In 1943, ritual murder was committed in a large African kingdom in the south of Ghana, then a colony of Great Britain. Palace officials and close kin of a recently deceased king had reputedly killed one of his chiefs in order to smooth the king's passage into the afterlife. This riveting study tells the story of the murder, the trials and appeals of those accused of the crime, and the effect of the case on politics in Ghana and Great Britain. In recounting this fascinating case, the book also provides important insights into law and politics in the colonial Gold Coast, the clash between traditional and modern values, and the nature of African monarchy in the colonial period. Drawing on newly available oral and written evidence from Ghana and Britain, Richard Rathbone builds a detailed picture of the leading characters in the case, as well as of the thirty-year rule of Nana Ofori Atta, the king. He shows how the death of the king destroyed the economic, social, and moral fabric of the kingdom, and how this destruction was further exacerbated by legal proceedings resulting from the murder. The case set the indigenous royal family against the colonial government, challenging the authority of each. Close kinsmen of the accused, hitherto in the vanguard of moderate nationalism, were radicalized by their extended confrontation with the colonial justice system. It was their political initiatives that accelerated the formation of the Gold Coast's first national political party in the late 1940s, and which led in turn to the struggle for self-government and to the achievement of Ghanian independence in 1957.

In the late 1980s, a predator stalked the Tidewater region of Virginia, savagely murdering his carefully selected his prey. He, or they, demonstrated a special kind of evil, and to this day have evaded justice. This is the first comprehensive look at the Colonial Parkway Murders and sheds new light on the victims, the crimes, and the investigation.

Murder, manslaughter, suicide, mishap - the very public business of determining death in colonial Sydney. Murder in colonial Sydney was a surprisingly rare occurrence, so when it did happen it caused a great sensation. People flocked to the scene of the crime, to the coroner's court and to the criminal courts to catch a glimpse of the accused. Most of us today rarely see a dead body. In nineteenth century Sydney, when health was precarious and workplaces and the busy city streets were often dangerous, witnessing a death was rather common. And any death that was sudden or suspicious would be investigated by the coroner. Henry Shiell was the Sydney City Coroner from 1866 to 1889. In the course of his unusually long career he delved into the lives, loves, crimes, homes and workplaces of colonial Sydneysiders. He learnt of envies, infidelities, passions, and loyalties, and just how short, sad and violent some lives were. But his court was also, at times, instrumental in calling for new laws and regulations to make life safer. Catie Gilchrist explores the nineteenth century city as a precarious place of bustling streets and rowdy hotels, harbourside wharves and dangerous industries. With few safety regulations, the colourful city was also a place of frequent inquests, silent morgues and solemn graveyards. This is the story of life and death in colonial Sydney. PRAISE 'Catie Gilchrist draws back the veil on death in nineteenth-century Sydney to reveal life - ordinary, tragic and hopeful' David Hunt, author of Girt and True Girt

My name is Caelin Morrow, and I run the internal affairs bureau for the entire Commonwealth Rim Sector. It means I hunt down corrupt federal officials of all stripes — police, military, political or bureaucratic — in the most fractious and nowadays most dangerous part of human space. I also examine the private and professional lives of Constabulary officials destined for senior positions, to make sure they’re not hiding a habit of taking bribes, abusing their powers, or worse. Assistant Commissioner Elden Braband, newly appointed as chief of police on Mission Colony, is one of the latter, and I had declared him squeaky clean. When the colony’s governor complains about Braband a few months after his arrival, Deputy Chief Constable Maras, who commands the Rim Sector Constabulary Group, smells a rat. She asks me to investigate because honest cops don’t go bad within a few months. But hours after my team and I land on Mission Colony, a senior official is found dead in her office, leaving Assistant Commissioner Braband in a bind. The subsequent investigation will propel us into the heart of colonial darkness where corruption, organized crime, and corporate malfeasance combine in a deadly brew.

"A good story, well told, of a sliver of life in Richmond, a small, elite-driven capital city in the young nation's most influential state." —Publishers Weekly George Wythe clung to the mahogany banister as he inched down the staircase of his comfortable Richmond, Virginia, home. Doubled over in agony, he stumbled to the kitchen in search of help. There he found his maid, Lydia Broadnax, and his young protegé, Michael Brown, who were also writhing in distress. Hours later, when help arrived, Wythe was quick to tell anyone who would listen, "I am murdered." Over the next two weeks, as Wythe suffered a long and painful death, insults would be added to his mortal injury. I Am Murdered tells the bizarre true story of Wythe's death and the subsequent trial of his grandnephew and namesake, George Wythe Sweeney, for the crime—unquestionably the most sensational and talked-about court case of the era. Hinging on hit-and-miss forensics, the unreliability of medical autopsies, the prevalence of poisoning, race relations, slavery, and the law, Sweeney's trial serves as a window into early nineteenth-century America. Its particular focus is on Richmond, part elegant state capital and part chaotic boomtown riddled with vice, opportunism, and crime. As Wythe lay dying, his doctors insisted that he had not been poisoned, and Sweeney had the nerve to beg him for bail money. In I Am Murdered, this signer of the Declaration of Independence, mentor to Thomas Jefferson, and "Father of American Jurisprudence" finally gets the justice he deserved.

"In Morocco, nobody dies without a reason." -- Susan Gilson Miller, Harvard University In the years leading up to World War I, the Great Powers of Europe jostled one another for control over Morocco, the last sovereign nation in North Africa. France beat out its rivals and added Morocco to its vast colonial holdings through the use of diplomatic intrigue and undisguised force. But greed and ambition alone do not explain the complex story of imperialism in its entirety. Amid fears that Morocco was descending into anarchy, Third Republic France justified its bloody conquest through an appeal to a higher ideal. France's self-proclaimed "civilizing mission" eased some consciences but led to inevitable conflict and tragedy. Murder in Marrakesh relates the story of the early days of the French conquest of Morocco from a new perspective, that of Émile Mauchamp, a young French doctor, his compatriots, and some justifiably angry Moroccans. In 1905, the French foreign ministry sent Mauchamp to Marrakesh to open a charitable clinic. He died there less than two years later at the hands of a mob. Reviled by the Moroccans as a spy, Mauchamp became a martyr for the French. His death, a tragedy for some, created opportunity for others, and set into motion a chain of events that changed Morocco forever. As it reconstructs Mauchamp's life, this book touches on many themes -- medicine, magic, vengeance, violence, mourning, and memory. It also considers the wedge French colonialism drove between Morocco's Muslims and Jews. This singular episode and compelling human story provides a timely reflection on French-Moroccan relations, colonial pride, and the clash of civilizations.

An accusation of attempted murder rudely interrupted Mary Arnold’s dalliances with working men and her extensive shopping sprees. When her husband Benedict fell deathly ill and then asserted she had tried to kill him with poison, the result was a dramatic petition for divorce. The case before the Rhode Island General Assembly and its tumultuous aftermath, during which Benedict died, made Mary a cause célèbre in Newport through the winter of 1738 and 1739. Elaine Forman Crane invites readers into the salacious domestic life of Mary and Benedict Arnold and reveals the seamy side of colonial Newport. The surprise of The Poison Plot, however, is not the outrageous acts of Mary or the peculiar fact that attempted murder was not a convictable offense in Rhode Island. As Crane shows with style, Mary’s case was remarkable precisely because adultery, criminality and theft, and even spousal homicide were well known in the New England colonies. Assumptions of Puritan propriety are overturned by the facts of rough and tumble life in a port city: money was to be made, pleasure was to be had, and if marriage became an obstacle to those pursuits a woman had means to set things right. The Poison Plot is an intimate drama constructed from historical documents and informed by Crane’s deep knowledge of elite and common life in Newport. Her keen eye for telling details and her sense of story bring Mary, Benedict, and a host of other characters—including her partner in adultery, Walter Motley, and John Tweedy the apothecary who sold Mary toxic drugs—to life in the homes, streets, and shops of the port city. The result is a vivid tale that will change minds about life in supposedly prim and proper New England.

WINNER • 2022 PULITZER PRIZE IN HISTORY Finalist • National Book Award for Nonfiction Best Books of the Year • TIME, Smithsonian, Boston Globe, Kirkus Reviews The Pulitzer Prize-winning history that transforms a single event in 1722 into an unparalleled portrait of early America. In the winter of 1722, on the eve of a major conference between the Five Nations of the Haudenosaunee (also known as the Iroquois) and Anglo-American colonists, a pair of colonial fur traders brutally assaulted a Seneca hunter near Conestoga, Pennsylvania. Though virtually forgotten today, the crime ignited a contest between Native American forms of justice—rooted in community, forgiveness, and reparations—and the colonial ideology of harsh reprisal that called for the accused killers to be executed if found guilty. In Covered with Night, historian Nicole Eustace reconstructs the attack and its aftermath, introducing a group of unforgettable individuals—from the slain man’s resilient widow to an Indigenous diplomat known as “Captain Civility” to the scheming governor of Pennsylvania—as she narrates a remarkable series of criminal investigations and cross-cultural negotiations. Taking its title from a Haudenosaunee metaphor for mourning, Covered with Night ultimately urges us to consider Indigenous approaches to grief and condolence, rupture and repair, as we seek new avenues of justice in our own era.

“Edgar–winner Pattison combines action, period details, and a whodunit with ease in his impressive third mystery set in Colonial America.” —Publishers Weekly (starred review) Despite the raging war between French and British, Scottish exile Duncan McCallum has begun to settle into a new life on the fringes of colonial America, traveling the woodlands with his companion Conawago, even joining the old Indian on his quest to find the last surviving members of his tribe. But the joy they feel on reaching the little settlement of Christian Indians is shattered when they find its residents ritually murdered. As terrible as the deaths may be, Conawago perceives something even darker and more alarming: he is convinced they are a sign of a terrible crisis in the spirit world which he must resolve. Trying to make sense of the murders, Duncan is accused by the British army of the crime. Escaping prison to follow the trail of evidence, he finds himself hounded by vengeful soldiers and stalked by Scottish rebels who are mysteriously trying to manipulate the war to their advantage. As he pieces together the puzzle of violence and deception he gradually realizes that it may not only be the lives of Duncan and his friends that hang in the balance, but the very survival of the native tribes. When he finally discovers the terrible truth, Duncan is forced to make a fateful choice between his beloved Highland clans and the woodland natives who have embraced and protected him.

When a traveling peddler discovers the murder of a farm family in colonial North Carolina whose bodies have been left in bizarre positions, circumstances point to an Indian attack. But Harry Woodyard, a young planter who is the volunteer constable of Craven County during a period in America's past when there was no professional police force, finds clues that seem to indicate otherwise. The county establishment wants to blame the crime on a former inhabitant, an elderly Indian who has suddenly reappeared in the vicinity like an old ghost. But he is a person to whom Harry owes much. Defying the authorities, Harry goes off on his own to find the real killer. His investigation takes him up the Atlantic seacoast and turns into a hunt for even bigger quarry and more adventure then he ever dreamed possible. During his search for the truth about the murders, Harry learns that the eyes are not always to be trusted and people are not always as they seem.