On the night of 10-11 May 1996, eight climbers perished in what remains the worst disaster in Everest's history. Following the tragedy, numerous accounts were published, with Jon Krakauer's Into Thin Air becoming an international bestseller. But has the whole story been told? A Day to Die For reveals the full, startling facts that led to the tragedy. Graham Ratcliffe, the first British climber to reach the summit of Mount Everest twice, was a first-hand witness, having spent the night on Everest's South Col at 26,000 ft, sheltering from the deadly storm. For years, he has shouldered a burden of guilt, feeling that he and his teammates could have saved lives that fateful night. His quest for answers has led to discoveries so important to an understanding of the disaster that he now questions why these facts were not made public sooner. History is dotted with high-profile disasters that both horrify and capture the attention of the public, but very rarely is our view of them revised to such devastating effect.

A road trip novel of three desperate souls fueled by drugs, alcohol, and delusions—from the New York Times–bestselling author of Legends of the Fall. The author of thirty-nine books of fiction, non-fiction, and poetry, Jim Harrison was one of our most beloved and acclaimed writers, adored by both readers and critics. His novel, A Good Day to Die, centers on an unlikely trio: a poet with a tendency to lapse into beatific reveries of superb fishing in cold, fast streams; a Vietnam vet consumed by uppers, downers, and violence; and a girl who loved only one of them—at first. With plans conceived during the madness of one long drunken night, the three of them leave Florida, driving west to buy a case of dynamite, determined to save the Grand Canyon from a dam they believe is about to be built. A Good Day to Die is an unrelenting tour de force, and a dark exploration of what it means to live beyond the pale in contemporary America. “Mr. Harrison’s perceptions are jagged and cutting . . . A remarkably well-plotted story.” —Christopher Lehmann-Haupt, The New York Times

Award-winning combat journalist Sean Naylor reveals a firsthand account of the largest battle fought by American military forces in Afghanistan in an attempt to destroy al-Qaeda and Taliban forces. At dawn on March 2, 2002, America's first major battle of the 21st century began. Over 200 soldiers of the 101st Airborne and 10th Mountain Division flew into Afghanistan's Shah-i-Kot Valley—and into the mouth of a buzz saw. They were about to pay a bloody price for strategic, high-level miscalculations that underestimated the enemy's strength and willingness to fight. Naylor, an eyewitness to the battle, details the failures of military intelligence and planning, while vividly portraying the astonishing heroism of these young, untested US soldiers. Denied the extra support with which they trained, these troops nevertheless proved their worth in brutal combat and prevented an American military disaster.

Conversations about death don't have to be morbid. Following the 'Positive Death Movement' and public education such as Death Cafés, many of us yearn to speak more openly about dying and death in ways that are more natural and direct. 21 Days to Die was written in that spirit, in the hope that all Canadians will come to recognize the signs of physical death and the sequence to facilitate necessary conversations and better timely decision-making. The book addresses both the medical and advanced care planning aspects, but also aspects such as psycho-social needs, grief work, rites of passage and much more. Written by a social worker and lay Buddhist Chaplain, 21 Days to Die inspires fearlessness in the face of seeing what doesn't want to be seen. Under these circumstances the mindfulness practices of being fully present in the moment and remembering the impermanence of all living things are both universal and calming. Dying people deserve loved ones who are prepared to take the journey with them to their final breaths with their eyes wide open. Resources - 18 practical lists encapsulating key points from the book - 35 essential Canadian end-of-life resources with QR codes for easy, on-the-spot access

“A seductive page-turner” about a murderously ambitious cable-news star by the New York Times–bestselling author of Labor Day (The New York Times Book Review). Local weather reporter Suzanne Maretto craves nothing more than to transcend life at her suburban cable television news station and follow in the footsteps of her idol: Barbara Walters. When she concludes that her unglamorous husband is getting in the way of her dream of stardom, the solution seems obvious: Get rid of him. She seduces a fifteen-year-old admirer, Jimmy, and persuades him to do her dirty work. Mission accomplished, Suzanne takes to the airwaves in her new role as grieving widow, in search of a TV deal. If that means selling Jimmy down the river, she’s ready. Maynard’s brilliant, funny, and groundbreaking novel—adapted by Gus Van Sant into the cult classic movie of the same name, starring Nicole Kidman—was first published in 1992 before the era of manufactured stardom and the phenomenon of televised murder trials as entertainment. The book still stands as a razor-sharp satire of celebrity-fixated culture and the American obsession with TV—a novel that imagined the phenomenon of reality television before its creation, with alternately bone-chilling and hilarious accuracy. This ebook features an illustrated biography of Joyce Maynard including rare photos from the author’s personal collection.

Originally published in hardcover in 1972, A Day No Pigs Would Die was one of the first young adult books, along with titles like The Outsiders and The Chocolate War. In it, author Robert Newton Peck weaves a story of a Vermont boyhood that is part fiction, part memoir. The result is a moving coming-of-age story that still resonates with teens today.

From the time he was a small child Serge Gasore has been a runner. Some days he was running to play, some days he was running to school, some days he was running for a prize, but some days he was running for his life. In My Day to Die: Running for My Life, Gasore details the story of his life beginning with his early childhood when his mother was murdered when Gasore was only four years old. His story continues through his later childhood as Gasore struggled for survival during the Rwandan genocide, which occurred when he was eight years old. His story describes some of the horrors he faced, including watching his grandmother die during an ambush grenade attack by the Hutu army on the church where they, and other Tutsis, were hiding. Gasore tells of neighbors and friends turning against him for the mere fact he was a Tutsi and they were Hutu. He tells of weeks of running from the enemy, hiding among the bamboo bushes. His story continues as Gasore details his time in the army as a child, not even 10 years old yet, and his adjustment to life in a new world after the war. As he grew up and moved into high school, Gasore channeled his love for running into a tool for advancing his future. His love of running became a career opportunity and brought him to the United States. Gasore continues his story as he attended Abilene Christian University in Abilene, Texas, on a track scholarship. It was there, in the slow pace of a dusty, West Texas town, that Gasore came to know a loving God and headed down a path of forgiving those who had caused him so much pain and harm.

In this prequel to the bestselling phenomenon They Both Die at the End, two new strangers spend a life-changing day together after Death-Cast first makes their fateful calls. #1 New York Times bestseller! It’s the night before Death-Cast goes live, and there’s one question on everyone’s mind: Can Death-Cast actually predict when someone will die, or is it just an elaborate hoax? Orion Pagan has waited years for someone to tell him that he’s going to die. He has a serious heart condition, and he signed up for Death-Cast so he could know what’s coming. Valentino Prince is restarting his life in New York. He has a long and promising future ahead and he only registered for Death-Cast after his twin sister nearly died in a car accident. Orion and Valentino cross paths in Times Square and immediately feel a deep connection. But when the first round of End Day calls goes out, their lives are changed forever—one of them receives a call, and the other doesn’t. Though neither boy is certain how the day will end, they know they want to spend it together…even if that means their goodbye will be heartbreaking. Told with acclaimed author Adam Silvera’s signature bittersweet touch, this story celebrates the lasting impact that people have on each other and proves that life is always worth living to the fullest. * A Publishers Weekly Best Book of the Year *

Adam Silvera reminds us that there’s no life without death and no love without loss in this devastating yet uplifting story about two people whose lives change over the course of one unforgettable day. #1 New York Times bestseller * 4 starred reviews * A School Library Journal Best Book of the Year * A Kirkus Best Book of the Year * A Booklist Editors' Choice * A Bustle Best YA Novel * A Paste Magazine Best YA Book * A Book Riot Best Queer Book * A Buzzfeed Best YA Book of the Year * A BookPage Best YA Book of the Year On September 5, a little after midnight, Death-Cast calls Mateo Torrez and Rufus Emeterio to give them some bad news: They’re going to die today. Mateo and Rufus are total strangers, but, for different reasons, they’re both looking to make a new friend on their End Day. The good news: There’s an app for that. It’s called the Last Friend, and through it, Rufus and Mateo are about to meet up for one last great adventure—to live a lifetime in a single day. In the tradition of Before I Fall and If I Stay, They Both Die at the End is a tour de force from acclaimed author Adam Silvera, whose debut, More Happy Than Not, the New York Times called “profound.” Plus don't miss The First to Die at the End: #1 New York Times bestselling author Adam Silvera returns to the universe of international phenomenon They Both Die at the End in this prequel. New star-crossed lovers are put to the test on the first day of Death-Cast’s fateful calls.

From acclaimed classical historian, author of Ghost on the Throne (“Gripping . . . the narrative verve of a born writer and the erudition of a scholar” —Daniel Mendelsohn) and editor of The Landmark Arrian:The Campaign of Alexander (“Thrilling” —The New York Times Book Review), a high-stakes drama full of murder, madness, tyranny, perversion, with the sweep of history on the grand scale. At the center, the tumultuous life of Seneca, ancient Rome’s preeminent writer and philosopher, beginning with banishment in his fifties and subsequent appointment as tutor to twelve-year-old Nero, future emperor of Rome. Controlling them both, Nero’s mother, Julia Agrippina the Younger, Roman empress, great-granddaughter of the Emperor Augustus, sister of the Emperor Caligula, niece and fourth wife of Emperor Claudius. James Romm seamlessly weaves together the life and written words, the moral struggles, political intrigue, and bloody vengeance that enmeshed Seneca the Younger in the twisted imperial family and the perverse, paranoid regime of Emperor Nero, despot and madman. Romm writes that Seneca watched over Nero as teacher, moral guide, and surrogate father, and, at seventeen, when Nero abruptly ascended to become emperor of Rome, Seneca, a man never avid for political power became, with Nero, the ruler of the Roman Empire. We see how Seneca was able to control his young student, how, under Seneca’s influence, Nero ruled with intelligence and moderation, banned capital punishment, reduced taxes, gave slaves the right to file complaints against their owners, pardoned prisoners arrested for sedition. But with time, as Nero grew vain and disillusioned, Seneca was unable to hold sway over the emperor, and between Nero’s mother, Agrippina—thought to have poisoned her second husband, and her third, who was her uncle (Claudius), and rumored to have entered into an incestuous relationship with her son—and Nero’s father, described by Suetonius as a murderer and cheat charged with treason, adultery, and incest, how long could the young Nero have been contained? Dying Every Day is a portrait of Seneca’s moral struggle in the midst of madness and excess. In his treatises, Seneca preached a rigorous ethical creed, exalting heroes who defied danger to do what was right or embrace a noble death. As Nero’s adviser, Seneca was presented with a more complex set of choices, as the only man capable of summoning the better aspect of Nero’s nature, yet, remaining at Nero’s side and colluding in the evil regime he created. Dying Every Day is the first book to tell the compelling and nightmarish story of the philosopher-poet who was almost a king, tied to a tyrant—as Seneca, the paragon of reason, watched his student spiral into madness and whose descent saw five family murders, the Fire of Rome, and a savage purge that destroyed the supreme minds of the Senate’s golden age.