It’s easy to be overlooked in Gilded Age Manhattan, but the Ella Shane Opera Company’s latest premier manages to attract adoring crowds, rave reviews, and a killer who’s a real showstopper! New York City, Fall 1899. Ahead-of-her-time coloratura mezzo Ella Shane has always known opening night to be a mess of missed cues and jittery nerves, especially when unveiling a new opera. Her production of The Princes in the Tower, based on the mysterious disappearance of Edward IV’s two sons during the Wars of the Roses in England, concludes its first performance to thunderous applause. It’s not until players take their bows that the worst kind of disaster strikes . . . Flawless basso Albert Reuter is found lurched over a bloody body in his dressing room, seemingly taking inspiration from his role as the murderous Richard III. With a disturbing homicide case stealing the spotlight, Ella can’t be so certain Albert is the one who belongs behind bars . . . Now, Ella must think on her feet while sorting out a wild series of puzzling mishaps and interlocking mysteries. Yet even when sided with her aristocratic beau, does this scrappy diva have the chops to upstage the true criminal, or will this be the last time she headlines a Broadway marquee?

On the cusp of the twentieth century, Manhattan is a lively metropolis buzzing with talent. But after a young soprano meets an untimely end on stage, can one go-getting leading lady hit the right notes in a case of murder? New York City, 1899. When it comes to show business, Gilded Age opera singer Ella Shane wears the pants. The unconventional diva breaks the mold by assuming “trouser roles”—male characters played by women—and captivating audiences far and wide with her travelling theatre company. But Ella’s flair for the dramatic takes a terrifying turn when an overacting Juliet to her Romeo drinks real poison during the final act of Bellini’s I Capuleti e i Montecchi. Weeks after the woman’s death is ruled a tragic accident, a mysterious English duke arrives in Greenwich Village on a mission. He’s certain someone is getting away with murder, and the refined aristocrat won’t travel back across the Atlantic until Ella helps him expose the truth. As Ella finds herself caught between her craft and a growing infatuation with her dashing new acquaintance, she’s determined to decode the dark secrets surrounding her co-star’s fatale finale—before the lights go dark and the culprit appears for an encore . . . [Author Photo] Kathleen Marple Kalb lives with her family in Cheshire, Connecticut. She’s currently a weekend morning anchor at New York's 1010WINS Radio, capping a career she began as a teenage DJ in rural Western Pennsylvania. She’s currently working on the next Ella Shane historical mystery. Visit us at www.kensingtonbooks.com

During the first winter of the twentieth century, Gilded Age trouser diva Ella Shane refuses to dim the lights on her dazzling show business career for marriage—even to a dashing British duke. But the versatile mezzo-soprano may have to put it all on the line once murder takes centerstage . . . New York City, 1900. Renowned opera singer and theatre company owner Ella may have both much to gain and much to lose by getting engaged to her courtly long-distance love, Gil Saint Auburn. But there’s little time for romance or resolutions with Gil’s aristocratic mother and aunts visiting Greenwich Village—especially when the ladies discover a dead man in the bathtub of their hotel suite. The victim’s disturbing background and subsequent demise at the elegant Waverly Place Hotel leave the group puzzled beyond the obvious certainty of an unnatural death. Adding to the confusion and mounting fear, danger explodes through Ella’s close-knit circle after a friend makes a stunning confession and Gil becomes a fresh target for violence. Now, with a London tour run fast approaching, prenuptial worries weighing heavily on her heart, and an intricate Joan of Arc aria to rehearse, can Ella decide what she’s willing to sacrifice before confronting a relentless criminal bent on watching her entire life go up in smoke?

Don’t miss Faith Martin’s fiendishly clever new novel, Murder by Candlelight, set in the 1920s and described as ‘the perfect village mystery’ by J.M. Hall ‘A brilliant book! The pairing of Ryder and Loveday is a stroke of genius.’ Clare Chase, author of the Eve Mallow and Tara Thorpe mysteries

“Sharp and seductive…a fantasy with teeth.” —Julie C. Dao, author of Forest of a Thousand Lanterns A girl of two worlds, accepted by none… A half Reaper, half Shinigami soul collector seeks her destiny in this haunting and compulsively readable dark fantasy duology set in 1890s Japan. Death is her destiny. Half British Reaper, half Japanese Shinigami, Ren Scarborough has been collecting souls in the London streets for centuries. Expected to obey the harsh hierarchy of the Reapers who despise her, Ren conceals her emotions and avoids her tormentors as best she can. When her failure to control her Shinigami abilities drives Ren out of London, she flees to Japan to seek the acceptance she’s never gotten from her fellow Reapers. Accompanied by her younger brother, the only being on earth to care for her, Ren enters the Japanese underworld to serve the Goddess of Death…only to learn that here, too, she must prove herself worthy. Determined to earn respect, Ren accepts an impossible task—find and eliminate three dangerous Yokai demons—and learns how far she’ll go to claim her place at Death’s side. Don't miss the must-read sequel coming in 2022!

They were hot from the start… Written for readers wondering about the “memorable” one-night stand between Sam Holland and Nick Cappuano that took place six years before Fatal Affair opens! Get all the details of Sam and Nick’s unforgettable night together in this 14,000-word novella. You might want to keep a fan and some ice water handy, because this story is H-O-T!

I may be the villain of the story, but at least I get a leading role. Evil is a term thrown around history and literature as if it's something so easily definable. A concept to fight against. Evil doesn’t exist. Neither does ‘good.’ Vampires do, though. I just happen to be one. I’ve cruised through the centuries managing to avoid all the wars, supernatural and human, but still going to all the best parties. I would say I avoided bloodshed, but it’s kind of part of the whole ‘vampire’ thing. I’ve lived on the fringes of a society that considered cruelty and sadism favorable character traits for almost five hundred years. Now I'm in the middle of a war that might just put my nonbeating heart in a lot of danger. Battles, I can handle. The impossible attraction between me and the vampire slayer, not to mention the penetrating gaze of the king of our race, on the other hand? I might not get out undead.

The girls at Modesta High School feel like they're stuck in some anti-feminist time warp-they're faced with sexism at every turn, and they've had enough. Sponsored by their new art teacher, Ms. Stark, they band together to form the Daughters of Eve. It's more than a school club-it's a secret society, a sisterhood. At first, it seems like they are actually changing the way guys at school treat them. But Ms. Stark urges them to take more vindictive action, and it starts to feel more like revenge-brutal revenge. Blinded by their oath of loyalty, the Daughters of Eve become instruments of vengeance. Can one of them break the spell before real tragedy strikes?

Don’t miss Faith Martin’s fiendishly clever new novel, Murder by Candlelight, set in the 1920s and described as ‘the perfect village mystery’ by J.M. Hall ‘A brilliant book! The pairing of Ryder and Loveday is a stroke of genius.’ Clare Chase, author of the Eve Mallow and Tara Thorpe mysteries

With a killer on the loose, it’s the worst time to be on lockdown… It’s another day at the office for Washington Metro Police Lieutenant Sam Holland when a body surfaces off the shores of the Anacostia River. Before Sam can sink her teeth into the new case, Secret Service agents seize her from the crime scene. A threat has been made against her family, and nobody will tell her anything—including the whereabouts of her husband, Vice President Nick Cappuano. This isn’t the first time the couple’s lives have been at risk, but when a bombshell from Sam’s past returns to haunt her, she can’t help but wonder if there’s a connection. With a ruthless killer out for vengeance, and Nick struggling to maintain his reputation after secrets from his own past are revealed, Sam tries to tie the threat to a murder that can’t possibly be a coincidence. And she has to get it done before her husband’s career is irrevocably damaged…