The Present Book Contains Some Fact-Finding Critical Essays Devoted To Some Of The Literary Stalwarts Of Indian English Literature, Such As, Sri Aurobindo, Raja Rao, Mulk Raj Anand, Kamala Markandaya, Arundhati Roy And Manoj Das. A Modest Attempt Has Been Made To Go Deep Into The Problem And Offer Text-Based Criticism. These Articles Have Been Written To Stimulate A Genuine Desire In The Readers For Deeper Studies In Indian English Literature.This Book Is Expected To Be Of Considerable Interest And Use To The Students As Well As The Teachers As The Critical Articles Throw More Light On Some Of The Unexplored Areas Of Studies.

Indian literature is not a corpus of texts or literary concepts from India, argues Preetha Mani, but a provocation that seeks to resolve the relationship between language and literature, written in as well as against English. Examining canonical Hindi and Tamil short stories from the crucial decades surrounding decolonization, Mani contends that Indian literature must be understood as indeterminate, propositional, and reflective of changing dynamics between local, regional, national, and global readerships. In The Idea of Indian Literature, she explores the paradox that a single canon can be written in multiple languages, each with their own evolving relationships to one another and to English. Hindi, representing national aspirations, and Tamil, epitomizing the secessionist propensities of the region, are conventionally viewed as poles of the multilingual continuum within Indian literature. Mani shows, however, that during the twentieth century, these literatures were coconstitutive of one another and of the idea of Indian literature itself. The writers discussed here—from short-story forefathers Premchand and Pudumaippittan to women trailblazers Mannu Bhandari and R. Chudamani—imagined a pan-Indian literature based on literary, rather than linguistic, norms, even as their aims were profoundly shaped by discussions of belonging unique to regional identity. Tracing representations of gender and the uses of genre in the shifting thematic and aesthetic practices of short vernacular prose writing, the book offers a view of the Indian literary landscape as itself a field for comparative literature.

Critical Response To Indian Fiction In English Contains A Series Of Critical Articles, Each Devoted To A Description As Simple And Straightforward As Possible. It Includes Almost All The Prominent Novelists In Indian Writing In English. The Novelists Discussed In This Anthology Are Mulk Raj Anand, R.N. Tagore, Kamala Markandaya, Bhabani Bhattacharya, R.P. Jhabvala, Nayantara Sahgal, Shashi Despande, Anita Desai, Khushwant Singh, Arun Joshi, Vikram Seth, Arundhati Roy And Taslima Nasrin.The Contributors To This Book Are Amar Nath Prasad, Surendra Narayan Jha, Dr. N.D.R. Chandra, Mrs. Pradnya V. Ghodpade, Dr. V. Thanuvalinga, Hari Om Prasad, S.G. Bhanegaonkar, Arjun Kumar, Dr. Chhote Lal Khatri, Arati Biswa, Darshana Trivedi, Dr. Sharada Iyer, Dr. Bhasavraj Naikar, Dr. A.K. Bachchan, Dr. Rama Kundu, M.B. Gaijan And Dr. John E. Abraham.The Volume Dives Deep Into The Works Of Indian Novelists In English And Presents The Critical Study Of Their Respective Works. It Ll Certainly Prove To Be A Great Asset To Teachers And Students And To Those Who Are Doing Research.

Collected In This Anthology Are Perceptive Articles On The Major Indian English Writers Including Novelists, Dramatists And Poets Who Have Enriched The Realm Of Letters. The Thematic Concerns Of These Writers Range From The Mythical To The Mundane; The Colonial To The Postcolonial; The Social To The Individual And The Psychological To The Satirical. The Anthology Is, Therefore, Polyphonic In Nature.The Writers Studied In This Anthology Represent All The Three Generations : G.V. Desani, Mulk Raj Anand, Raja Rao, Chaman Nahal, Arun Joshi, Basavaraj Naikar, Amitav Ghosh, Nayantara Sahgal, Anita Desai, Shashi Deshpande, Namita Gokhale, Arundhati Roy, Girish Karnad, Jayanta Mahapatra And T.R. Rajasekharaiah.The Contributors To This Volume Include Basavaraj Naikar, S.N. Vikram Raj Urs, Shankar Prasad Singha, Aroonima Sinha, P.D. Dubbe, M.R. Verma, Asha Choubey, N.B. Masal, Kuldeep Kumar, Gajendra Kumar, G.A. Ghanshyam, M.A. Nare, R.K. Gupta And Binod Mishra.

The Present Book Contains A Varied Selection Of Essays Ventured Upon As Exercises In Critical Evaluation Of Texts That Are Relevant In The Existent Literary Context. These Essays Are Certainly Not A Random Pick For Each Of The Works Chosen For Analysis, Whatever Be The Genre Of Writing, Represents The Literature In English Produced By The Native Writers Of A Particular Country. The Two Major Literatures In English Are Indisputably Those Of England And America But There Are Many Other Countries Like Africa, Australia, India And Pakistan Whose Authors Chose To Write In English Because They Felt That English, Despite Being An Alien Language, Would Better Verbalize Their Creative Urge And Lend Itself To An Exploration Of The Immense Possibilities Therein. Most Of The Authors Taken Up For Study In This Book Are Those Who Belong To The Fraternity Of Indian English Writers, Namely Mulk Raj Anand, Shashi Deshpande, Salman Rushdie, Vikram Seth, Mahesh Dattani And Manju Kapur. Catering To A Revival Of Interest In The Partition Of India As A Theme In Fiction Are Two Essays Which Deal With The Issue. Other Write-Ups Are On Works (Some In Translation) By Native Writers Of Hitherto Marginalized Countries That Have Now Chosen To Aggressively Assert Themselves Through Their Respective Literatures.The Book, Comprehensive And Rich In Its Contents, Is Highly Informative And Would Prove An Asset To Those Interested In The Diverse Manifestations Of Literature In English. It Would Be Of Particular Appeal To Those Who Wish To Explore The Works Of Indian English Writers Of Repute.

Indian Writing In English: Perspectives Looks At Indo-Anglican Writings From Two Aspects As A Social Document And As A Work Of Literature. The Essays Included In This Volume Focus On Some Of The Works Of Some Of The Writers Who Wrote In The Period 1947-2001. The Novel Azadi Chronicles A Transitional As Well As A Turbulent Period In The History Of India. From The 1960S Onwards One Can Discern A Change In The Style Of Writers Writing In English. They Became Bolder And Stronger In Expressing Their Emotional Needs. Kamala Das S Writings Epitomise This Change. Degeneration Of Old Values And Corruption That Creep In With Modernization Are Depicted In The Writings Of Upmanyu Chatterjee And Arundhati Roy.The Favourite Theme Of Nearly All The Writers Analysed Here Has Been Human Relationships. Our Lives Revolve Around Them In Some Form Or The Other. Relationship Make All The Difference In Life. Relationships Cannot Grow From Nothing. They Develop Through Association And Require A Long Gestation Period Between Conception And Delivery.The Contributors Who Have Contributed Articles For This Volume Are Teachers And Researchers Of Great Merit. They Have Debated And Discussed On Indo-Anglican Fiction At Seminars And Workshops. I Am Sure This Volume Will Be Of Great Help To Students And Scholars Of Indian Writing In English.

" ... Documents the history and development of [Post-colonial literatures in English, together with English and American literature] and includes original research relating to the literatures of some 50 countries and territories. In more than 1,600 entries written by more than 600 internationally recognized scholars, it explores the effect of the colonial and post-colonial experience on literatures in English worldwide.