A New York Times Book Review Editors' Choice "Wilkinson has accomplished something more moving and original, braiding his stumbling attempts to get better at math with his deepening awareness that there’s an entire universe of understanding that will, in some fundamental sense, forever lie outside his reach." —Jennifer Szalai, The New York Times "There is almost no writer I admire as much as I do Alec Wilkinson. His work has enduring brilliance and humanity.” —Susan Orlean, author of The Library Book A spirited, metaphysical exploration into math's deepest mysteries and conundrums at the crux of middle age. Decades after struggling to understand math as a boy, Alec Wilkinson decides to embark on a journey to learn it as a middle-aged man. What begins as a personal challenge—and it's challenging—soon transforms into something greater than a belabored effort to learn math. Despite his incompetence, Wilkinson encounters a universe of unexpected mysteries in his pursuit of mathematical knowledge and quickly becomes fascinated; soon, his exercise in personal growth (and torture) morphs into an intellectually expansive exploration. In A Divine Language, Wilkinson, a contributor to The New Yorker for over forty years, journeys into the heart of the divine aspect of mathematics—its mysteries, challenges, and revelations—since antiquity. As he submits himself to the lure of deep mathematics, he takes the reader through his investigations into the subject’s big questions—number theory and the creation of numbers, the debate over math’s human or otherworldly origins, problems and equations that remain unsolved after centuries, the conundrum of prime numbers. Writing with warm humor and sharp observation as he traverses practical math’s endless frustrations and rewards, Wilkinson provides an awe-inspiring account of an adventure from a land of strange sights. Part memoir, part metaphysical travel book, and part journey in self-improvement, A Divine Language is one man’s second attempt at understanding the numbers in front of him, and the world beyond.

This study illustrates why the language of the Qur'an is miraculous, unique, and evidence of divine authority. The author compares the language of the Qur'an with the language of pre-Islamic poetry, the Prophet's words (hadith), and the language of the Arabs both past and present, to demonstrate that although the Qur'an was revealed in Arabic it was at the same time an Arabic which was entirely new. Original and early Muslim audiences viewed this as miraculous and responded to the Qur'an's words, sounds, rhythms, etc. in a manner consistent with a deeper appreciation of its beauty and majesty which modern ears, trained by familiarity, and despite being surrounded by all manner of dictionaries and studies, are at a loss to capture. The author attempts to remove this veil and present the Qur'an to readers as if hearing it for the first time, to bring to life some of this wonder. In doing so he guides readers to appreciate the beauty of the Qur'an, to become more immersed in it, and to have a clearer understanding of its structure and flow. Devoting special attention to Surah Al Muddaththir, to underpin his analysis, Saeh thus brings the Revelation to life, to demonstrate that each surah has distinct features and characteristics that make it stand out uniquely within the design and sweep of the whole.

Discussion ranges from theories of biological growth to intervals and tones in music, Pythagorean numerology, conic sections, Pascal's triangle, the Fibonnacci series, and much more. Excellent bridge between science and art. Features 58 figures.

Sophia Demas did not want to get married, have children, or write a book; the Universe, however, had other plans. In this penetrating memoir, Sophia examines the events in her life that at first seemed to be a series of coincidences, but upon further consideration were building blocks of the miraculous. The Divine Language of Coincidence chronicles the extraordinary events experienced by an ordinary woman, asserting that miracles are not only possible, but far more common than we may realize.

From ancient times, we are told in the story of the Tower of Babel, human beings have been separated by different languages and, consequently, different cultures. Over the centuries, this division has increased and the distance between nations and peoples has prevented true communication and understanding. Gradually, mutations of meaning within single languages have further isolated individuals from one another. Toward the end of the twentieth century, however, a newly intensified consciousness arose--one that sought the basis of a new unity. This has resulted in, among other things, the budding globalization of world societies, economically, politically, and culturally. Linguists and language historians have long searched for the source of our original unity--the one language from which we were separated. Inspired by a pamphlet on the origin of language by Hermann Beckh, and encouraged by his study of Rudolf Steiner's works, Dr. Arnold D. Wadler began thirty years of devoted research into the tongues of various human families. In One Language, he lifts the veil from pre-Columbian America and reveals its place in the developing life of earthly human beings. Based on language and custom, ancient America can be seen as the key to the question of the common primeval tongue of the origin of humanity and modern civilization. His comprehensive grasp of the subject and his broad understanding of history, religion, art, and the science of language places this book among the classics of spiritual scientific literature. Chapters include: The Tower of Babel The Origin of Writing in Picture Consciousness The Spirit of Words The Lost Continent of Atlantis American Tongues and Universal Human Speech Language in the Past and Future

This is a print on demand book and is therefore non- returnable. As Christians we believe that God speaks -- that God has spoken to people down through the centuries and still speaks to us today. But just how does God speak to us? Has his speech changed over time? And how do we "hear" the voce of God? In this insightful book Ben Campbell Johnson explores the subject of divine speech, highlighting its importance to faith and leading Christian believers into the practice of listening for God's voice in daily life. Johnson first explores the biblical foundations of divine communication, tracing the ways that God has spoken to humankind from the calling of Abraham, to the appearance of Jesus, to the continuing work of the Spirit in the early church. He then gleans important lessons about God's language from a wide range of Christian figures throughout history -- Polycarp, Julian of Norwich, Teresa of Avila, Henri Nouwen, and others. As this historical record shows, God communicates with us in a variety of ways. In exploring these different modes of "GodSpeech," Johnson deftly guides readers into the practice of "intensive listening," a way of posing issues to God and discerning his response. Numerous anecdotes illuminate Johnson's discussion, and each chapter ends with questions for reflection and discussion as well as suggestions for journaling. Johnson concludes the book by recounting a number of personal experiences that vividly illustrate the value of learning to listen to God's voice. At a time when many Christians hunger for a more personal, meaningful connection with God, this book shows readers how to discern divine language and forge a closer, richer relationship with "the God who speaks."

Mathematics and the Divine seem to correspond to diametrically opposed tendencies of the human mind. Does the mathematician not seek what is precisely defined, and do the objects intended by the mystic and the theologian not lie beyond definition? Is mathematics not Man's search for a measure, and isn't the Divine that which is immeasurable ?The present book shows that the domains of mathematics and the Divine, which may seem so radically separated, have throughout history and across cultures, proved to be intimately related. Religious activities such as the building of temples, the telling of ritual stories or the drawing of enigmatic figures all display distinct mathematical features. Major philosophical systems dealing with the Absolute and theological speculations focussing on our knowledge of the Ultimate have been based on or inspired by mathematics. A series of chapters by an international team of experts highlighting key figures, schools and trains of thought is presented here. Chinese number mysticism, the views of Pythagoras and Plato and their followers, Nicholas of Cusa's theological geometry, Spinozism and intuitionism as a philosophy of mathematics are treated side by side among many other themes in an attempt at creating a global view on the relation of mathematics and Man's quest for the Absolute in the course of history.·Mathematics and man's quest for the Absolute·A selective history highlighting key figures, schools and trains of thought ·An international team of historians presenting specific new findings as well as general overviews·Confronting and uniting otherwise compartmentalized information

"Madness can afford the individual certain resources and abilities that are not available to others. The fantasy life, free flight of ideas, distortions of reality, and heightened senses . . . offer a unique perspective on the world." —From the Introduction Why do some extraordinary individuals overcome mental anguish and produce brilliant creative artistry that is often enhanced by their madness? New York Times best-selling author and noted psychologist Jeffrey Kottler explores this fascinating question in Divine Madness. His book is filled with the compelling stories of emotional turmoil that many great artists have undergone as they struggle for success and survival. Jeffrey Kottler writes about the dramatic and tragic lives of cultural icons Sylvia Plath, Judy Garland, Mark Rothko, Ernest Hemingway, Virginia Woolf, Charles Mingus, Vaslav Nijinsky, Marilyn Monroe, Lenny Bruce, and Brian Wilson. In this riveting book, Kottler highlights the personal story of each of these extraordinary individuals and analyzes how they struggled to overcome their emotional hardships. Divine Madness clearly differentiates between those who surrendered to their illness, often taking their own lives, and those who managed to endure and even recover. Kottler details how their profound psychological issues affected their lives and work, their great productivity and success, and how they strove to achieve some kind of personal stability. The fascinating and brilliantly told stories in Divine Madness help us to find meaning in the incredible lives of these artists. They also serve as an inspiration for those who are grappling to rise above their own challenges and limitations and express themselves more productively and creatively.

Mark's out of the military, these days, with his boring, safe civilian job doing explosives consulting. But you never really get away from war. So it feels inevitable when his old army buddy Jason comes calling, with a lucrative military contract for a mining job in an obscure South-East Asian country called Quanlom. They'll have to operate under the radar-Quanlom is being torn apart by civil war, and the US military isn't strictly supposed to be there. With no career prospects and a baby on the way, Mark finds himself making the worst mistake of his life and signing on with Jason. What awaits him in Quanlom is going to change everything. What awaits him in Quanlom is weirdness of the highest order: a civil war led by ten-year-old twins wielding something that looks a lot like magic, leading an army of warriors who look a lot like gods. What awaits him in Quanlom is an actual goddamn dragon. From world-renowned artists Asaf and Tomer Hanuka (twins, whose magic powers are strictly confined to pen and paper) and Boaz Lavie, The Divine is a fast-paced, brutal, and breathlessly beautiful portrait of a world where ancient powers vie with modern warfare and nobody escapes unscathed.