On the edge of the Chicago medical district, the Harrison School for Exceptional Youth looks like a castle in a snow globe. Janina has been there since she was ten years old, and now she's fourteen. She feels so safe inside its walls that she's afraid to leave. Devante's parents bring him there after a tragedy leaves him depressed and suicidal. Even though he's in a different place, he can't escape the memories that come flooding back when he least expects them. Dr. Gail Thomas comes to work there after quitting her medical residency. Frustrated and on the verge of giving up on her dreams, she sees becoming a counselor as her last chance to put her skills to the test. When he founded the school, Dr. Lutkin designed its unique environment to be a place that would change the students' lives. He works hard as the keeper of other people's secrets, though he never shares any of his own. But everything changes late in the winter of 1994 when these four characters' lives intersect in unexpected ways. None of them will ever be the same.

After killing a young man with her car, Mogil began abusing such prescription drugs as Darvon, Demerol and Percodan, and remained addicted for over 15 years. Drawing on her own and others' experiences (with numerous first-hand accounts), the author strongly suggests that prescription drug addicts should admit their powerlessness over the addiction, find a good therapist and locate a sponsor (someone who has overcome the same problem) for feedback and support.

NEW YORK TIMES BESTSELLER • A NEW YORK TIMES NOTABLE BOOK • “A tour de force . . . a comprehensive and suitably furious guide to the political landscape of American healthcare . . . persuasive, shocking.”—The New York Times America’s Bitter Pill is Steven Brill’s acclaimed book on how the Affordable Care Act, or Obamacare, was written, how it is being implemented, and, most important, how it is changing—and failing to change—the rampant abuses in the healthcare industry. It’s a fly-on-the-wall account of the titanic fight to pass a 961-page law aimed at fixing America’s largest, most dysfunctional industry. It’s a penetrating chronicle of how the profiteering that Brill first identified in his trailblazing Time magazine cover story continues, despite Obamacare. And it is the first complete, inside account of how President Obama persevered to push through the law, but then failed to deal with the staff incompetence and turf wars that crippled its implementation. But by chance America’s Bitter Pill ends up being much more—because as Brill was completing this book, he had to undergo urgent open-heart surgery. Thus, this also becomes the story of how one patient who thinks he knows everything about healthcare “policy” rethinks it from a hospital gurney—and combines that insight with his brilliant reporting. The result: a surprising new vision of how we can fix American healthcare so that it stops draining the bank accounts of our families and our businesses, and the federal treasury. Praise for America’s Bitter Pill “An energetic, picaresque, narrative explanation of much of what has happened in the last seven years of health policy . . . [Brill] has pulled off something extraordinary.”—The New York Times Book Review “A thunderous indictment of what Brill refers to as the ‘toxicity of our profiteer-dominated healthcare system.’ ”—Los Angeles Times “A sweeping and spirited new book [that] chronicles the surprisingly juicy tale of reform.”—The Daily Beast “One of the most important books of our time.”—Walter Isaacson “Superb . . . Brill has achieved the seemingly impossible—written an exciting book about the American health system.”—The New York Review of Books

Ravyn Knight’s career as a successful porn star goes down in flames after she is diagnosed with HIV. To make ends meet she becomes an erotic dancer and uses her former fame to build a side business as a high-profiled prostitute. She is the first victim of a vicious killer who leaves her body with multiple stab wounds. John Friendly, recently promoted as a detective, is still learning the ropes when he and his veteran partner, Wade Russell, are assigned the case of investigating Knight’s murder. Their uneasy partnership is strained even further by personal troubles in both their lives: Russell is drunk most of the time to help him forget about his son’s recent suicide, and Friendly’s rocky relationship with his girlfriend has him eyeing another woman. The detectives have conflicting theories, but the one thing they both agree on is that the killer is not yet done. When a second stripper is found dead, Friendly and Russell struggle to connect the pieces of the puzzle before a third body turns up. Can they put their personal differences aside before it’s too late?

The truth is a bitter pill... Rennie Harlow is having a bad year. She had a handsome husband, a good job, and a renovated condo in Chicago. Now, thanks to one "exotically beautiful" paralegal, she's divorced, faking her way through a writing career, and living above her hypochondriac mother's garage back in Morrisville, the small town she couldn't leave fast enough at eighteen. On top of all of that, she just found Doc Hallacy, the local pharmacist, dead behind his counter. And the worst part is, he's the third body she's stumbled across this year. Jake Bristol has lived in Morrisville his whole life. A former bad boy turned sheriff, he doesn't believe it's just Rennie's luck or timing that's the problem. He thinks she's too nosy for her own good. The last thing he needs is her messing around with his murder investigation so that she can freelance for the Morrisville Gazette. But as they both delve deeper into Doc's death, they find that things don't add up. This isn't a robbery gone wrong or the work of a desperate junkie. Someone has a secret they're killing to keep. The only question is-who's next?

A Bitter Pill To Swallow is an engaging novel that takes readers inside the business and personal lives of three African-American women who, along with the arduous task of trying to build a billion dollar advertising agency, find themselves having to confront unsettling personal issues as well. Issues that teach them when to let go and when to move on. And issues that will force each of them to deal with some complicated truths.

A brilliant novel by the Norwegian master Dag Solstad Bjorn Hansen, a respectable town treasurer, has just turned fifty and is horrified by the thought that chance has ruled his life. Eighteen years ago he left his wife and their two-year-old son for his mistress, who persuaded him to start afresh in a small, provincial town and to devote himself to an amateur theater.In time that relationship also faded, and after four years of living alone Bjorn contemplates an extraordinary course of action that will change his life forever. He finds a fellow conspirator in Dr. Schiotz, who has a secret of his own and offers to help Bjorn carry his preposterous plan through to its logical conclusion. But the sudden reappearance of his son both fills Bjorn with new hope and complicates matters. The desire to gamble with his comfortable existence proves irresistible, however, taking him to Vilnius in Lithuania, where very soon he cannot tell whether he’s tangled up in a game or reality. Dag Solstad won the Norwegian Critics Prize for Literature for Novel 11, Book 18, a concentrated uncompromising existential novel that puts on full display the author’s remarkable gifts and wit.

A PEN/JEAN STEIN BOOK AWARD FINALIST ONE OF THE BEST BOOKS OF THE YEAR: The Washington Post • San Francisco Chronicle • NPR • GQ • Time • The Economist • Slate • HuffPost • Book Riot Ghost story, murder mystery, love letter to American music--White Tears is all of this and more, a thrilling investigation of race and appropriation in society today. Seth is a shy, awkward twentysomething. Carter is more glamorous, the heir to a great American fortune. But they share an obsession with music--especially the blues. One day, Seth discovers that he's accidentally recorded an unknown blues singer in a park. Carter puts the file online, claiming it's a 1920s recording by a made-up musician named Charlie Shaw. But when a music collector tells them that their recording is genuine--that there really was a singer named Charlie Shaw--the two white boys, along with Carter's sister, find themselves in over their heads, delving deeper and deeper into America's dark, vengeful heart. White Tears is a literary thriller and a meditation on art--who owns it, who can consume it, and who profits from it.

Robert A. Williams Jr. boldly exposes the ongoing legal force of the racist language directed at Indians in American society. Fueled by well-known negative racial stereotypes of Indian savagery and cultural inferiority, this language, Williams contends, has functioned “like a loaded weapon” in the Supreme Court’s Indian law decisions. Beginning with Chief Justice John Marshall’s foundational opinions in the early nineteenth century and continuing today in the judgments of the Rehnquist Court, Williams shows how undeniably racist language and precedent are still used in Indian law to justify the denial of important rights of property, self-government, and cultural survival to Indians. Building on the insights of Malcolm X, Thurgood Marshall, and Frantz Fanon, Williams argues that racist language has been employed by the courts to legalize a uniquely American form of racial dictatorship over Indian tribes by the U.S. government. Williams concludes with a revolutionary proposal for reimagining the rights of American Indians in international law, as well as strategies for compelling the current Supreme Court to confront the racist origins of Indian law and for challenging bigoted ways of talking, thinking, and writing about American Indians. Robert A. Williams Jr. is professor of law and American Indian studies at the James E. Rogers College of Law, University of Arizona. A member of the Lumbee Indian Tribe, he is author of The American Indian in Western Legal Thought: The Discourses of Conquest and coauthor of Federal Indian Law.

Bengt Sundkler's long-awaited book on African Christian churches will become the standard reference for the subject.