The most comprehensive reference text of theoretical and historical discourse on the biopic film The biopic, often viewed as the most reviled of all film genres, traces its origins to the early silent era over a century ago. Receiving little critical attention, biopics are regularly dismissed as superficial, formulaic, and disrespectful of history. Film critics, literary scholars and historians tend to believe that biopics should be artistic, yet accurate, true-to-life representations of their subjects. Moviegoing audiences, however, do not seem to hold similar views; biopics continue to be popular, commercially viable films. Even the genre’s most ardent detractors will admit that these films are often very watchable, particularly due to the performance of the lead actor. It is increasingly common for stars of biographical films to garner critical praise and awards, driving a growing interest in scholarship in the genre. A Companion to the Biopic is the first global and authoritative reference on the subject. Offering theoretical, historical, thematic, and performance-based approaches, this unique volume brings together the work of top scholars to discuss the coverage of the lives of authors, politicians, royalty, criminals, and pop stars through the biopic film. Chapters explore evolving attitudes and divergent perspectives on the genre with topics such as the connections between biopics and literary melodramas, the influence financial concerns have on aesthetic, social, or moral principles, the merger of historical narratives with Hollywood biographies, stereotypes and criticisms of the biopic genre, and more. This volume: Provides a systematic, in-depth analysis of the biopic and considers how the choice of historical subject reflects contemporary issues Places emphasis on films that portray race and gender issues Explores the uneven boundaries of the genre by addressing what is and is not a biopic as well as the ways in which films simultaneously embrace and defy historical authenticity Examines the distinction between reality and ‘the real’ in biographical films Offers a chronological survey of biopics from the beginning of the 20th century A Companion to the Biopic is a valuable resource for researchers, scholars, and students of history, film studies, and English literature, as well as those in disciplines that examine interpretations of historical figures

Broad in scope, this interdisciplinary collection of original scholarship on historical film features essays that explore the many facets of this expanding field and provide a platform for promising avenues of research. Offers a unique collection of cutting edge research that questions the intention behind and influence of historical film Essays range in scope from inclusive broad-ranging subjects such as political contexts, to focused assessments of individual films and auteurs Prefaced with an introductory survey of the field by its two distinguished editors Features interdisciplinary contributions from scholars in the fields of History, Film Studies, Anthropology, and Cultural and Literary Studies

Rocketman: The Official Movie Companion contains a wealth of amazing photographs from throughout the development and shooting of the movie along with quotes and interviews from the cast and crew. The book provides fascinating insight into how the film was made, including locations, choreography, costumes and—of course—the music. In May 2019, audiences are invited to discover the fantastical story of Sir Elton John's life, from his years as a prodigy at the Royal Academy of Music, to global superstar, through his influential and enduring partnership with his songwriting collaborator Bernie Taupin. Rocketman, an epic musical fantasy from Paramount Pictures, Marv Studios and Rocket Pictures, stars Taron Egerton who plays Elton John, Jamie Bell (Bernie Taupin), Richard Madden (John Reid) and Bryce Dallas Howard (Sheila Eileen). Rocketman is written by Lee Hall (Billy Elliot, War Horse) and directed by Dexter Fletcher (Eddie the Eagle). This is the official book of the movie and features on-set and behind-the-scenes photos, quotes and more.

Go behind the scenes with the March sisters in this official companion to the major motion picture adaptation of Little Women, written and directed by Academy Award–nominated director Greta Gerwig. Louisa May Alcott’s beloved classic comes to life in Greta Gerwig’s film, and this stunning guide details the making of the major motion picture, with an all-star cast featuring Timothée Chalamet, Chris Cooper, Laura Dern, Louis Garrel, James Norton, Bob Odenkirk, Florence Pugh, Saoirse Ronan, Eliza Scanlen, Meryl Streep, and Emma Watson. Learn about the history that led to Louisa May Alcott’s classic novel and the modern vision that brought these cherished characters to life for a new generation. Take a look at how the film was made in New York Times bestselling author Gina McIntyre’s Little Women: The Official Movie Companion, an insider’s guide packed with cast and crew interviews, photos of the real-life locations that were transformed into iconic sets for the film, and recipes that bring the flavors of 19th-century New England to life. Featuring lavish full-color photos of the set, actors perfecting their craft, detailed images of key props, and more, this companion is a must-have both for fans of the film and Alcott’s original masterpiece.

Big Eyes is the new movie from iconic filmmaker Tim Burton. Re-teaming with the writers of Ed Wood, Burton returns to the biopic genre by telling the story of Margaret and Walter Keane, and their beautiful and melancholy ‘big eyes’ paintings. This companion book features behind the scenes images detailing everything from costume design to cinematography, and original interviews explore the making of the movie all the way from script to final cut. Also featured is a gallery of Margaret Keane’s work.

The biographical film or biopic is a staple of film production in all major film industries and yet, within film studies, its generic, aesthetic, and cultural significance has remained underexplored. The Biopic in Contemporary Film Culture fills this gap, conceptualizing the biopic with a particular eye toward the "life" of the genre internationally. New theoretical approaches combine with specially commissioned chapters on contemporary biographical film production in India, Italy, South Korea, France, Russia, Great Britain, and the US, in order to present a selective but well-rounded portrait of the biopic’s place in film culture. From Marie Antoinette to The Social Network, the pieces in this volume critically examine the place of the biopic within ongoing debates about how cinema can and should represent history and "real lives." Contributors discuss the biopic’s grounding in the conventions of the historical film, and explore the genre’s defining traits as well as its potential for innovation. The Biopic in Contemporary Film Culture expands the critical boundaries of this evolving, versatile genre.

Tesla jolts and flows between the extraordinary life of the inventor Nikola Tesla, the making of a feature film about him by the celebrated director Michael Almereyda, and episodes from the filmmaker's own restless, quixotic career. In these pages, we encounter Tesla's colleagues and friends intermingling with Almereyda's collaborators and influences: Thomas Edison and David Lynch, Mark Twain and Sam Shepard, Sarah Bernhardt and Ethan Hawke, J.P. Morgan and Orson Welles. A rich array of illustrations - vintage and personal photographs, film stills, drawings and comic-book art - enhance the sense of time travel and parallel histories, as we read of a scheme to transmit wireless energy through the earth, of the electrocution of an elephant, of fortunes made and surrendered, and of the obsessions that propel a scientist seeking to transform the world and a director seeking to make a movie.

A fantasy series about a secret society sworn to protect mythical creatures and the girl who becomes its most important member.

Through her incomparable work on screen, stage, record, radio, and television, Judy Garland earned renown as "The World's Greatest Entertainer." It was as a motion picture star though, that she first rose to international fame. From her feature film debut in 1936 through the aptly titled I Could Go on Singing in 1963, she lit up the screen with a magic uniquely hers -- and dazzled world-wide audiences of all ages. Judy Garland starred in two dozen of the all-time classic movie musicals, among them A Star is Born, Meet Me in St. Louis, Babes in Arms, Easter Parade, For Me and My Gal, and The Harvey Girls. Her dramatic turns in Judgment at Nuremberg, The Clock, and A Child is Waiting won added acclaim. And perhaps most unforgettably, she starred as Dorothy Gale in the best-loved motion picture of all time: The Wizard of Oz. Judy: A Legendary Film Career tells the story of Garland's movie work in unprecedented detail. Hundreds of never-before-published photos, newly-assembled contemporary reviews, insight from her costars and coworkers, and production histories are provided for each film in which she appeared. Highlighting and complimenting the feature films is a definitive biography; an examination of Judy's short subjects; details of the movies she did not complete; and an enthralling compendium of film projects for which she was considered or rumored. The text is illustrated by more than five hundred photos, encompassing poster art; costume tests; behind-the-scenes candids; onstage and backstage glimpses of her theatrical successes; and personal snapshots. Judy is the exhaustively researched work of historian John Fricke. He celebrates as never before the heart, humor, and incandescent motion picture achievement of the one-and-only Judy Garland.

An authoritative review of literary biography covering the seventeenth century to the twentieth century A Companion to Literary Biography offers a comprehensive account of literary biography spanning the history of the genre across three centuries. The editor – an esteemed literary biographer and noted expert in the field – has encouraged contributors to explore the theoretical and methodological questions raised by the writing of biographies of writers. The text examines how biographers have dealt with the lives of classic authors from Chaucer to contemporary figures such as Kingsley Amis. The Companion brings a new perspective on how literary biography enables the reader to deal with the relationship between the writer and their work. Literary biography is the most popular form of writing about writing, yet it has been largely neglected in the academic community. This volume bridges the gap between literary biography as a popular genre and its relevance for the academic study of literature. This important work: Allows the author of a biography to be treated as part of the process of interpretation and investigates biographical reading as an important aspect of criticism Examines the birth of literary biography at the close of the seventeenth century and considers its expansion through the eighteenth, nineteenth and twentieth centuries Addresses the status and writing of literary biography from numerous perspectives and with regard to various sources, methodologies and theories Reviews the ways in which literary biography has played a role in our perception of writers in the mainstream of the English canon from Chaucer to the present day Written for students at the undergraduate level, through postgraduate and doctoral levels, as well as academics, A Companion to Literary Biography illustrates and accounts for the importance of the literary biography as a vital element of criticism and as an index to our perception of literary history.