J.J. Graves is back in Bloody Mary, but she's a long way from feeling at home. Between her bodily scars from being the target of a murderer and the emotional scars left by her parents, she doesn't know who she can trust. But death doesn't stop for anyone. The first murder is grisly. The second even more so. And though things are shaky between them, she and her best friend, Jack, have no choice but to join forces and find the killer. Because the life of someone they love dearly hangs in the balance.

A man witnesses the aftermath of animal slaughter while taking his daughter pumpkin-picking on a farm; two men plot the death of a Hank Williams wannabe; a lonely young man develops roundworm from exposure to old books - these are some of the stories in Ron Block's original and hilarious debut collection of stories. Block has a fierce range as a writer, the stories riding the spectrum from quiet poignancy to the bizarre and raucous. THE DIRTY SHAME HOTEL is a darkly comic, unflinching, and unsettling account of the lives of the disenfranchised. - Laurie Foos, author of EX UTERO. Ron Block is a writer with nerve and verve, a high wire artist whose stunning leaps of fancy balance us on the thin edge where the fantastic and the ordinary meet. - Lee Martin, author of THE LEAST YOU KNEED TO KNOW.

J.J. Graves has seen a lot of dead bodies in her line of work... She's not only in the mortuary business, but she's also the coroner for King George County, Virginia. When a grisly murder is discovered in the small town of Bloody Mary, it's up to J.J. and her best friend, Detective Jack Lawson, to bring the victim justice. The murders are piling up... The residents of Bloody Mary are dropping like flies, and when a popular mystery writer shows up on J.J.'s doorstep with plans of writing his new book about the Bloody Mary Serial Killer, J.J. has to decide if he might be going above and beyond the call of duty to create the spine tinglers he's so well known for. It only clouds the issue and puts her reputation on the line when the attraction between them spirals out of control. And passions are rising... J.J and Jack are in a race against time. They discover each victim had a shocking secret, and the very foundation of J.J.'s life is in danger of crumbling when it turns out she's harboring secrets of her own -- secrets that make her the perfect victim in a deadly game.

An outrageous collection from the uniquely legendary John Waters, updated with new material—including Waters’s 2002 New York Times article, “Finally, Footlights on the Fat Girls.” Crackpot, originally released in 1986, is John Waters’s brilliantly entertaining litany of odd and fascinating people, places, and things. From Baltimore to Los Angeles, from William Castle to Pia Zadora, from the National Enquirer to Ronald Reagan’s colon, Waters explores the depths of our culture. And he dispenses useful advice along the way: how not to make a movie, how to become famous (read: infamous), and of course, how to most effectively shock and make our nation’s public laugh at the same time. Loaded with bonus features, this special edition is guaranteed to leave you totally mental.

New York Times bestselling author, Tess Oliver, brings you a sexy new adult romance, Book 1 of the Bluefield Bad Boys series.We were prisoners of forbidden love, just like Romeo and Juliet but without the poetic, old English double speak and Italian marble balconiesA coal miner's son, Kellan Braddock always knew he'd follow in his late dad's steel toed boots. He also always knew that he'd never love anyone as much he loved Rylan Merritt. But sometimes love isn't enough.Seven years ago, Rylan Merritt left Bluefield Ridge with her heart in tatters. Now she's back. And Kellan Braddock, the boy from the wrong side of the tracks, the boy who she loved beyond anything has grown into a man. Will she risk her heart again? The story of a first love so strong it never fades.WARNING: contains adult content. Intended for readers 18+

Jack Hudson is in a pickle. He's not a private investigator, he's a small town, small time writer. But, when a well-to-do acquaintance and fraternity brother asks him to check on his wife, Jack is all ears. He has good reasons. The fraternity brother's wife and Jack are on better than speaking terms. The job sounds simple and there's money on the table for just one night of snooping. But, simple things aren't. Now the wife is missing, Jack is accused, Jack's other girlfriend is again tangled with her ex-husband, the fraternity brother's first wife may also be missing, and Jack's simple life is instantly scrambled and scattered across Cassavora County, several other counties, New Orleans and Charleston. Oh yeah, Jack's brother may be part of a criminal conspiracy, Jack's mother is on her last legs...Damn, my heart is pounding just thinking about it.

Can ghosts really talk? J.J. Graves is about to find out when her past comes back to haunt her. But before she and Jack can resolve her past, they need to deal with his. Six years ago Jack was left for dead during a SWAT raid he commanded. He never speaks of what happened that day, but he doesn't have a choice after someone starts murdering his men. According to the FBI, Jack is either next on the list, or he's the one behind it all.

“Erica Garza has written a riveting, can’t-look-away memoir of a life lived hardcore…In an era when predatory male sexual behavior has finally become a topic of urgent national discourse…Getting Off makes for a wild, timely read” (Elle). A fixation on porn and orgasm, strings of failed relationships and serial hook-ups with strangers, inevitable blackouts to blunt the shame—these are not things we often hear women share publicly, and not with the candor, eloquence, and introspection Erica Garza brings to Getting Off. What sets this courageous and riveting account apart from your typical misery memoir is the absence of any precipitating trauma beyond the garden variety of hurt we’ve all had to endure in simply becoming a person—reckoning with family, learning to be social, integrating what it means to be sexual. Whatever tenor of violence or abuse Erica’s life took on through her behavior was of her own making, fueled by fear, guilt, self-loathing, self-pity, loneliness, and the hopelessness those feelings brought on as she runs from one side of the world to the other in an effort to break her habits—from East Los Angeles to Hawaii and Southeast Asia, through the brothels of Bangkok and the yoga studios of Bali to disappointing stabs at therapy and twelve-steps back home. In these remarkable pages, Garza draws an evocative, studied portrait of the anxiety that fuels her obsessions, as well as the exhilaration and hope she begins to feel when she suspects she might be free of them. Getting Off offers a brave and necessary voice to our evolving conversations about addiction and the impact that internet culture has had on us all—“a profoundly genuine, gripping story that any reader can appreciate” (Vice). “In reading Garza’s insight into her own experiences, we better understand ourselves” (The New York Times Book Review).

The films of John Waters (b. 1946) are some of the most powerful send-ups of conventional film forms and expectations since Luis Buñuel and Salvador Dali's Un Chien Andalou. In attempting to reinvigorate the experience of movie-going with his shock comedy, Waters has been willing to take the chance of offending nearly everyone. His characters have great dignity and resourcefulness, taking what's different or unacceptable or grotesque about themselves, heightening it and turning it into a handmade personal style. The interviews collected here span Waters's career from 1965 to 2010 and include a new one exclusive to this edition. Waters began making films in his hometown of Baltimore in 1964. Demonstrating an innate talent at capturing the hideous and crude and elevating it to art, he reached international acclaim with his outrageous shock comedy Pink Flamingos. This landmark film redefined cinema and became a cult classic. Appearing in this and many of Waters's early films, his star Divine would consistently challenge gender definitions. With Polyester, Waters entered the mainstream. The film starred Divine as an unhappy housewife who romances a former teen idol played by Tab Hunter. Waters's commercial breakthrough, Hairspray, told the story of Baltimore's televised sock-hop program, The Corny Collins Show, and how one brave girl (Ricki Lake) used her platform as a dancer to end segregation in her town. From Serial Mom and Pecker to Cecil B. Demented, Waters continued to infiltrate the mainstream with his unique approach to filmmaking. As a visual artist, he was given a retrospective at the New Museum of Contemporary Art in 2004, which was shown at galleries around the world.