada. You won't find Prince Edward County on any map of the world's great wine regions. Yet it is to this dollop of rolling limestone in eastern Lake Ontario that Geoff Heinricks brought his young family in pursuit of a dream of creating a truly world class wine. The County, as the locals call it, is a long way from the Niagara Peninsula, and three thousand miles from Burgundy, yet Heinricks and a few hardy souls like him claim that their wines will one day rival those of the legendary French province. A self-described 21st-century peasant, Heinricks follows the seasons in his vineyards with exquisite attention, from digging the earth, to grafting and planting the vines, to trellising and pruning, to tending the young grapes, to harvesting the fruits of his labours. Along the way, he sketches the human history of the area, the native peoples whose tools and clay shards are heaved up by the soil, and the United Empire Loyalists, whose tidy barns and farmhouses still dot the landscape today. He also presents a cast of his colourful County neighbours: from old-school farmers to refugees like him from the city, convinced in the wisdom of producing and consuming locally the very best food and wine in harmony with the land.

"A thriller about a Black society with a secret"--

In Forty Acres and a Goat, Will D. Campbell (1924–2013) picks up where the award-winning Brother to a Dragonfly leaves off, accounting his adventures during the tumultuous civil rights era. As he navigates through the explosive 1960s, including pivotal moments like the integration of Little Rock High School and the assassination of Dr. Martin Luther King Jr., Brother Will finds his faith challenged. To further complicate matters, a series of jobs did not pan out as expected—pastorate in Louisiana, director of religious life at the University of Mississippi, and with the National Council of Churches—leaving Brother Will “with a call but no steeple.” In an effort to find his place as a preacher, he moves his family to a farm in rural Tennessee and fashions his own unique style of ministry and a maverick relationship with God, land, and all his fellow pilgrims.

GIDEON PICKETT WAS BORN WITHOUT THE ABILITY TO SPEAK. This has never bothered his father, Jubal. He understands his son better than anybody, and though the boy has never uttered a word, the two could be no closer. This Gideon is no ordinary child: His powers of observation, strength, and extraordinary threshold for pain make him almost otherworldly, though to Jubal he's just a moody, hungry sixteen-year-old kid. He would do anything for his boy. So, in 1953, Jubal Pickett makes the decision to buy a red Ford Flathead V-8 truck and travel with Gideon from Mississippi to the desert canyon lands of Utah to strike it rich in uranium prospecting. On their journey, they encounter Abilene Breedlove, a country-girl-meets-femme-fatale. Jubal is smitten. Abilene sees only opportunity, but she joyfully jumps into her end of the bargain and climbs aboard. Things begin to fall apart when they arrive in Utah. While Jubal sets out on what most consider to be a fool's errand, Abilene fi nds herself a job and Jack Savage. Jack is handsome, mysterious, rich, and powerful -- all qualities Abilene fi nds irresistible. He cuts Jubal in on a claim he owns in order to get the man out of town as fast as possible so that he can begin aggressively pursuing the intoxicating Abilene. It's not long before the situation gets out of hand. Watching Gideon is at once a poignant, moving portrait of a nearly supernatural bond between father and son, a snapshot of America's rugged, gritty history, and a fast-paced story of lust, greed, and self-satisfaction. Filled with humor, adventure, sex, and intrigue, it is the textured, incredible, stark tale of the cost of an American dream pursued.

Winner of the 1999 Scott O’Dell Award for Historical Fiction A CBC Notable Children’s Book in the Field of Social Studies Two recently freed, formerly enslaved brothers work to protect the new life they’ve built during the Reconstruction after the Civil War in this vibrant, illustrated middle grade novel. Maybe nobody gave freedom, and nobody could take it away like they could take away a family farm. Maybe freedom was something you claimed for yourself. Like other ex-slaves, Pascal and his older brother Gideon have been promised forty acres and maybe a mule. With the found family they have built along the way, they claim a place of their own. Green Gloryland is the most wonderful place on earth, their own farm with a healthy cotton crop and plenty to eat. But the notorious night riders have plans to take it away, threatening to tear the beautiful freedom that the two boys are enjoying for the first time in their young lives.

Marina Frances had been in love with Jettson Frame from the moment she had lain eyes on him eleven years earlier. But Jettson had never noticed for drooling all over Flame, who had noticed him for the same length of time it took her to dump him and marry another man. Then Jettson had moved out of the state and Marina hadn’t seen nor heard of him in six years. Plus, she had gotten on with her life to the point of becoming engaged to marry her attorney boyfriend of a year and a half and the marriage was six weeks away. Now Jettson was back in her life busily chasing after her divorced Cousin Flame while trying to foist her off onto his nerdy Cousin Berry: all just like old times. How was Marina supposed to cope with her imminent marriage knowing she was still in love with Jettson, a man who didn’t know she was alive in that way and a man who could never seem to get her name straight? Nervously Marina marched down the aisle on her father’s arm Monday evening after her succession of bridesmaids. Her mother had been seated at the front of the church by one of Harvey’s groomsmen, an impatient look on her face as if the wedding wouldn’t take place fast enough for her. Harvey’s parents had been seated across the aisle from her, Harland Jr. and Amy Lennox looking on at her entrance with interest. But Marina barely took note of any of them as her gaze fixed on her fiancé as he stood tall and proud before the Reverend Ansley with Ty Wallerstein officiating as his best man. It was only a wedding rehearsal and Marina was a total mess, her heart thudding in her chest like a jackhammer. Harvey was a good man—her mother had been right about that—and he loved her very much. Marina would be a fool not to marry him in light of his newfound status at his law firm. By the same token, how could she possibly marry him knowing she was in love with another man? What guarantee did she have that she would learn to love him after they were married when it didn’t work for her Aunt Nadine three times? And how did Marina know that Harvey wouldn’t be able to detect by her marital frigidity that she didn’t love him in the true sense of the word? She should be telling Harvey right now that she could not marry him because she was not in love with him. But by the same token, she wanted to marry him because she would be a fool to let a great catch like him go. She was torn wanting him, but for all the wrong reasons. Marina fought to get a grip on herself as she and her father neared the altar. Perhaps if she recalled the playful banter that had taken place between her and her bridesmaids out in the lobby before the rehearsal had started. Simone joking about how eldest son Drancy had gotten in a fight with a neighboring child that day and how Azar had beat his behind when he’d arrived home that evening.... Gale telling her something about Darnell having returned home from his weekend business and their plans to get together later on that evening.... Shawna telling her something about being voted employee of the month at one of her jobs.... And Flame laughing about how Jettson had taken her to Six Flags Over Georgia for the day on Sunday and how she had gotten him to spend all of his money on her.... So, what else was new...?! Yet as her mind lingered on thoughts of him, Marina had to fi ght the urge to scream. JETTSON FRAME! He was the cause of all of her problems, the cause of all of her doubts concerning Harvey. Marina just did manage to pull herself together as her father deposited her at Harvey’s side. She forced warmth to her expression as she met the expectant look he turned on her. “...And at this point, I will say, ‘Who gives this woman to be with this man?’ And you will say...?” the Reverend Ansley prompted her father. “...I do,” answered Orin Francis. “And then, you will give your daughter to Harvey and tur