This study provides an introduction to the neoclassical debates around how literature is shaped in concert with the thinking and feeling human mind. Three key rules of neoclassicism, namely, poetic justice (the rewards and punishments of characters in the plot), the unities (the coherence of the fictional world and its extensions through the imagination) and decorum (the inferential connections between characters and their likely actions), are reconsidered in light of social cognition, embodied cognition and probabilistic, predictive cognition. The meeting between neoclassical criticism and today's research psychology, neurology and philosophy of mind yields a new perspective for cognitive literary study. Neoclassicism has a crucial contribution to make to current debates around the role of literature in cultural and cognition. Literary critics writing at the time of the scientific revolution developed a perspective on literature the question of how literature engages minds and bodies as its central concern. A Prehistory of Cognitive Poetics traces the cognitive dimension of these critical debates in seventeenth- and eighteenth-century Britain and puts them into conversation with today's cognitive approaches to literature. Neoclassical theory is then connected to the praxis of eighteenth-century writers in a series of case studies that trace how these principles shaped the emerging narrative form of the novel. The continuing relevance of neoclassicism also shows itself in the rise of the novel, as A Prehistory of Cognitive Poetics illustrates through examples including Pamela, Tom Jones and the Gothic novel.

The Poems of Alexander Pope is a multi-volume edition of the poetry of Alexander Pope (1688–1744) resulting from a thorough reappraisal of his work, from composition through to reception. The annotations and headnotes are full and informative, and the layout is designed to enable the reader to navigate easily between the poems, the record of variants and the editorial commentary. The poems are presented in chronological order of publication, with original capitalisation, italicisation, punctuation and spelling preserved. A record of variants to each poem illustrates the changes Pope made in subsequent editions, and full editorial annotation sets the poems in appropriate literary, historical and cultural contexts. This volume contains the poetry that appeared between 1709 and 1714, including the Pastorals and the ‘Rape of the Locke’. Much of the publication history of these poems shows Pope collaborating with the major writers and publishers of his time, as might be expected of a writer whose preparation for a literary career was so meticulous. But Pope was also beginning to establish himself on his own account, publishing (at first anonymously) a substantial statement of ideas, An Essay on Criticism. Another separate pamphlet, Windsor-Forest, constituted his distinctive contribution to the heavy freight of ‘Peace’ poems prompted by the Treaty of Utrecht. In all, the poems presented in this volume reveal an engagement with the literary and publishing industry that is at once amenable and independent.

First published in 1989, this collection of essays brings into focus the history of a specific form of violence – that of representation. The contributors identify representations of self and other that empower a particular class, gender, nation, or race, constructing a history of the west as the history of changing modes of subjugation. The essays bring together a wide range of literary and historical work to show how writing became an increasingly important mode of domination during the modern period as ruling ideas became a form of violence in their own right. This reissue will be of particular value to literature students with an interest in the concept of violence, and the boundaries and capacity of discourse.