Max is a German schoolboy, when he first meets Lili, a trapeze artist from a travelling circus that performs every year in Berlin. Lili is a Romani and her life and customs are very different from those of Max and his family. Their friendship turns into love, but love between a German and a Romani is definitely forbidden. As Max is conscripted into the SS and war tears them apart, can their love survive? Set against the backdrop of the Second World War, A Berlin Love Song is a love story of passion, unexpected friendship, despair, loss and hope.

Describes the life of the famous composer, who immigrated to the United States at age five and became inspired by the rhythms of jazz and blues in his new home.

Fiction. From interdisciplinary writer and performer Jacob Wren comes POLYAMOROUS LOVE SONG, a novel of intertwined narratives concerning the relationship between artists and the world. Shot through with unexpected moments of sex and violence, readers will become acquainted with a world that is at once the same and opposite from the one in which they live. With a diverse palette of vivid characters--from people who wear furry mascot costumes at all times, to a group of 'new filmmakers' that devises increasingly unexpected sexual scenarios with complete strangers, to a secret society that concocts a virus that only infects those on the political right--Wren's avant-garde POLYAMOROUS LOVE SONG (finalist for the 2013 Fence Modern Prize in prose) will appeal to readers with an interest in the visual arts, theatre, and performance of all types.

The narrator arrives in Berlin, a place famed for its hedonism, to find peace and maybe love; only to discover that the problems which have long haunted him have arrived there too, and are more present than ever. As he approaches his fortieth birthday, nearing the age where his father was killed in a brutal revolution, he drifts through this endlessly addictive and sometimes mystical city, through its slow days and bottomless nights, wondering whether he will ever escape the damage left by his father's death. With the world as a whole more uncertain, as both the far-right and global temperatures rise at frightening speed, he finds himself fighting a fierce inner battle against his turbulent past, for a future free of his fear of failure, of persecution, and of intimacy. In The End, It Was All About Love is a journey of loss and self-acceptance that takes its nameless narrator all the way through bustling Berlin to his roots, a quiet village on the Uganda-Sudan border. It is a bracingly honest story of love, sexuality and spirituality, of racism, dating, and alienation; of fleeing the greatest possible pain, and of the hopeful road home.

A city that has lost one of its limbs and is receiving a miraculous gift, a little bump under the flesh, where the limb is just beginning to grow back. Thus does the American girl in Jeffrey Lewis's remarkable polyphonic novel describe Berlin and the "remnant Jews, secret GDR Jews...Soviet Jews...Jews who'd fled and come back with the victors, Jews who were lost mandarins now, Jews who'd believed in the universality of man and maybe still did" whom she finds at a Day of Atonement gathering in the eastern part of the city in a year soon after the Wall fell. Berlin Cantata deploys thirteen voices to tell a story not only of atonement, but of discovery, loss, identity, intrigue, mystery, insanity, sadomasochism and lies. At its centre is a country house owned successively by Jews, Nazis and Communists. In the country house, the American girl seeks her hidden past. In the girl, a local reporter seeks redemption. In the reporter, a false hero of the past seeks exposure. In the false hero, the American girl seeks a guide. And so it goes, a round of conspiracy and desire. Even as he describes his native city, the false hero describes the characters of Berlin Cantata: "We dined on wreckage. We were not afraid to beg. We continued our long tradition of believing either in nothing or too much."

A young writer's search for a place called home, what it means to be an artist, and finding peace with a restless heart. The follow up to Charlotte Eriksson's first book "Empty Roads & Broken Bottles; in search for The Great Perhaps", is the continued self-exploring quest of a young artist. Poetry, travel stories and journals that brings you in to this young girl's journey. ---------------- The journals and poetry explore the dreamer's fate of leaving and arriving, love and loss, and learning to go on on your own. It captures the city of Berlin, where I somehow ended up. The broken concrete, conversations with strangers, small moments of ache or clarity. The stories leads to the chapter of my Album Journals "Learning What It Means To Be An Artist," which is a series of journals and letters behind what came to be my second album "I Must Be Gone and Live, or Stay and Die". The album and this book go hand in hand and the lyrics and quotes blend into one another. The reader will find the book as a world of its own, and the listener of the album will find the musical world expanded into reality.

Charlie's mother is about to be taken as a witch. She'll surely die - and Charlie too. With the aid of Balthazar, his mother's cat, Charlie escapes but now he finds himself in another time - Northumbria four centuries earlier - and a different kind of danger.

A noted historian of the Broadway musical chronicles the braided lives of two of the 20th-century's most influential artists. Mordden shows the romance of Kurt Weill and Lotte Lenya in a dual biography scored to music from Weil's greatest triumphs.

Irving Berlin's songs have been the soundtrack of America for a century, but his most profound contribution to the nation is to Broadway. Award-winning music historian Jeffrey Magee's chronicle of Berlin's theatrical career is the first book to fully consider the songwriter's immeasurable influence on the Great White Way. Tracing Berlin's humble beginnings on the lower-east side to his rise to American icon, Irving Berlin's American Musical Theatre will delight theater aficionados as well as students of music, and popular culture, and anyone interested in the story of a man whose life and work expressed so well the American dream.

Hollywood's conversion from silent to synchronized sound film production not only instigated the convergence of the film and music industries but also gave rise to an extraordinary period of songs in American cinema. Saying It With Songs considers how the increasing interdependence of Hollywood studios and Tin Pan Alley music publishing firms influenced the commercial and narrative functions of popular songs. While most scholarship on film music of the period focuses on adaptations of Broadway musicals, this book examines the functions of songs in a variety of non-musical genres, including melodramas, romantic comedies, Westerns, prison dramas, and action-adventure films, and shows how filmmakers tested and refined their approach to songs in order to reconcile the spectacle of song performance, the classical norms of storytelling, and the conventions of background orchestral scoring from the period of silent cinema. Written for film and music scholars alike as well as for general readers, Saying It With Songs illuminates the origins of the popular song score aesthetic of American cinema.