In a brilliant collaboration between writer and subject, Witold Rybczynski, the bestselling author of Home and City Life, illuminates Frederick Law Olmsted's role as a major cultural figure at the epicenter of nineteenth-century American history. We know Olmsted through the physical legacy of his stunning landscapes -- among them, New York's Central Park, California's Stanford University campus, and Boston's Back Bay Fens. But Olmsted's contemporaries knew a man of even more extraordinarily diverse talents. Born in 1822, he traveled to China on a merchant ship at the age of twenty-one. He cofounded The Nation magazine and was an early voice against slavery. He managed California's largest gold mine and, during the Civil War, served as the executive secretary to the United States Sanitary Commission, the precursor of the Red Cross. Rybczynski's passion for his subject and his understanding of Olmsted's immense complexity and accomplishments make his book a triumphant work. In A Clearing in the Distance, the story of a great nineteenth-century American becomes an intellectual adventure.

This definitive, first full-scale biography of Olmsted--famed designer of New York's Central Park--reveals him also as a brilliant political and social reformer.

In this new work, prizewinning author, professor, and Slate architecture critic Witold Rybczynski returns to the territory he knows best: writing about the way people live, just as he did in the acclaimed bestsellers Home and A Clearing in the Distance. In Makeshift Metropolis, Rybczynski has drawn upon a lifetime of observing cities to craft a concise and insightful book that is at once an intellectual history and a masterful critique. Makeshift Metropolis describes how current ideas about urban planning evolved from the movements that defined the twentieth century, such as City Beautiful, the Garden City, and the seminal ideas of Frank Lloyd Wright and Jane Jacobs. If the twentieth century was the age of planning, we now find ourselves in the age of the market, Rybczynski argues, where entrepreneurial developers are shaping the twenty-first-century city with mixed-use developments, downtown living, heterogeneity, density, and liveliness. He introduces readers to projects like Brooklyn Bridge Park, the Yards in Washington, D.C., and, further afield, to the new city of Modi’in, Israel—sites that, in this age of resource scarcity, economic turmoil, and changing human demands, challenge our notion of the city. Erudite and immensely engaging, Makeshift Metropolis is an affirmation of Rybczynski’s role as one of our most original thinkers on the way we live today.

Childhood is a fundamental theme in the works of Ana Maria Matute, and also one of the key issues for the study of the aesthetic narrative of the writer. This thesis presents an analysis of the image of childhood in the works of Matute written for adults, observed in two distinct literary contexts: that of the realistic novels and of the fantastic works. This division also corresponds, though not mathematically, to the two creative periods of the writer, so that the continuity and evolution of both the theme and the aesthetic techniques throughout the author's entire literary career can be observed. The analysis which concerns the realistic works of Matute contains three chapters: firstly, approaches to the child antihero, which includes subtopics such as the Cain theme, the infantile cruelty, and the death in the childhood; secondly, an analysis of the aesthetic techniques that contribute to the subjective descriptions of the identity of child; thirdly, an observation of the relationship between the Matutian Child and the external world. In the part entitled "Childhood in the fantastic works of Ana Maria Matute", we have used as corpus fantastic works of the second period of Ana María Matute and showed how the world of children is adapted to a new fantastic and medieval environment. The analysis also includes three sections: a discussion of the continuation/renewal of the topic mentioned above; the analysis of some secondary fantastic characters related to the theme of childhood; finally, a systematic study of the symbolic objects in the works of Ana María Matute.

In City Life, Witold Rybczynski, bestselling author of Now I Sit Me Down, looks at what we want from cities, how they have evolved, and what accounts for their unique identities. In this vivid description of everything from the early colonial settlements to the advent of the skyscraper to the changes wrought by the automobile, the telephone, the airplane, and telecommuting, Rybczynski reveals how our urban spaces have been shaped by the landscapes and lifestyles of the New World.

The biggest and best single-volume collection ever published of the fascinating and wide-ranging writings of a vitally important nineteenth century cultural figure whose work continues to shape our world today. Seaman, farmer, abolitionist, journalist, administrator, reformer, conservationist, and without question America’s foremost landscape architect and urban planner, Frederick Law Olmsted (1822–1903) was a man of unusually diverse talents and interests, and the arc of his life and writings traces the most significant developments of nineteenth century American history. As this volume reveals, the wide-ranging endeavors Olmsted was involved in—cofounding The Nation magazine, advocating against slavery, serving as executive secretary to the United States Sanitary Commission (precursor to the Red Cross) during the Civil War, championing the preservation of America’s great wild places at Yosemite and Yellowstone—emerged from his steadfast commitment to what he called “communitiveness,” the impulse to serve the needs of one’s fellow citizens. This philosophy had its ultimate expression is his brilliant designs for some of the country’s most beloved public spaces: New York’s Central Park, Prospect Park in Brooklyn, Boston’s “Emerald Necklace,” the Biltmore Estate in North Carolina, the grounds of the U.S. Capitol, garden suburbs like Chicago’s Riverside, parkways (a term he invented) and college campuses, the “White City” of the 1893 World’s Columbian Exposition, and many others. Gathering almost 100 original letters, newspaper dispatches, travel sketches, essays, editorials, design proposals, official reports, reflections on aesthetics, and autobiographical reminiscences, this deluxe Library of America volume is profusely illustrated with a 32-page color portfolio of Olmsted’s design sketches, architectural plans, and contemporary photographs. It also includes detailed explanatory notes and a chronology of Olmsted’s life and design projects. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

The Best Tool of the Millennium The seeds of Rybczynski's elegant and illuminating new book were sown by The New York Times, whose editors asked him to write an essay identifying "the best tool of the millennium." The award-winning author of Home, A Clearing in the Distance, and Now I Sit Me Down, Rybczynski once built a house using only hand tools. His intimate knowledge of the toolbox -- both its contents and its history -- serves him beautifully on his quest. One Good Turn is a story starring Archimedes, who invented the water screw and introduced the helix, and Leonardo, who sketched a machine for carving wood screws. It is a story of mechanical discovery and genius that takes readers from ancient Greece to car design in the age of American industry. Rybczynski writes an ode to the screw, without which there would be no telescope, no microscope -- in short, no enlightenment science. One of our finest cultural and architectural historians, Rybczynski renders a graceful, original, and engaging portrait of the tool that changed the course of civilization.

Have you ever wondered where rocking chairs came from, or why cheap plastic chairs are suddenly everywhere? In Now I Sit Me Down, the distinguished architect and writer Witold Rybczynski chronicles the history of the chair from the folding stools of pharaonic Egypt to the ubiquitous stackable monobloc chairs of today. He tells the stories of the inventor of the bentwood chair, Michael Thonet, and of the creators of the first molded-plywood chair, Charles and Ray Eames. He reveals the history of chairs to be a social history--of different ways of sitting, of changing manners and attitudes, and of varying tastes. The history of chairs is the history of who we are. We learn how the ancient Chinese switched from sitting on the floor to sitting in a chair, and how the iconic chair of Middle America--the Barcalounger--traces its roots back to the Bauhaus. Rybczynski weaves a rich tapestry that draws on art and design history, personal experience, and historical accounts. And he pairs these stories with his own delightful hand-drawn illustrations: colonial rockers and English cabrioles, languorous chaise longues, and no-nonsense ergonomic task chairs--they're all here. The famous Danish furniture designer Hans Wegner once remarked, "A chair is only finished when someone sits in it." As Rybczynski tells it, the way we choose to sit and what we choose to sit on speak volumes about our values, our tastes, and the things we hold dear.

Featured in Wall Street Journal's 2021 Holiday Gift Books Guide 2021 Marfield Prize Finalist Wallace Stegner called national parks "the best idea we ever had." As Americans celebrate the 150th anniversary of Yellowstone, the world's first national park, a question naturally arises: where did the idea for a national park originate? The answer starts with a look at pre-Yellowstone America. With nothing to put up against Europe's cultural pearls--its cathedrals, castles, and museums--Americans came to realize that their plentitude of natural wonders might compensate for the dearth of manmade attractions. That insight guided the great landscape architect Frederick Law Olmsted as he organized his thoughts on how to manage the wilderness park centered on Yosemite Valley, a state-owned predecessor to the national park model of Yellowstone. Haunting those thoughts were the cluttered and carnival-like banks of Niagara Falls, which served as an oft-cited example of what should not happen to a spectacular natural phenomenon. Olmsted saw city parks as vital to the pursuit of happiness and wanted them to be established for all to enjoy. When he wrote down his philosophy for managing Yosemite, a new and different kind of park, one that preserves a great natural site in the wilds, he had no idea that he was creating a visionary blueprint for national parks to come. Dennis Drabelle provides a history of the national park concept, adding to our understanding of American environmental thought and linking Olmsted with three of the country's national treasures. Published in time to celebrate the 150th anniversary of Yellowstone National Park on March 1, 2022, and the 200th birthday of Frederick Law Olmsted on April 26, 2022, The Power of Scenery tells the fascinating story of how the national park movement arose, evolved, and has spread around the world.