There are two sides to every story. In this dark and sexy companion novel to the New York Times bestseller A Terrible Love, experience the sizzling passion and pulse-pounding suspense through FBI agent Cas Steele’s eyes as he hunts down a psychopath...and falls for the killer’s prey. Cas has been charged with an unsavory task: manipulate the hauntingly beautiful Jewell MacLeod—a woman he has every reason to hate—and slowly gain her trust in order to use her as bait to lure in a killer. But as the killer draws closer, Cas realizes that he can’t deny the scorching chemistry that ignites between him and Jewell, even if giving into his physical desire for her means jeopardizing his mission...and opening himself up to the possibility of a real and terrible love...

Radical Tenderness argues for the importance of poetry in negotiating political and social catastrophes, through a focus on the unusual intimacies of committed writing. How do poets negotiate between the personal and the public, the bedroom and the street, the family and class or communal ties? How does contemporary lyric, with its emphasis on the feelings and perceptions of the individual subject, speak to moments of shared crisis? What can poetry tell us about how care shapes our experiences of history? How do the intimacies found in protest, on strike, in riots, and in spaces of oppression, transform individual lives and political movements? Through a series of focussed readings of four twenty-first century poets - Caleb Femi, Bhanu Kapil, Juliana Spahr and Anne Boyer - Radical Tenderness reflects the perspectives provided by intimate poetries on the shared political emergencies of poverty, war, ecological catastrophe, racism, and illness.

In this electrifying New York Times ebook and USA Today bestseller from rising star of dark and sizzling new adult novels Marata Eros, a former ballerina struggles to hide her painful past—only to discover she’s not the only one with secrets. "We’re terrible together. . . ." Jess Mackey’s whole life is a meticulously fabricated lie. She escaped the violent tragedy of her past and is forging ahead with a clean slate far removed from her powerful political family and its dark secrets. But Jess can’t ignore her passions—not her love for ballet, nor her tumultuous desire for the unexpected lover who threatens to jeopardize her carefully constructed identity. Love does no harm. . . . Devin Castile is all sex-and-hotness wrapped up in a dangerous package. Jess worked hard to leave danger behind. But she wants Cas as much as the girl she once was longs to be free. Convinced they can keep their messy emotions at bay, Jess and Cas indulge their wildest fantasies. But soon Jess’s lies begin to crumble, and the lovers discover that freedom comes with a deadly price.

When her teenage son disappears in the aftermath of a brutal murder, a determined mother sets out from her snow-covered nineteenth-century settlement to find him, an effort that is hampered by vigilante groups and the harrowing forces of nature. A first novel.

Tenderness is not a notion commonly associated with the Romans, whose mythical origin was attributed to brutal rape. Yet, as Hérica Valladares argues in this ground-breaking study, in the second half of the first century BCE Roman poets, artists, and their audience became increasingly interested in describing, depicting, and visualizing the more sentimental aspects of amatory experience. During this period, we see two important and simultaneous developments: Latin love elegy crystallizes as a poetic genre, while a new style in Roman wall painting emerges. Valladares' book is the first to correlate these two phenomena properly, showing that they are deeply intertwined. Rather than postulating a direct correspondence between images and texts, she offers a series of mutually reinforcing readings of painting and poetry that ultimately locate the invention of a new romantic ideal within early imperial debates about domesticity and the role of citizens in Roman society.

Working at the local processing plant, Marcos is in the business of slaughtering humans—though no one calls them that anymore. His wife has left him, his father is sinking into dementia, and Marcos tries not to think too hard about how he makes a living. After all, it happened so quickly. First, it was reported that an infectious virus has made all animal meat poisonous to humans. Then governments initiated the “Transition.” Now, eating human meat—“special meat”—is legal. Marcos tries to stick to numbers, consignments, processing. Then one day he’s given a gift: a live specimen of the finest quality. Though he’s aware that any form of personal contact is forbidden on pain of death, little by little he starts to treat her like a human being. And soon, he becomes tortured by what has been lost—and what might still be saved.

Eighteen-year-old Eric has just been released from juvenile detention for murdering his mother and stepfather. Now he’s looking for tenderness—tenderness he finds in caressing and killing beautiful girls. Fifteen-year-old Lori has run away from home again. Emotionally naïve but sexually precocious, she is also looking for tenderness—tenderness she finds in Eric. Will Lori and Eric be each other’s salvation or destruction? Told from their alternating points of view, this harrowing thriller speeds to its fateful conclusion with an irresistible force, and a final twist that will not be easily forgotten.

In Cherishment, Elisabeth Young-Bruehl and Faith Bethelard provide a wholly original way of thinking about familiar concepts such as love, attachment, and care, showing how deep-seated disappointments and fears of dependency keep so many of us from forming healthy relationships Cherishment narrates a journey of discovery, and any reader on his or her own journey in the realm of the heart will feel cherished by it.

This book connects the emergence of Latin love elegy and a new, tender style in Roman wall painting.