National Book Award winner William Alexander conjures up a spooky adventure full of excitement in this entertaining sequel to A Properly Unhaunted Place, which was a New York Times Editors’ Choice. Rosa Diaz has her hands full of ghosts. She saved the town of Ingot by unleashing all the ghosts who were previously banished. Now, like the rest of the world, Ingot is filled with spirits and poltergeists. But unlike the rest of the world, the town’s living residents have no idea how to cope, and some of the ghosts are holding century-old grudges. When something supernatural starts stealing kids’ voices at her school, it’s up to Rosa to figure out who or what is behind the voice-snatching. It doesn’t help that some of her classmates are still angry with her for releasing the ghosts. Or that Rosa begins to suspect that she may be haunted herself. Meanwhile, her best friend Jasper is dealing with what remains of the Renaissance Festival, the town’s pride and joy. Ghosts from the town are now battling it out with ghosts from the festival, and the grounds are closed to all. But is it possible to appease everyone?

From National Book Award–winning author William Alexander comes “a fun and fast-paced supernatural mystery with secret depths” (Kirkus Reviews, starred review). Rosa Ramona Díaz has a very special talent. She comes from a family of librarians who specialize in ghost appeasement. So she can’t understand why her mother has moved them to Ingot, the world’s only unhaunted town. What are they supposed to do there, with no poltergeists to quiet and no specters to soothe? Frankly, Rosa doesn’t think anyone should want to live in a place where the biggest attraction is a woefully inaccurate Renaissance Festival. But Jasper Chevalier has always lived in Ingot, working at the festival while his parents hold court. Jasper has never seen a ghost, and can’t imagine his unhaunted town any other way…until an angry apparition thunders into the fairgrounds and turns Ingot upside down. Jasper is astonished…and Rosa is delighted. Mist is building in the hills, and something otherworldly is about to be unleashed. Rosa will need all her ghost appeasement tools—and a little help from Jasper—to try to rein in the angry ghosts in this hilariously spooky adventure.

By Lt. General William E. Odom

An examination of medieval Chinese Buddhist thanatonic practices. Bridging area studies and the history of religions, Teiser explores the concerns, practices and beliefs of 9th- and 10th-century Chinese Buddhists.

National Book Award winner William Alexander conjures up a spooky adventure full of excitement in this entertaining sequel to A Properly Unhaunted Place, which was a New York Times Editors’ Choice. Rosa Diaz has her hands full of ghosts. She saved the town of Ingot by unleashing all the ghosts who were previously banished. Now, like the rest of the world, Ingot is filled with spirits and poltergeists. But unlike the rest of the world, the town’s living residents have no idea how to cope, and some of the ghosts are holding century-old grudges. When something supernatural starts stealing kids’ voices at her school, it’s up to Rosa to figure out who or what is behind the voice-snatching. It doesn’t help that some of her classmates are still angry with her for releasing the ghosts. Or that Rosa begins to suspect that she may be haunted herself. Meanwhile, her best friend Jasper is dealing with what remains of the Renaissance Festival, the town’s pride and joy. Ghosts from the town are now battling it out with ghosts from the festival, and the grounds are closed to all. But is it possible to appease everyone?

Welcome to Unknown Pleasures, a food stand in Taipei's night market named after a Joy Division album, and also the location for a big-hearted new mystery set in the often undocumented Taiwan. August is Ghost Month in Taiwan—a time to pay respects to the dead and avoid unlucky omens. Jing-nan, who runs a food stand in a bustling Taipei night market, isn’t superstitious, but this August will haunt him nonetheless. He learns that his high school sweetheart has been murdered—found scantily clad near a highway where she was selling betel nuts. Beyond his harrowing grief, Jing-nan is confused. “Betel nut beauties” are typically women in desperate circumstances, but Julia Huang was high school valedictorian, and the last time Jing-nan spoke to her, she was far away, happily enrolled in NYU’s honor program. The facts don’t add up. Julia’s parents don’t think so, either, but the police seem to have closed the case without asking any questions. The Huangs beg Jing-nan to do some investigating—reconnect with old classmates, see if he can learn anything more about Julia’s last years. Reluctantly, he agrees, for Julia’s sake. But nothing can prepare him for what he is about to learn, or how it will change his life.

“Failing schools. Underprivileged schools. Just plain bad schools.” That’s how Eve L. Ewing opens Ghosts in the Schoolyard: describing Chicago Public Schools from the outside. The way politicians and pundits and parents of kids who attend other schools talk about them, with a mix of pity and contempt. But Ewing knows Chicago Public Schools from the inside: as a student, then a teacher, and now a scholar who studies them. And that perspective has shown her that public schools are not buildings full of failures—they’re an integral part of their neighborhoods, at the heart of their communities, storehouses of history and memory that bring people together. Never was that role more apparent than in 2013 when Mayor Rahm Emanuel announced an unprecedented wave of school closings. Pitched simultaneously as a solution to a budget problem, a response to declining enrollments, and a chance to purge bad schools that were dragging down the whole system, the plan was met with a roar of protest from parents, students, and teachers. But if these schools were so bad, why did people care so much about keeping them open, to the point that some would even go on a hunger strike? Ewing’s answer begins with a story of systemic racism, inequality, bad faith, and distrust that stretches deep into Chicago history. Rooting her exploration in the historic African American neighborhood of Bronzeville, Ewing reveals that this issue is about much more than just schools. Black communities see the closing of their schools—schools that are certainly less than perfect but that are theirs—as one more in a long line of racist policies. The fight to keep them open is yet another front in the ongoing struggle of black people in America to build successful lives and achieve true self-determination.

From that cheerful puff of smoke known as Casper to the hunkiest potter living or dead, Sam Wheat, there is probably no more iconic entity in supernatural history than the ghost. And these are just recent examples. From the earliest writings such as the Epic of Gilgamesh to today’s ghost-hunting reality TV shows, ghosts have chilled the air of nearly every era and every culture in human history. In this book, Lisa Morton uses her scholarly prowess—more powerful than any proton pack—to wrangle together history’s most enduring ghosts into an entertaining and comprehensive look at what otherwise seems to always evade our eyes. Tracing the ghost’s constantly shifting contours, Morton asks the most direct question—What exactly is a ghost?—and examines related entities such as poltergeists, wraiths, and revenants. She asks how a ghost is related to a soul, and she outlines all the different kinds of ghosts there are. To do so, she visits the spirits of the classical world, including the five-part Egyptian soul and the first haunted-house, conceived in the Roman playwright Plautus’s comedy, Mostellaria. She confronts us with the frightening phantoms of the Middle Ages—who could incinerate priests and devour children—and reminds us of the nineteenth-century rise of Spiritualism, a religion essentially devoted to ghosts. She visits with the Indian bhuta and goes to the Hungry Ghost Festival in China, and of course she spends time in Mexico, where ghosts have a particularly strong grip on belief and culture. Along the way she gathers the ectoplasmic residues seeping from books and film reels, from the Gothic novel The Castle of Otranto to the 2007 blockbuster Paranormal Activity, from the stories of Ann Radcliffe to those of Stephen King. Wide-ranging, informative, and slicked with over fifty unearthly images, Ghosts is an entertaining read of a cultural phenomenon that will delight anyone, whether they believe in ghosts or not.

INTERNATIONAL BESTSELLER • From the author of Everything I Know About Love comes a smart, sexy, laugh-out-loud romantic comedy about ex-boyfriends, imperfect parents, friends with kids, and a man who disappears the moment he says "I love you." “An absolute knock-out. Wickedly funny and, at turns, both cynical and sincere… feels like your very favorite friend.” —Taylor Jenkins Reid, author of Malibu Rising ONE OF THE BEST BOOKS OF THE YEAR: NPR, VOGUE, PEOPLE Nina Dean is not especially bothered that she's single. She owns her own apartment, she's about to publish her second book, she has a great relationship with her ex-boyfriend, and enough friends to keep her social calendar full and her hangovers plentiful. And when she downloads a dating app, she does the seemingly impossible: She meets a great guy on her first date. Max is handsome and built like a lumberjack; he has floppy blond hair and a stable job. But more surprising than anything else, Nina and Max have chemistry. Their conversations are witty and ironic, they both hate sports, they dance together like fools, they happily dig deep into the nuances of crappy music, and they create an entire universe of private jokes and chemical bliss. But when Max ghosts her, Nina is forced to deal with everything she's been trying so hard to ignore: her father's dementia is getting worse, and so is her mother's denial of it; her editor hates her new book idea; and her best friend from childhood is icing her out. Funny, tender, and eminently, movingly relatable, Ghosts is a whip-smart tale of relationships and modern life.

At the heart of the gospel is the message of the incarnation: God translating himself into the context of human culture and language so we might know him. Far from coming to an end with Christ’s life on earth, this process of contextualization is ongoing, reoccurring every time the gospel encounters the particularities of society and culture. In this book, Hann Tzuu Tan explores the significance of contextualized preaching within the Chinese context. Against the backdrop of three major festivals – the Spring Festival, the Qing Ming Festival, and the Hungry Ghost Festival – Tan examines the practices of six experienced Chinese preachers in order to demonstrate the theological and practical importance of contextualized preaching. As a result of his research, Tan suggests six main principles for contextual preaching – principles that are rooted within a Chinese context, yet applicable to anyone seeking to express the gospel’s relevance within a particular cultural setting. Combining insights from biblical studies, applied theology, and ethnography, this interdisciplinary study will enrich one’s understanding of Chinese culture, the gospel, and the important and necessary work of contextualization.