The poems in Sea Nettles explore relationships between people of three generations as they evolve over decades. At the center of many of the poems is a transgender child. The child's stubborn, gritty insistence on being true to herself is revealed, as well as the mother's struggles to come to terms with her child's identity, and the grandfather's loving relationship with this child. Like so many of us, the speaker in these poems often attempts to take refuge in "Foolish wishes, passing thoughts, dreams abandoned..." but she can't avoid the sharp truths that come with complicated relationships. And whose relationships, if they are true, if they are deep, are ever free of complications?

Poetry chapbook

Critical texts, recipes, and poetry from a creative community food-growing project in Scotland. "Town Is the Garden" was a three-year creative community food-growing project run by Deveron Projects, a socially engaged arts organization in the northeast of Scotland. The project set out to explore how a rural agricultural town might rethink its relationship to food and food growing in an era of increasing awareness of climate and ecological emergency. Food becomes a lens through which to investigate the dichotomies that have led to the current environmental catastrophes. Through a collective investigation into the processes of learning and sharing skills related to food growing, the project explored how a community can better pay attention to the entanglement of human and nonhuman worlds. This set of six thought-provoking chapbooks captures the diverse creative learning program developed through the project.

Charles Bane Jr., a Chicago native, is a globally published poet. His work has appeared in print and online at The Indian Diary, The Criterion: An International Journal in English, Clutching at Straws, Durable Goods, Word Pond, and museumviews. com. His poetry was included in "I Was Indian: An Anthology of Native Literature, Vol 1" (Foothills Publishing). He was the only non-Native American included in the volume. In addition, his writing has been the focus of critical review, most recently in "The Poetry of Charles Bane, Jr." in The Calliope Nerve. This is his first chapbook. "We aren't used, in this ravaged era, to poems of happiness, and yet that rarity is what Charles Bane, Jr., offers us. An offering it is, nor can we doubt that this poet conceives poetry as a sacramental endeavor, with human love as our nearest approach to the divine. He takes Buber's "I and Thou" a step further to form what he calls a "monotheism of we." Judaism is supremely the religion of reinterpretation, and this poet's embodiment of it demonstrates that historical tragedy finds its best answer in the tender bonds we form in order to choose not death but life." - Alfred Corn, American poet & essayist The Chapbook is beautifully illustrated by Canadian artist Isabelle Pruneau, and designed by Polish-born artist Karolina Faber. With the touch of these two talented artists, Charles' poems of happiness, struggle, and romance sing off the page.

DigiCat Publishing presents to you this special edition of "Chap-books of the Eighteenth Century" (With Facsimiles, Notes, and Introduction) by John Ashton. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

This study breaks new ground surveying the origins of the Gothic chapbook, its publishers and authors, in order to establish conclusively the impact these pamphlets had on the development of the Gothic genre. Considered the illegitimate offspring of the Gothic novel, the lowly chapbook flooded the market in the late eighteenth century, creating a separate and distinct secondary market for tales of terror. The trade was driven by a handful of individuals who were booksellers and dealers, circulating library proprietors, stationers, and small publishers – what they produced were more than four hundred chapbooks, bluebooks and shilling shockers containing Gothic tales from magazines, redactions of popular novels, extractions of entire inset tales, and original tales of terror. This book responds to the urgent and pressing need to contextualise the Gothic chapbook in ascertaining a more concise and comprehensive view of the entire Gothic genre.