South Africa?s armed forces invaded Angola in 1975, setting off a war that had consequences for the whole region that are still felt today. A Far-Away War contributes to a wider understanding of this war in Angola and Namibia. The book does not only look at the war from an ?old? South African (Defence Force) perspective, but also gives a voice to participants ?on the other side? ? emphasising the role of the Cubans and Russians. This focus is supplemented by the inclusion of many never-before-published photographs from Cuban and Russian archives, and a comprehensive bibliography.

A dazzling collection of original essays by some of America's most notable young writers on the cultural impact of the Star Wars films A Galaxy Not So Far Away is the first ever exploration of the innumerable ways the Star Wars films have forever altered our cultural and artistic landscape. Edited by Glenn Kenny, a senior editor and critic at Premiere magazine, this singular collection allows some of the nation's most acclaimed writers to anatomize, criticize, celebrate, and sometimes simply riff on the prismatic aftereffects of an unparalleled American phenomenon. Jonathan Lethem writes of the summer he saw Star Wars twenty-one times as his mother lay dying of cancer. Neal Pollack chips in with the putative memoir of a certain young man having problems with his father, written in the voice of Holden Caulfield. Erika Krouse ponders the code of the Jedi Knight and its relation to her own pursuit of the martial arts. New York Times film critic Elvis Mitchell meditates upon the mysterious figure Lando Calrissian. A classic assemblage of pop writing at its best, A Galaxy Not So Far Away is a book for everyone who loves Star Wars films and seeks to understand just what it is about these films that has so enchanted an entire generation of filmgoers.

What does it mean to live during wartime away from the battle zone? What is it like for citizens to go about daily routines while their country sends soldiers to kill and be killed across the globe? Timely and thought-provoking, War at a Distance considers how those left on the home front register wars and wartime in their everyday lives, particularly when military conflict remains removed from immediate perception, available only through media forms. Looking back over two centuries, Mary Favret locates the origins of modern wartime in the Napoleonic era and describes how global military operations affected the British populace, as the nation's army and navy waged battles far from home for decades. She reveals that the literature and art produced in Britain during the late eighteenth and early nineteenth centuries obsessively cultivated means for feeling as much as understanding such wars, and established forms still relevant today. Favret examines wartime literature and art as varied as meditations on the Iliad, the history of meteorology, landscape painting in India, and popular poetry in newspapers and periodicals; she locates the embedded sense of war and dislocation in works ranging from Austen, Coleridge, and Wordsworth to Woolf, Stevens, and Sebald; and she contemplates how literature provides the public with methods for responding to violent calamities happening elsewhere. Bringing to light Romanticism's legacy in reflections on modern warfare, this book shows that war's absent presence affects home in deep and irrevocable ways.

The classic story of an immigrant child adjusting to her new home, now with new illustrations.

Two Jewish sister leave Austria during WWII/Holocaust and find refuge in Sweden. It's the summer of 1939. Two Jewish sisters from Vienna—12-year-old Stephie Steiner and seven-year-old Nellie—are sent to Sweden to escape the Nazis. They expect to stay there six months, until their parents can flee to Amsterdam; then all four will go to America. But as the world war intensifies, the girls remain, each with her own host family, on a rugged island off the western coast of Sweden. Nellie quickly settles in to her new surroundings. Not so for Stephie, who finds it hard to adapt; she feels stranded at the end of the world, with a foster mother who's as unforgiving as the island itself. It's no wonder Stephie doesn't let on that the most popular girl at school becomes her bitter enemy, or that she endures the wounding slights of certain villagers. Her main worry, though, is her parents—and whether she will ever see them again.

For Nonnie and Francois, both on the brink of adulthood, a thousand-mile trip across Africa's Kalahari Desert becomes a pilgrimage of self-discovery.

The collapse of Western colonial empires in the twenty years after the Second World War led to a series of vicious struggles for power - in Africa, Asia and the Middle East - whose bloody consequences haunt us still. Acclaimed historian Michael Burleigh's brilliant analytic skills and clear eye for common themes underpins this powerful account of those conflicts. He takes us on a historical journey from Algeria to Cuba, from Malaysia to Palestine, and from Kenya to Vietnam and, in so doing, he reframes mid-twentieth-century history by forcing us to look away from the Cold War to the hot wars that continue to afflict us. The result is a dazzling work of history, which examines the death of colonialism with passion, insight and genuine understanding of what it feels like to be caught in the middle of realpolitik.

A sweeping history of the Cold War’s many “hot” wars born in the last gasps of empire The Cold War reigns in popular imagination as a period of tension between the two post-World War II superpowers, the United States and the Soviet Union, without direct conflict. Drawing from new archival research, prize-winning historian Michael Burleigh gives new meaning to the seminal decades of 1945 to 1965 by examining the many, largely forgotten, “hot” wars fought around the world. As once-great Western colonial empires collapsed, counter-insurgencies campaigns raged in the Philippines, the Congo, Iran, and other faraway places. Dozens of new nations struggled into existence, the legacies of which are still felt today. Placing these vicious struggles alongside the period-defining United States and Soviet standoffs in Korea, Vietnam, and Cuba, Burleigh swerves from Algeria to Kenya, to Vietnam and Kashmir, interspersing top-level diplomatic negotiations with portraits of the charismatic local leaders. The result is a dazzling work of history, a searing analysis of the legacy of imperialism and a reminder of just how the United States became the world’s great enforcer.

Some were paid. Some felt compelled by a duty to God. Some volunteered. Some died doing it. All flew on rickety old aircraft into a nighttime, wartime patch of African forest called Biafra. Far Away in the Sky gives the personal account of one of them, a young American volunteer who joined the largest international humanitarian relief airlift ever attempted. In 1968 millions of people, mostly children, were starving due to a military blockade of Biafra, the former Eastern Region of Nigeria. The World Council of Churches and Caritas International mounted a relief airlift. Flying at night to avoid Nigerian Migs, without radar or any modern navigational aids, landing amid bombs on a stretch of road in the rain forest, the old planes delivered thousands of tons of food and medicines. UNICEF recruited six former United States Peace Corps Volunteers, including the author, to help unload the planes. The former volunteers had served in Nigeria and were familiar with the area and the people. To David Koren the people of Biafra, his former students and fellow teachers, constituted his motive for joining the airlift. More than just a memoir of events, Far Away in the Sky promotes a discussion of international aid, of the balance between the grace of giving and the dignity of receiving aid, and the policies of governments toward intervention or non-intervention in humanitarian disasters. How do the lessons of Biafra apply to modern eruptions like Rwanda, Darfur, Libya, Syria and those yet to come? .