So many people have inspired me throughout my lifetime, that most I will remember, and some I might forget, but charge it to my head, not my heart. First, I would like to thank God for giving me the gift of writing, and blessing me with the opportunity to share my personal thoughts with others, who may be going through similar situations. Secondly, I would like to thank my parents, biological and surrogates for their continued support throughout the years. Georgia Bellamy, for giving me life and doing everything in her power to give me happiness. Orton Bellamy, for being such a great step-dad. Thanks for your love and support. Tillmond Williams, for showing me that no matter what curve balls youre thrown in life, you can rise above them. Mr. Lindbirgh Bellamy, for always loving me, even when I was difficult to love and supporting me to fulfill my dreams. Dr. James L. Floyd, for literally saving my life, and stepping into a fatherly role. James and Patricia Livingston for being a great uncle and aunt, and always encouraging me. Reverend Benjamin F. Powell, and Ms. Lois Powell, for being my spiritual advisors as well as my second parents. To my sister Marian, I appreciate our relationship now more than ever. To my two grandmothers, Ms. Clara Bellamy and Ms. Peggy Bellamy for doing the extra things that my parents didnt do, like most grandparents do, to show me your love. Mr. George Green, for being the best Pop-Pop in the world. I miss you, but I know youre sleeping with the angels. To Aunt Ollie, Uncle Melvin, Uncle Paul, Aunt Louise, and Aunt Oleen, thanks for showing me kindness and love.

'Bright Dead Things buoyed me in this dismal year. I'm thankful for this collection, for its wisdom and generosity, for its insistence on holding tight to beauty even as we face disintegration and destruction.' Celeste Ng, author of Everything I Never Told You A book of bravado and introspection, of feminist swagger and harrowing loss, Bright Dead Things considers how we build our identities out of place and human contact - tracing in intimate detail the ways the speaker's sense of self both shifts and perseveres as she moves from New York City to rural Kentucky, loses a dear parent, ages past the capriciousness of youth and falls in love. In these extraordinary poems Ada Limón's heart becomes a 'huge beating genius machine' striving to embrace and understand the fullness of the present moment. 'I am beautiful. I am full of love. I am dying,' the poet writes. Building on the legacies of forebears such as Frank O'Hara, Sharon Olds and Mark Doty, Limón's work is consistently generous, accessible, and 'effortlessly lyrical' (New York Times) - though every observed moment feels complexly thought, felt and lived.

The Heart of a Rose is a collection of 66 poems which tells a story. It reflects on the heart and feelings in relationships. Whether you're in love, a healing process, or single. There are emotions everyone can resonate with in this poetry book.

Audisee® eBooks with Audio combine professional narration and text highlighting for an engaging read aloud experience! Two poets, one white and one black, explore race and childhood in this must-have collection tailored to provoke thought and conversation. How can Irene and Charles work together on their fifth grade poetry project? They don't know each other . . . and they're not sure they want to. Irene Latham, who is white, and Charles Waters, who is Black, use this fictional setup to delve into different experiences of race in a relatable way, exploring such topics as hair, hobbies, and family dinners. Accompanied by artwork from acclaimed illustrators Sean Qualls and Selina Alko (of The Case for Loving: The Fight for Interracial Marriage), this remarkable collaboration invites readers of all ages to join the dialogue by putting their own words to their experiences.

Making Poetry Matter draws together contributions from leading scholars in the field to offer a variety of perspectives on poetry pedagogy. A wide range of topics are covered including: - Teacher attitudes to teaching poetry in the urban primary classroom - Digital poetry and multimodality - Resistance to poetry in Post-16 English Throughout, the internationally recognised contributors draw on case studies to ensure that the theory is clearly linked to classroom practice. They consider the teaching and learning challenges that poetry presents for those working with learners aged between 5 and 19 and explore these challenges with reference to reading; writing; speaking and listening and the transformative nature of poetry in different contexts.

"Exquisite . . . A powerful example of how to carry the things that define us without being broken by them." --WASHINGTON POST

A selection of Bill Knott's life work--testimony of his enduring -thorny genius- (Robert Pinsky).

In today's increasingly electronic world, we say our personality traits are "hard-wired" and we "replay" our memories. But we use a different metaphor when we speak of someone "reading" another's mind or a desire to "turn over a new leaf"—these phrases refer to the "book of the self," an idea that dates from the beginnings of Western culture. Eric Jager traces the history and psychology of the self-as-text concept from antiquity to the modern day. He focuses especially on the Middle Ages, when the metaphor of a "book of the heart" modeled on the manuscript codex attained its most vivid expressions in literature and art. For instance, medieval saints' legends tell of martyrs whose hearts recorded divine inscriptions; lyrics and romances feature lovers whose hearts are inscribed with their passion; paintings depict hearts as books; and medieval scribes even produced manuscript codices shaped like hearts. "The Book of the Heart provides a fresh perspective on the influence of the book as artifact on our language and culture. Reading this book broadens our appreciation of the relationship between things and ideas."—Henry Petroski, author of The Book on the Bookshelf

The poetic books of the Old Testament--Job, Psalms, Proverbs, Ecclesiastes, Song of Solomon--are often called humankind's reach toward God. The other books of the Old Testament picture God's reach toward man through the redemptive story. Yet these five books reveal the very hear of men and women struggling with monumental issues such as suffering, sin, forgiveness, joy, worship, and the passionate love between a man and woman. C. Hassell Bullock, a noted Old Testament scholar, delves deep into the hearts of the five poetic books, offering readers helpful details such as harmeneutical considerations for each book, theological content and themes, detailed analysis of each book, and cultural perspectives. Hebrew is a language of "intrinsic musical quality that naturally supports poetic expression," says Bullock in his introduction. That poetic expression comes from the heart of the Old Testament writers and reaches all of us exactly where we are in our own struggles and joys.