These six intermediate-level sonatinas generally follow the traditional three-movement form (sonata-allegro, slow movement and rondo). Containing an excellent blend of Classical and Romantic period harmonies and lyric motives, the sonatinas lie well under the hands. A fresh alternative to Clementi's Sonatinas, Op. 36 and Diabelli's Sonatinas, Opp. 151 and 168.

These early keyboard works by Haydn were originally called Divertimentos or Sonatas, but because of their form and brevity were later renamed. Containing two to four movements each, they include much that is the essence of the Haydn style. The "Sonatina in G Major," Hob. XVI/8 is perhaps the best known of the set, yet all are worthy of study as preparation for Mozart and Haydn sonatas.

This collection contains duets, trios and quartets that were written by the American composers Alexander Reinagle and Francis Johnson, as well as some works that remain anonymous. Arranged by Anne McClenny Krauss and Maurice Hinson, these dances and marches were some of the most popular from the period following the Revolutionary War. Duets and trios are to be played on one piano and quartets on two. Dynamics and articulation have been added to clarify the musical ideas.

A wonderful edition aimed at helping the intermediate / early advanced pianist perform Bach's music in a stylistically acceptable manner. It includes suggested articulation, dynamic, and fingering indications. Also included is history on Bach as a performer and a teacher to aid in better understanding Bach's works and styles.

Haydn was primarily responsible for shaping the Classical style of performance. During the 18th century, when composers focused mainly on the sonata, quartet and symphony, Haydn's slow-maturing genius assimilated and consolidated the trends into an individual style that was both inspired and disciplined. These eight pieces are among Haydn's easiest works and are presented in their unsimplified, original form. Based on careful study, the editorial markings are clearly distinguished from the composer's.

These three volumes, in practical urtext-pedagogical editions, are designed with the idea that these precious works will be performed on the modern piano. With respect to the original text, Dr. Hinson offers many valuable, stylistically faithful suggestions for interpretation. Volume I is appropriate for progressing intermediate students, and provides a most effective introduction to the great Viennese Classical style.